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SEE 90
This compilation is the 2nd of the Golem Compilations. Compiled by DJ Sports and DJ Central.
Limited to 100 C90 Cassettes.
Released Feb 2016.

Tracklist:

1.1 KAAP & Central – Recordings No. 6
1.2 Den DJ – Beat for P’s
1.3 Brio – Arkitektblad
1.4 Madelin – Untitled
1.5 Noar – Bryte Tema
1.6 KAAP – Cotton Candy Clouds
1.7 pH 1 & SPCE – No Malls in Århus
1.8 Central feat. Erika Casier – Little By Little
1.9 Scott Franka & KAAP – Untitled
1.10 SPCE – 4272696f
1.11 Central – Loots For F

2.1 DJ Sports – Let Go
2.2 Manmade DeeJay – Mejillas Rojas
2.3 Palta – One
2.4 SPCE – Calais
2.5 Brio – Recording 30.9.14
2.6 Nana Aykoma – Remark
2.7 Palta + Love Letters – Five
2.8 Palta – Four
2.9 Central – Visiting Your Issues
Distributed by Safe Distribution & Golem.

THE GOLEM TAPE - SIDE B

Carl Stone - Banteay Srey
Franz Falkenhaus - My Cold War
Grannens Förflutna - Utvanding
Steel Mind - Boss Man
YMO - Ongaku
Neuzeitliche Bodenbeläge - Am Scheitelpunkt
Milord - Third Layer
Paul Chambers - Take A Ticket
Religius Order - Medusa
Elektroids - Bonus Circuit
Projekt Eins - Hit n Run
FSOL - First Death in the family
µ-Ziq - Swan Vesta
Dopplereffekt - Gestalt Intelligence
Company Flow -Workers Needed
D'Marc Cantu - RDDS
Lichtblick - Meuterei auf dem Immenhof
Hyroglyphic Being - A Visitor from Someone Elses Memorie
Anatol - Darbuka for the Deaf
Playgroup - Total Collaps
Paul Chambers - Mood 3
Monuments - Geisteskrankheit
Stefan Blöser - Voyager One

Rat Life Radio 9 LYL Jan. 18th 2019

Before the identity of FFT (Fast Fourier Transform) was revealed in an article written by Matt Blair in August 2018, only one EP, titled "fft1" and released at the end of 2017 as the first reference of the aptly named label Uncertainty Principle, had been enough to arouse the expectation of dignitaries like Grant Wilson-Claridge or Ed Upton, better known as DMX Krew; after mastering the EP in question, the latter even acknowledged that this was the best recent artist he had encountered in a while. Comprising five pieces, "fft1" set up the meticulous materialization of an aural plan whose anamnesis drew a line between the aesthetic resources of glitch –clicks, noises, hums– and a background in the use of some of its characteristic elements, such as the bleep, in a sort of technically complex, strangely accelerated and digitally incorruptible braindance conjunction of Alva Noto, Warp's lilac maxi singles, Unique 3, Aleksi Perälä or Jodey Kendrick.

However, following the unveiling, Briton Josh Thompson, who had previously operated as Alma Construct, has worked on the project’s concept by expanding its limits in a rationally justified manner. Firstly, the "in-side" EP –released in December 2018 on Super Hexagon, the label he co-owns with J. Wiltshire– showed Gerald Donald's influence, exposed some autechrian inclination towards entropic geometry and gloomy, cold emotion, and increased the importance of melody and the tendency to treat the material through precise procedures characteristic of avant-garde sound sculptors. Secondly, the EP released four months later on The Trilogy Tapes, composed of two extensive pieces of almost ten minutes each, continues with the obsession with detail but exploring, on the one hand, rhythmic inflections, textures and colors of the timbric palette of the more complex techy dubstep, and, on the other hand, Uwe Schmidt's artificial pop, in an ambiguous and permanently changing song over its two sections. FFT shows a great ability to converse with different aesthetics of the immediate past but without drowning in the stagnant waters of doxography, clearly differentiating between previous models and a design that proposes the emergence of new terms.

