I am a very creative person who wants to live the music. I want to enjoy singing....
I am thankful for the members fair and true feedback...
I have a dream!  I would like to sing the great American Anthem!
You can also find me @ www.the3points.de, my second little passion....
Look, hear and enjoy!
See you!

•	Hermann Bühler (*1962) lebt in Zürich, Schweiz 
•	Komponist, Musikwissenschaftler
•	Produktionsstudio für Filmmusik
•	Instrumente: Altsaxophon, Klarinetten, Gitarre, Elektronics
•	Edition Dreamscape – Music & Art

Hermann Bühler studierte an der Universität Zürich und leitete längere Zeit die Werkstatt für improvisierte Musik WIM. Er beschäftigte sich eingehend mit Improvisationsmusik, Jazz und Indischer Musik. In seiner eigenen Edition Dreamscape sammelt er Musik und Kunst an der Schnittstelle von Performances und Installationen. Seine Musik ist auf mehreren Tonträgern erschienen, auch schrieb er Beiträge zu Musikthemen in Büchern und Zeitschriften. In den letzten dreissig Jahren führte er seine Musik solo und mit eigenen Ensembles unter anderem in Los Angeles, New York, Mexico D. F., London, Siena Gent und Zürich auf. Heute lebt Hermann Bühler in Zürich und komponiert Musik für Film und multimediale Performances.

Filmmusik:
•	Back the Clouds —Video von Janeth Berrettini (2010)
•	Paz ¬¬— Video von Janeth Berrettini (2008)
•	Transit — Kurzfilm. Regie: Elena Rutman (2007)
•	Light Flashes —  Sound und Licht Installation mit Daniela Zehnder, Bangkok (2007)
•	Muros — Video von Janeth Berrettini, Morelia, Mexico (2005)
•	Claustro Cyclo — Video von Janeth Berrettini (2002)
•	Schwarzfahrer — Kurzfilm von Pepe Danquart. Filmmusik mit Michel Seigner 
(Oskar Auszeichnung Live Action Short, Hollywood 1994)
•	Phoolan Devi — Regie: Mirjam Quinte. Filmmusik mit Michel Seigner (1993)

Auftritte (Auswahl):
 •	Jazz Winterthur 2013
•	Art Basel Basel 2010
•	Tanzhaus Zürich 2010
•	Jazzorca Mexico D.F. 2005
•	Kunsthaus Glarus 2003
•	Inner Ear Los Angeles 2002
•	Evander Music Festival San Francisco 2002
•	Fest der Künste St. Moritz 2000
•	Angela Peralta Theater Mazatlan Mexico 2000
•	Jazz in Flight San Francisco 1999
•	Festival Cervantino Guanajuato Mexico 1996
•	Knitting Factory New York 1996
•	Experimental Intermedia New York 1994
•	Jazz Festival Schaffhausen 1992
•	L.A.C.E. Los Angeles 1990
•	Jazz Festival Willisau 1984

Biographie 

Auftritte:
Geebra hatte ihren ersten Auftritt im neuen Jahr am BAAS Benefiz Jam am 03.02.2017 in der Turnhalle Bern. Als Eröffnungsact heizten sie den Abend an und kündigten die namenhaften Basler Rapper Black Tiger und den Berner Rapper Greis an.
Am 25.03.2017 haben sie im MalibuTreff in Niederwangen Bern ihr zweites Konzert gegeben und erste Interviewerfahrungen gesammelt.
Am 04.04.2017 unterschrieb GEEBRA den Vertrag beim Label Zona 167 Produzioni in St. Gallen.
Am 07.04.2017 traten sie bei Rap of Thrones auf und erweiterten ihre Kontakte und Fan-Basis.
Am 22.04.2017 hatten GEEBRA als Teil von TCF einen Auftritt im ElchRecords Vinyl-Store in Basel.
Am 08.07.2017 hatten GEEBRA ihren grössten und wichtigsten Auftritt ihrer bisherigen Karriere beim Multikutli Festival der Kulturen in Olten.
Am 29.07.2017 wurde das Album Abriss von Sensey publiziert bei dem GEEBRA einen Part im Song "Vereinti Kräft gege rechts" beisteuerte, welches einer der meist gehörten Songs auf dem Album war. Eine leicht veränderte Version dieses Songs findet man in der Freetrack Reihe, welche GEEBRA auf Soundclous veröffentlichte.

Aktuell:
In der Zwischenzeit arbeiteten die beiden Künstler am Album A.G.M.F., welches als Streettape herauskam.
Ende 2017 haben GEEBRA ihr Album mit 14 Tracks fertiggestellt und den Termin für die Veröffentlichung auf den 02.03.2018 gesetzt. Am 02.02.2018 folgt ein Musikvideo auf dem Medienprotal Youtube. 
Desweiteren präsentiert GEEBRA ihre Webseite geebra.ch im neuen Design mit einem vorprogrammierten Bot, welches mit den Fans automatisch kommuniziert. Auf der Homepage findet man auch die Hip Hop Sendung 167 Flash von Doppia Erre. In dieser Sendung werden schweizweite Künstler interviewt und auf Channel 1 ausgestrahlt.
Für das Jahr 2018 ist ein Label Sampler mit allen Künstlern von Zona 167 Produzioni in Arbeit. Eine EP wird folgen. Bei der EP konzentrieren sich GEEBRA auf ihre Stärken und gehen als Produzenten und Rapper einen Schritt weiter.
Mitte 2018 soll der zweite Musik Clip von GEEBRA erscheinen.

