Management: 
info@palmartists.com

Bookings:
UK, EU, Middle East & Africa:
Dave.Blackgrove@teamwass.com & Lucy.Putman@teamwass.com

Americas, Australia & Asia:
bshprits@teamwass.com

djsasha.com
Merchandise:  www.lnoearth.com

Booking Contacts: 
Ian Hindmarsh // ian@analog-a.com (Europe/South America/Rest Of World)
Emma Hoser // Emmahoser@paradigmagency.com (US/North America)

Find Sasha on: 
instagram.com/djsashaofficial/ 
facebook.com/sasha 
twitter.com/sashaofficial 
youtube.com/djsasha 
https://play.spotify.com/user/djsashaofficial 

Find Last Night On Earth on:
lastnightonearth.co.uk/
facebook.com/LastNightOnEarthMusic
twitter.com/LNOE_label
soundcloud.com/last-night-on-earth

Bookings WW: nick.matthews@teamwass.com
Bookings NA: roger.semaan@caa.com
Management: adriaan@fullspectrum.nl

My new Album 'SEROTONIN' is out now: https://armada.lnk.to/Serotonin

Eduardo Castillo’s music encompasses his depth in the study of the industry and influences stemming from a South American and European upbringing. His studies in music compositions, orchestration and opera provide him with a vast understanding of harmonies, dynamics, and musical textures. Eduardo uses a subtle ethnomusicologist’s approach to music. His record collection reads like a music history book. In fact, his eclecticism is quite enticing. Sounds of Jazz, Avant-Garde, Middle Eastern, South American, Afro-Cuban folk, Soul, Funk, and Electronic Minimalism, can be heard in his compositions, his singing, his dj sets, and his playing of instruments, whether in their pure from or intertwined with down, mid and up-tempo electronic treatments. Ultimately, simplicity is what Eduardo strives for. An effort is always made to have fresh, organic sound while inevitably providing touches of technological advances shaping music today, never overwhelming and always sophisticated and tasteful.

Eduardo's mission is to always become a storyteller from beginning to end. Every record he plays has a very important intention. The music in his selections does not just fill time, it weaves in and out with dynamic and texture. The music and his improvisational live shows are brush strokes on a canvas that once he's reached the end, will look like a world of realism and fantasy all in one. He's a master at layering the musical with the technical and the surreal with the real.

Eduardo always leaves an indelible mark with his style and impeccable understanding of his environment.

Subsurface out now: https://found.ee/matzo_subsurface

Grammy nominated music maker, mixer and founder of @madzoomusic
llewis@littleempiremusic.com

As our ever changing vision of life takes form as an oasis in the desert; we welcome you to our PLAYGROUND!

Is it a mirage or is it an oasis? 
The only way to know is to join us on a journey through the night.

As the sun goes down and the night comes out, please join us for our version of Moroccan tea and good vibes.

When the creatures of the night have arose and the music starts to call you, join us for a stiff drink and hard beats.

We are looking forward to playing with you. 
WELCOM HOME!

playground
[pley-ground] 
noun
1.
an area used for outdoor play or recreation, especially by children, and often containing recreational equipment such as slides and swings.
2.
Informal. any place, environment, or facility used for recreation or amusement, as a resort:

mirage
[mi-rahzh] 
noun
1.
an optical phenomenon, especially in the desert or at sea, by which the image of some object appears displaced above, below, or to one side of its true position as a result of spatial variations of the index of refraction of air.
2.
something illusory, without substance or reality.

Bookings Worldwide: alex@fckng-serious.de
Reinier Zonneveld's label: @filthonacid

Reinier Zonneveld Bio
When it comes to stadium-sized techno, Dutch tastemaker Reinier Zonneveld reigns supreme. Over the past 13 years, he’s emerged as one of the Netherlands’ most prolific producers, DJs, event organisers, and label founders. He’s become a beacon for a new generation of ravers, drawn to his fast-paced, bruising beats that fuse the sensibility of techno’s past with the cutting-edge sound design of its future.
But there’s more to Reinier Zonneveld than just a leading producer of acid techno. He’s the founder of the acclaimed Filth On Acid record label, who’s ranked #22 in DJ Mag’s Top 100 DJs and previously the highest new entry of the year, a Guinness World Record holder, an Edison Pop Award winner, and one of the most in-demand live acts in electronic music. Regularly performing in venues with over 25,000 visitors, his live shows have become a benchmark for the modern techno experience, powered by classic machines like the Roland 909, 101, and other synthesizers, which he manipulates in real time to create his signature soundscapes.
Reinier’s reputation as a visionary and pioneer extends far beyond his production. He’s the creative force behind the technologically forward-thinking R² Festival, where he became the first artist in the world to perform back-to-back with his own AI, just trained on his own music, enabling him to experiment with wild new technics on stage while he performs on his synths and drum machines. In 2025, he’ll take this groundbreaking concept even further with a 10-hour AI B2B live performance, featuring a holographic version of himself with real-time audio-visual manipulation — redefining what it means to perform live in the age of AI.
Classically trained on piano from the age of three, Reinier studied econometrics and earned two master’s degrees at Erasmus University in Rotterdam, where his devotion to electronic music first took shape. He began releasing minimal, experimental club cuts in the early 2010s — including ‘Vuur’, ‘Flashers’, ‘Find Muck’, and ‘Remember’ before unveiling his debut album, Reverse Psychology (2013).
By 2015, his sound evolved toward the darker, faster side of techno, showcased on Make Me A Promise and Final Judgement, and cemented with his 2016 album Megacity Servant on Stil vor Talent, featuring the hit ‘Things We Might Have Said’ with Cari Golden. His monumental fourth album Heaven Is Mad (For You) pushed him to new heights, featuring some of his biggest tracks to date — including ‘Dance With The Devil (The 6th Gate)’ (16M+ streams) and ‘Move Your Body To The Beat’ (29M+ streams).
Since founding Filth On Acid in 2017, Reinier has continued to shape the global techno scene, consistently holding the #1 position on Beatport’s techno charts and collaborating with artists ranging from Carl Cox, Speedy J, and Angerfist to Armin van Buuren and Oliver Heldens. Now approaching its 200th release, the label remains synonymous with innovation and quality, balancing underground credibility with global reach.
Recognised as one of the most productive producers in the scene, Reinier has amassed over 83 days’ worth of his own released music, a staggering testament to his creative drive and output. He has also played a pivotal role in shaping the sound and tempo of modern techno, being one of the first artists in the scene since to push BPMs beyond 140 to 145 in the second decade of the year 2000, setting a trend that has defined the genre’s energy since 2018.
In a live setting, Zonneveld is renowned for his marathon performances from a 12-hour set at ADE 2019 to the record-breaking 11-hour, 11-minute show at his own Karren Maar Festival in 2023. His technical mastery, fearless experimentation, and relentless energy continue to redefine the limits of what’s possible in live electronic music.
Reinier Zonneveld stands as one of the most forward-thinking and influential figures in contemporary techno — an artist who continually pushes boundaries, challenges convention, and leads the evolution of the global electronic scene.

DJ / Producer / Label owner / Radio Broadcaster

heidemak is following