Recorded at the end of May 2019, the podcast unfolds and completes with unreleased tracks the entire aesthetic offered by FFT. At first glance, the most striking thing is its wide dynamic range and rich stereo image. In attentive listening, the internal consistency of the work, determined by dialectical relationships between consecutive pieces, parts and sections, reminds that not only is there here an obsession with the sound aspect, but that there are also analogies with the theories and laws of physics underneath, such as Newton's third law –"for every action, there is an equal and opposite reaction"–. Here lies an observable chain of events constructed at different velocities and scales: molecular movements, expanding nebulae, stellar collisions, red giants disintegrated for all eternity.

We recommend playing back the recording through appropriate speakers or headphones, at full volume and in total darkness.

Photography by Geray Mena

Dialektik Podcast #02 – FFT

This compilation brings together a variety of approaches of EnDM (electronic non dance music), ranging from ambient, drones, to synthesizer music and even a glimpse of world-music-like sounds.

This is an opportunity for some featuring artists to express a different side of their musical output, while others are exploring these realms more frequently.

Disused Machines is a sub label of Confused Machines, focusing on the playful, experimental, obscure and far out sides of modern electronic music.

The compilation is coming out during a global strange time - the pandemic, global police brutality, black lives matter - and locally for us at Confused Machines home land - a rising wave of protests against a corrupt and collapsing democracy regime and our ongoing struggle against occupation. We wouldn’t like to take the focus away from those important matters, but wish to offer a time-out, and maybe, while exploring new sonic scapes, an option to review these issues from a different angle.

List of artists in order of appearance:
PRZ (Chateau Royal); Zoe Polanski (Bela Tar , Youngbloods); Ason Teva (Plazmot - Malka Tuti); Yovav (Plazmot, Shame on us - Malka Tuti, Correspondant); Cosmic Dream Club (Per Musica Ad Astra); Dim Garden (Hunger!, Err-rec) Kolette; Ricatelli

Various Artists - Disused Machines Vol. 1 [DM04]

https://soundcloud.com/herman240p

https://www.retreatradio.net/hos

HOS #10 (25/09/20)

TR073 - Kelly Jayne Jones - 'a fire that had to burn forever'

[18.11.2020]
Klubkulturklub Freakadelle is cultural NGO based in Salzburg/Austria, which tries to strengthen local electronic music culture and it's agents. Besides the club venue 'Heizkeller' the crew runs their own label, workshops, a radio show and provides artist support for their members.

@freakadelle_records

Freakadelle #13 w/ Irene Kafedarova

FOURTH SHOW ON STRANDED FM
THIS IS A SERIES FOCUSING ON GLOBAL DANCE MUSIC / THANK YOU FOR LISTENING =)

ZALIVA-D - SKY SINGING
BLACK SEED - EAST OF WANCI
JONQUERA - MDMP 1
ISRAFIL - BOLE WATERFALL KE NEECHE
ZHU-XIAO-LIN - THE ICE-LANTERN FESTIVAL
DAYAN ANCIENT MUSIC ASSOCIATION - WAVES WASHING THE SAND
GUZZ - 锦鲤 KOI
GROUND - OSAKA NATIVE
SABLA - FIRE-WIRE
MARIO BATKOVIC - QUATERE
MOHAMED ROUICHA - BIN LHAQIQA O LHKAYAL
JON BLACK - TRES MILLIONES DOLARES
AZU TIWALINE & CINNA PEYGHAMY - VIOLET CURVES
RIZAN SAID - ELECTRIC MAWWAL I

GLOBAL DANCE SUSPENSE 20201124 STRANDED FM: PROTRO

Buy tape/digital here: https://bit.ly/3EashxG

After ten editions of the "Kollektion" series, the club culture collective Freakadelle starts a new run of various artists releases called "44". Residents of the club and associated artists present themselves with their contributions on different formats. 44-1 is available as a limited tape edition with silk-screened artwork.

Mastering by Mattias Fridell, B1 mastered by DJ Buzz
Artwork by rochus.design & Unschuldig Verdorben
Print by Unschuldig Verdorben

44-1

Tape + Digital

FRKD44-1: Various Artists - 44-1

Synthlurk selection box with Slacky for one hour ⁠

Slacky 06/02/21

Record label from Århus, Denmark.
Feel free to contact us: mail@helprecordings.dk
We do not accept demos.
For booking enquiries please write booking@safedist.ro

THE GOLEM TAPE - SIDE B

Help Recordings