Thise Gloor is a Zürich based composer, pianist and producer. His releases contain Contemporary Jazz, Contemporary Classical Music, and a ecclectic mixture in electronic (dance) music.
Born 1969 he grew up, after a stay in South Africa during  early childhood, in Fischenthal, one of the few villages in the mountains of Zurich state.
1990 to 1995 studies at the Jazz School Lucerne and at the Music Academy Basel (composition, music theory) among others with Matthias Steinauer, Christoph Baumann and Roland Moser.
Gloor played in various formations in the field of jazz and improvisation (Kieloor Entartet, Michael Gassmann Quartet, etc.) from 1989 to 1996. Member of Nadelöhr, later KOJ Zurich from 1997 and until today Fabulous Fable Quartet. Freelance composer / improviser / performer. His interests as a composer and producer are acoustic phenomena in general and the edges of the term style in particular. Growing up with a lot of Mozart and Haydn and a great love for Schubert, he discovered jazz as a teenager and later new music through mentor and a role model Matthias Bruppbacher at the Kantonschule Wetzikon, where he also accompanied some performances of the school orchestra with basso continuo and gained experience with chamber music. There he had been deeply impressed especially by the piano pieces by Karlheinz Stockhausen. The music of Olivier Messiaen also found echoes in compositions for Kieloor Entartet. He was fascinated by the mixture of deep musicality, an absolutely unique sound language and the thoroughly tangible instructions and analyses of this composer in his "Tomes". The works of Webern also played a very important role in shaping his style. 
His stay at the Music Academy in Basel then showed him his possibilities, but also limits. For a long time his attempts to understand the great composers, to imitate them, to emulate them (even in his choice of writing tools) and a feeling of inadequacy, coupled with a great will to condense all this into a "system", caused him some difficulties.  Between 1994 and 2003 he created commissioned compositions for Trio Lépic, Katarakt, Ensemble "oggi musica", "Nadelöhr", "Schweizerische Naturforschende Gesellschaft", "Seebahn- Quartet" and others. Thanks to his contacts to excellent interpreters / composers / clients, here are Rico Gubler, Matthias Steinauer, Markus Hochueli, Vera Fischer, Franziska Müller, Nicole & Nina Hitz, the Seebahn - Quartett, the Trio Lépic to mention, it was possible for him to realize some excellent recordings of his works. Here, of course, his long-time friends Lucas Niggli and Matthias Kielholz and later Emmanuel Schnyder, who were members of Kieloor Entartet, are the first to be mentioned. With them he was allowed to experience the greatest adventures, successes and crashes. 
During this time he also had contacts to Christoph Grab, Dominik Burger, Christian Strässle, Thomas Hirt, Fredi Schmid, Michael Gassmann, Kriz Flueler, Bernhard Bamert, Jan Brönimann, Werner Hasler, Felix Utzinger and many more. From some of these collaborations there are excellent live recordings of the Jazzfestival Schaffhausen 1991, 2001, 1994 and 2011 by Radio SRF ( Radio DRS ). 
Since 2016 managing director of the culture & art club RAUM132 in Wetzikon. There he realized from 2007 to 2013 a small jazz festival Wetzikon, and also premieres of his own works were heard. Among others in 2016 the big project WALLA, where the first scene of the opera WALLA with Robert Koller as soloist and a top-class Ad - Hoc - Orchestra are premiered, or in 2013, where the work Kraissler 2.1 came to the only performance; a re-creation of the concept "Wie die Zeit vergeht" by Karlheinz Stockhausen. In 2015, the premiere of the work Amphimakros with  improvising rhythm section with Philipp Saner as soloist on guitar was a highlight. It was also a turning point in his creative work, in which the automated production of art and ideas came more and more to the fore.

soyuz21 was founded in 2010 by the composer Gary Berger and guitarist Mats Scheidegger in Zurich. 

soyuz21 is an ensemble in a broad sense, which crosslinks contemporary music with other art forms and with new art spaces. The artistic approach focuses on the variety of forms of communication and the search for new expressive possibilities inside contemporary music.

soyuz21 is a flexible ensemble, consisting of a pool of around 20 musicians and artists, which, depending on the project, formes small to the large groups of people (from the fields of film, dance, literature, live electronics, music, theater, visual arts and mutimedia). The artistic direction tends to favor transdisciplinary thought, so that each project developes in between genres. This modular structure that can arise through different art forms, opens up new perspectives and unexpected relationships.

Generating new ideas is the central concern of soyuz21.


Solarstaub (former act Staubsauger) is a music project between popular melodys and abstract grooves .

It's popmusic with influences from electro, 8o's, minimal, dub and ambient. The project has no limit at all. Everything is possible.

Staubsauger is producing and playing live electronic music since 1995. His sound is mix between electronica, electro, pop and dub. It’s open sound, always with harmonic melodies and a warm character. He also composed music for theatre and video-art. He is also one of the founder of the record-label spezialmaterial. The best thing for him is to play live, because the infuence of the room and the public let the music breath

Hermann Buehler is following