Name: Little by Little by heinali in temp new
Duration: 4 min 2 s
Description: http://heinali.bandcamp.com/track/little-by-little

love this piano intro reminds me of a Micheal Meyers beat

Enfin je la trouve après l'avoir perdue. ♡

temp new

from 'S/t' [CD|2xLP|DIGITAL]
Denovali Records · den157
available on all formats at http://www.denovali.com/thealvaretensemble

The Alvaret Ensemble

The Alvaret Ensemble - Ond

Mt Washington - Local Natives (cover by nixelpixel)

Debut album out August 21 on Hammock Music. Preorder: bit.ly/1HZ7uJj

Linen Garden Pt. 1 (feat. Hammock)

Para Antonio was originally composed on a toy piano & guitar pedal. My nephew, Jack Kehoe, arranged the song enabling new versions including his (for Flute, Clarinet, Bass Clarinet, and Tuba) and St Celfer's (for 4 machines).

Much of my music is inspired by Classical like St Celfer's 11 Suites which follows, albeit loosely, THE "rules" - made with some gambiarra, noise, and chaos, of course.

Antonio tragically passed away for reasons unrelated to the COVID pandemic. He was an actor with an upcoming movie release [ www.imdb.com/name/nm13865825/bio?ref_=nm_ov_bio_sm ].

Bandcamp

Para Antonio (St Celfer)

In April of 2008, we at Sub Pop Records had the good fortune to release the US version of Antidotes, the debut album by Oxford, UK quintet Foals. Antidotes was a special album. Two years on from that impressive introduction, a choice has been made–-rather than contort Antidotes’ lithesome guitars into ever more elaborate patterns, Total Life Forever is the sound of a band settling into and surveying the decay of old protocols. With this new album, Foals strip their sound back and turn themselves inside out searching for that invisible human thing. The result is an album as persuasive emotionally as Antidotes  was physically. Whereas that album constantly reinforced its own presence by filling the air with yelping and polyrhythm, tracks on Total Life Forever such as disarming opener “Blue Blood,” “2 Trees” and the astonishing “Black Gold” are happier to leave gaps for the listener to explore in mind’s ear and eye. Written primarily in the basement of their Oxford HQ (“The House of Supreme Mathematics”) and recorded in Gothenburg with former Clor man Luke Smith, Total Life Forever finds Foals singing rather than shouting, emotional as well as functional. The band’s soul-search reveals new antidotes found in infinite, internal spaces rather than carved violently upon the air–-Total Life Forever feels more the work of artists than artisans. It’s a triumph that they’ve managed to remain a band of progress and propulsion while investigating that vast, dark space lurking inside themselves-–that gap between ribs where “nature, or god or whatever you wanna call it, will come in.”

Released: June 15, 2010 


   1. Blue Blood
   2. Miami
   3. Total Life Forever
   4. Black Gold
   5. Spanish Sahara
   6. This Orient
   7. Fugue
   8. After Glow
   9. Alabaster
  10. 2 Trees
  11. What Remains



Total Life Forever

Spanish Sahara

Foals - Spanish Sahara

Between The Mountains And The Sea

Artist : Tim Linghaus
Track : Travel Sketches (Lost In A Bus And Architecture)
Album : Vhoir

Bandcamp : https://modernarecords.bandcamp.com/album/vhoir
Itunes : https://itunes.apple.com/au/album/vhoir-ep/id1170469161
Spotify : https://open.spotify.com/album/37qtqXpRJGZoNBq4nmsHbg

Written and mixed by Tim Linghaus
Mastered by Emil Thomsen at ET Mastering
Artwork by Matt Niebuhr
Layout by Nick Hyatt

Vhoir

Tim Linghaus - Travel Sketches (Lost In A Bus And Architecture)

Eighty-Eight Days

August (Luke Howard)

Demo for my next album, The Gramophone Suite, which will be released late 2018. The track will also feature on the Soundcolours compilation "Chilltronica No6"

Film Two

Earlier this year, Icelandic composer, producer, and multi-instrumentalist Snorri Hallgrímsson released his debut album on Moderna, titled Orbit. I’ve spent more than just a few hours with this wonderful album, often reminding me of more vocal works from Ólafur Arnalds, with whom Snorri has collaborated on many occasions (the album was primarily recorded at Arnalds’ studio in Reykjavik). It was still on the list of albums to share with you, my readers, when an opportunity to premiere this beautiful rework presented itself. Orbit Reworked is an upcoming four-track release on Moderna, featuring remixes and re-imaginations of pieces by Luke Howard, Tom Adams, Slow Meadow and, the focus of this exclusive premiere, London-based cellist, Peter Gregson.

