Special Request is the new rugged alias for house and techno stalwart Paul Woolford. Inspired by the unruly conventions of UK pirate radio stations, this project captures the raw energy and diversity of the illegal airwaves and uses this as a springboard of inspiration for a series of heavyweight productions that span from murky house through darkside techno to chaotic eye-of-the-storm hardcore/jungle tear-outs. The end results are incendiary.

More info : Paramount Artists
Tom@Paramountartists.com

Fifth album 'Inhale / Exhale' is out now: https://rufusdusol.llo.to/t/DsqJZm 

Dates & Tickets: www.rufusdusol.com

BOOKINGS: 
Alex Becket, Marlene Tsuchii, Darryl Eaton, Roman Trystram;  rufus@caa.com

MANAGEMENT:
Leisurely
rufus@teamleisurely.com

MEDIA: 
mfrieser@infamouspr.com

* Message me if you have any copyright issues *

Home of my own mixes - predominantly jungle/hardcore with the odd bit of D&B, plus eclectic sample-digging, breaks and hip-hop, techno & electronica. 

Pre-2001, all mixes vinyl; Post-2016, all mixes digital (DJay 2); Post-2018, Ableton Live. Why? Why not?
I've got an old skool DJ's mentality, early influences ranging from Sublove, Ratty, Randall & Hype to Coldcut, DJ Juice, MK & Primo.  In the early 00s I turned my back on D&B, retired my turntables in favour of family/work commitments, and got into funk, soul, reggae and so on... a lot of this driven by curiosity around the sample roots of hardcore and jungle.  Forward another decade and an early mid-life crisis saw me messing around with virtual decks on my phone, and later acquiring a vinyl ripper, with one vision in mind: making mixes.
Although I'm partial to the odd DJay or vinyl mix when I get the chance, the progression into Ableton Live was a simple means to an end.  My ideas stretch further than the limitations of my physical collection and real-time mixing, and by sequencing I can pick, choose, chip away and structure mixes at my leisure. Which I do... a lot :)

Wait, there's more ... an absolute stack of classic golden era/old skool hip-hop/turntablism, jungle and d&b, hardcore, techno and house mixes retrieved from my dusty tape & CD archives.  This includes (by my reckoning) the most exhaustive collections of classic Full Cycle and Sublove Galaxy Radio shows, live Ruffneck Ting jungle tapes, loads of studio & compilation mixes, all manner of rave tapes, and so on. 

Have fun, spread the love :)

Please check out and support these like-minded individuals
@the-roadblock
@ethereal94
@kolanut 
@drumtrip 
@repertoiresound
@sonarsghost
@dj-madbeats
@dareerickson
@danielnorman
@vykhod_sily
@sonicrampage
@rough-culture
@wiseguisedjs
@distantworldtransmissions
@code618
@user-381614661 (trackfx)
@user-626612322 (Made in Chedzoy)
@mafsone
@mihailpetrovski
@cash_bailey
@sinewavebass
@10inchpress
@user-118560124-972751930 (hardscore)

Detroit underground mainstay Waajeed is an inventive producer whose indefatigable head-down work ethic has resulted in a varied discography and an equally diverse global network of collaborators. An original member of rap group Slum Village, Waajeed progressed from DJ to beatmaker before co-founding Platinum Pied Pipers, a group who issued two highly regarded albums of forward-thinking R&B and hip-hop during the 2000s. Between those releases, he issued The War LP, a comparatively grim (if no less collaborative) solo project, and since then, he has favored house music with the albums From the Dirt LP (2018) and Memoirs of Hi-Tech Jazz (2022). The latter full-length was
issued on Berlin's revered Tresor label.

Pre-save/pre-add Memoirs of Hi-Tech Jazz here - https://waajeed.lnk.to/Memoirs

BOOKINGS:
North America: mariesa@liaisonartists.com 
MANAGEMENT: max@leadermgmt.com

Der Karrierepodcast für Berufsjugendliche

For general inquiries please contact clamsmanagement@gmail.com

“Mr.Spaven does it again – much more than just rhythm with this man” Gilles Peterson (BBC Radio).

“Richard Spaven is one of the most unique artists in the world. Triple threat drummer, composer, and producer, his voice rings true with clarity and promise. He is the point where jazz meets the world” José James (Blue Note Records).


Prolific drummer Richard Spaven releases his first full length LP, following on from the acclaimed ‘Spaven’s 5ive EP’. This latest record ‘Whole Other*’ showcases the drumming artistry many of us associate with Spaven, combined with his own productions in the realm somewhere between Jazz, Electronica and Soundtracks.

Spaven has supplied the drums for many artists on stage and in the studio - José James, Flying Lotus, The Cinematic Orchestra, Guru’s Jazzmatazz, Gregory Porter to name but a few. Working closely with such a diverse range of artists must bare influence upon Spaven’s own compositions, in which some how the drums bridge the gap between the worlds of jazz and electronic music.

Spaven’s debut release ‘5ive’s EP’ (Jazz Refreshed) in 2010 quietly turned heads. Most recently it featured on best selling video game ‘Grand Theft Auto V’. With a guest appearance by José James on the hypnotic ‘Maz’, the record was seen by some as a jazz record but was also played out loud by many club DJ’s.

‘Whole Other*’ continues the journey. The music is rich and genre defying. Blue Note Trumpeter Takuya Kuroda appears on the record, playing soulfully amongst ragga tinged drums. GTA V collaborators ‘The Hics’ join Spaven on the albums title track ‘Whole Other*’. UK sounds to the fore – James Blake-esque moody vocals meeting Spaven’s edgy broken drums head on. Guitarist Stuart McCallum’s (The Cinematic Orchestra) signature sound is prominent – Spaven has been working with him since their meeting on stage with Cinematic a few years ago and he features throughout the record.

Richard Spaven – ‘Whole Other*’
Released on P-Vine, Japan 04/07/14
R.O.W. distribution by KUDOS 07/07/14


hendrik thul is following