Radiophrenia is a temporary art radio station – an exploration into current trends in sound and transmission arts. Broadcasting live from Glasgow’s Centre for Contemporary Arts, the station aims to promote radio as an art form, encouraging challenging and radical new approaches to the medium. The broadcast schedule will include live shows, pre-recorded features and a series of ‘live-to-air’performances. The majority of the programme will be made up from selections submitted to an international open call for sound and radio works.

Broadcasting across Glasgow on 87.9fm, and online at www.radiophrenia.scot 

Supported by Creative Scotland.

http://bleep.com
High Quality Music and Media

(AAS) Applied Acoustics Systems' official SoundCloud page. Our passion is sound synthesis and physical modeling. Makers of Multiphonics, Chromaphone, Ultra Analog, Lounge Lizard, Strum, String Studio and Objeq Delay.

Podcasts, artists support, radio shows, electronic music & modern culture events.
Since 2006

New EP Systik now available: https://richarddevine.bandcamp.com/

Bookings: mia@lb-agency.net

Clara Maïda lives in Paris and Berlin. 
Monographic CD "in corpore vili" (Edition RZ/DAAD Berlin, 2010: http://www.edition-rz.de/2773-106,2,0.html)
"Web-wave" in Digipack CD "Expériences de vol 10,11,12,13" (Art Zoyd/In-Possible Records, 2018: https://www.artzoyd.net/produit/experiences-de-vol-101112/)

She turned to music composition after studying PSYCHOLOGY at Nice-Sophia Antipolis and Aix-Marseille 1 Universities (Bachelor's Degree) and MUSIC at the University of Huddersfield (PhD by Publication in Composition) and Paris 8-Saint-Denis University (Master 2 in Music), at Nice and Marseille Conservatories of Music and Cefedem-Sud/Training Centre for Music Teaching (National Diploma for Piano Teaching, 1st Prizes in Composition and Piano).

She has attended the master classes and composition courses of H. LACHENMANN, P. MANOURY, T. MURAIL, G. GRISEY, M. STROPPA in the ACANTHES Centre and at the Paris Superior Conservatory of Music.

She was the guest of the Artists-in-Berlin programme of the DAAD (2007-08). 

She was the laureate of the BERLIN SENAT Composition Grant 2015 and the HORS LES MURS Programme 2012 of the French Institute (Paris).
Various other composition awards: KOMPOSITIONSPREIS DER LANDESHAUPTSTADT STUTTGART 2011 (1st Prize), BERLIN-RHEINSBERGER KOMPOSITIONSPREIS 2008, MUSICA NOVA 2017 & 2008 (Prague - Finalist), EARPLAY DONALD AIRD PRIZE 2008 (USA - Honorable Mention), PRIX ARS ELECTRONICA 2007 (Austria - Honorary Mention), AKADEMIE DER KÜNSTE (Berlin, 2006 - Composition Grant), SALVATORE MARTIRANO MEMORIAL 2nd Prize, USA, 2003).

Commissions/Residencies: DONAUESCHINGER MUSIKTAGE, RADIO FRANCE, ART ZOYD (Valenciennes), CÉSARÉ (Reims), GRM (Paris), FRENCH MINISTRY OF CULTURE AND COMMUNICATION (with 2E2M, ARDITTI QUARTET, L’ITINÉRAIRE, ACCROCHE NOTE and PROXIMA CENTAURI), French SACEM/Klang! festival, PARIS INTERNATIONAL GUITAR FESTIVAL, DAAD, AKADEMIE DER KÜNSTE and E-STUDIO of the TECHNISCHE UNIVERSITÄT (Berlin), GMEM (Marseille).

Her pieces have been performed by numerous ensembles within many festivals all around the world.

Her music has been broadcasted on different radios in Germany, France, Spain, the United Kingdom, Switzerland, Australia, Mexico and South Africa.

She has given lectures, seminars and master classes in various institutions in France, Germany, Spain, Italy, Belgium, Ireland, the United Kingdom, Australia and New York.
She was a Guest Professor of composition at the Escola Superior de Música de Catalunya (Barcelona) in 2015.

Several articles have come out in music journals and reviews of literature and psychoanalysis and two monographic CDs have been published.

A podcast about fascists, nazis, and far right, from the perspective of the left.

Support the show on patreon: https://www.patreon.com/12rulesforwhat

UVB-76 / The Stone Tapes / DROOGS / Osiris Music / L.I.E.S Records / Cylon / Blackest Ever Black / 31 Records  / Narratives Music / Rupture


Overlook, considered for a long time as one of Drum & Bass’ rising stars now sits at the genre’s top table having walked the path, earning recognition and veneration. A staple of the UVB-76 Music camp, his debut album ‘Smoke Signals’ confirmed his potential, widely acknowledged as one of the best releases of 2017.
 
Overlook’s music pays homage to great Drum & Bass tradition while viewing the genre through a futurist lens. Now making significant inroads into Techno & Ambient music, Overlook makes no secret of his influences from the world of film and art, drawing heavily on the suspense, tension and restraint of the medium. A consummate producer and highly credible remixer Overlook isn’t bound by the numbing limitation of genre.

Bookings - mirrorsaudio@hotmail.co.uk

Hemide Misemi is following