At some time, between all the firm work, and his very own release on the esteemed Deutsche Grammophon, titled Recomposed By Peter Gregson: Bach – The Cello Suites [stay tuned for an in-depth write-up on that, folks], Gregson found a moment to add his beautiful cello touch to the already gorgeous “… og minning þín rís hægt” track (which loosely translates to “and your memory rises slowly” from Icelandic), with its moody swaying passages lamenting over the sparkling piano glimmer. And at only a bit over three minutes in length, this gentle piece manages to capture the weather and the scenery of the internal brewing storm, even without the words to prompt us of the story.

"… the songs on Orbit explore the difficulties of living in and moving between vastly different places: from Mexico’s sunny days to Iceland’s long winter nights and their emotional toll. Orbit is also about people met along the way, of friends and family whose absence is bittersweet. The concept of ‘home’ is replaced by an ‘orbit’ the composer circles from place to place.”

While the full-length was mastered by Ian Hawgood, Orbit Reworked is backed by a touch from Taylor Deupree at his 12k Mastering studio. The artwork is courtesy of Elín Elísabet Einarsdóttir   who also produced the cover for the Orbit. The release is out this Friday, and I highly recommend that you pick up the album as well. You can pre-order it now on Bandcamp.

Orbit Reworked

…og minning þín rís hægt (Peter Gregson Rework)

TRACK PREMIERE : Snorri Hallgrímsson - …og Minning Þín Rís Hægt (Peter Gregson Rework)

http://heinali.bandcamp.com/track/little-by-little

Little by Little

Taken from Thomas William Hill's upcoming album 'Grains of Space'

The album started life as a series of minimal loops, recorded using a viola da gamba – a stringed instrument most popular in the Renaissance and Baroque eras – and a loop pedal. Using the negative space within each loop as the primary drive for composing, Thomas began a process of ‘joining the dots'.

“I began to see these loops - and recorded music in general - as a kind of fixed perspective that could be exploited. In isolation, a single layer may be no more than one or two notes punctuating four bars of silence, but when laid over multiple variations on that theme, disparate notes start to dance with each other and new connections take form, like constellations or deconstructed sentences.” 

Pre-order here: https://VillageGreen.lnk.to/7YpUIWE

Thomas William Hill - Furnace

There are no human voices in this track; only guitar, bass and cello

This is track 11 of my new project, Aural Method's freshman release: "When I Drifted I Heard a Faint Melody".

If you like this perhaps you may enjoy the rest of the record. You can find it at www.auralmethod.com

Aural Method - I dreamed of choirs slow and steady. The song was ours, its woe was heavy

Music Video
www.youtube.com/watch?v=lFZ1UyDdf98

Every single one of us deserves to stop for a moment... Take a deep breath.

We are constantly bombarded with news of conflict and disaster. It can be easy to feel overwhelmed by it all. But in the midst of all this darkness, there is still hope. We always have the power to choose love over hate, peace over violence, and hope over despair.  Remember that you are a force for good in this world.

Single "When the Clouds Begin to Clear"
Additional Orchestration by https://soundcloud.com/michalziolkowskimusic

When The Clouds Begin To Clear

When the Clouds Begin to Clear (feat. Michal Ziolkowski)

Oleh Shpudeiko is a music composer and sound artist who performs under the stage name Heinali. His core practice draws on medieval music and compositional techniques, continuing their tradition through contemporary electronic music and modular synthesis, using the past as a mirror to reflect and process contemporary experience. While his primary focus lies in studio albums and live performances, Oleh also composes music for video games, films, and choreography. His credits include the award-winning soundtrack for the video game BOUND (Plastic/Sony Santa Monica), the 2020 album MADRIGALS, shortlisted for the Shevchenko National Prize, and sound art commissions from institutions such as the Museum of Modern Art in New York (MoMA), the National Art Museum of Ukraine (NAMU), and the Museum of Odesa Modern Art (MSIO). He has an extensive performance history, with appearances at festivals and venues including CTM (Berlin), Rewire (The Hague), NEXT (Bratislava), Musikprotokoll (Graz), Primavera (Barcelona), Unsound (Krakow and Adelaide), as well as Plivka and Next Sound in Kyiv.

Little by Little

heinali

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