•	Hermann Bühler (*1962) lebt in Zürich, Schweiz 
•	Komponist, Musikwissenschaftler
•	Produktionsstudio für Filmmusik
•	Instrumente: Altsaxophon, Klarinetten, Gitarre, Elektronics
•	Edition Dreamscape – Music & Art

Hermann Bühler studierte an der Universität Zürich und leitete längere Zeit die Werkstatt für improvisierte Musik WIM. Er beschäftigte sich eingehend mit Improvisationsmusik, Jazz und Indischer Musik. In seiner eigenen Edition Dreamscape sammelt er Musik und Kunst an der Schnittstelle von Performances und Installationen. Seine Musik ist auf mehreren Tonträgern erschienen, auch schrieb er Beiträge zu Musikthemen in Büchern und Zeitschriften. In den letzten dreissig Jahren führte er seine Musik solo und mit eigenen Ensembles unter anderem in Los Angeles, New York, Mexico D. F., London, Siena Gent und Zürich auf. Heute lebt Hermann Bühler in Zürich und komponiert Musik für Film und multimediale Performances.

Filmmusik:
•	Back the Clouds —Video von Janeth Berrettini (2010)
•	Paz ¬¬— Video von Janeth Berrettini (2008)
•	Transit — Kurzfilm. Regie: Elena Rutman (2007)
•	Light Flashes —  Sound und Licht Installation mit Daniela Zehnder, Bangkok (2007)
•	Muros — Video von Janeth Berrettini, Morelia, Mexico (2005)
•	Claustro Cyclo — Video von Janeth Berrettini (2002)
•	Schwarzfahrer — Kurzfilm von Pepe Danquart. Filmmusik mit Michel Seigner 
(Oskar Auszeichnung Live Action Short, Hollywood 1994)
•	Phoolan Devi — Regie: Mirjam Quinte. Filmmusik mit Michel Seigner (1993)

Auftritte (Auswahl):
 •	Jazz Winterthur 2013
•	Art Basel Basel 2010
•	Tanzhaus Zürich 2010
•	Jazzorca Mexico D.F. 2005
•	Kunsthaus Glarus 2003
•	Inner Ear Los Angeles 2002
•	Evander Music Festival San Francisco 2002
•	Fest der Künste St. Moritz 2000
•	Angela Peralta Theater Mazatlan Mexico 2000
•	Jazz in Flight San Francisco 1999
•	Festival Cervantino Guanajuato Mexico 1996
•	Knitting Factory New York 1996
•	Experimental Intermedia New York 1994
•	Jazz Festival Schaffhausen 1992
•	L.A.C.E. Los Angeles 1990
•	Jazz Festival Willisau 1984

#2mb_rda
South Wales 🏴󠁧󠁢󠁷󠁬󠁳󠁿

Crownfisher was first sighted in the early nineties shimmering below the surface of lake Klöntal, hidden jewel in a remote Swiss valley. The rare two-headed creature sprung from the magnetic tempest raging between Werner Fischer and Jan Krohn, gained momentum as a musical and lyrical force for a scintillating school of Starfish, roamed the world in a poetic Travelogue, substantually touching on faraway China and now returning to mainland Helvetia to settle down with their space-sent high priestess Lena Nova.

Love music as you will see on my portfolio i hope you like my choices of music because i love it.... Xxxx.🎶🎶

As a songwriter & producer based in Switzerland since 2013, Chris has always been of the belief that there's a joy, a feeling and a frequency which only music can resonate — and for him, it's the proof that music has to be felt, and not just merely listened to. Chris's craft arises from this simple but profound understanding of the most fundamentally human, spiritual element of music — and the only one thing that truly has the power to connect souls simultaneously across both dimensions of space and time — human emotion.

Past venues:
Affentanz, Amboss Rampe, Burg Rotberg, Kulturfabrik KUFA Lyss, Kulturfabrik Wetzikon, Schneiderei, Fri-Son, Le Mouton Noir

About:
Dancing in the footsteps of his parents (father: cellist; mother: classical pianist), Chris has been biologically immersed in sound since before birth. Though this spiritual connection between soul and vibration may have bequeathed him some innate musical talent, Chris's craft developed and matured gracefully from childhood on: First with piano at five years old, trumpet from eleven to 17, and drum set and (bass) guitar from fourteen; jam sessions alongside his sister, Natalie (clarinet) and brother Dustin (guitar) were daily routine for years until discovering the electronic realm of professional music production in 2015.

Thise Gloor is a classically trained pianist, composer and music teacher. He lives in Zurich. The mood of this city inspires him every day to write these abstract, yet engaging and ravishing Dreaming Machines. These deal with all the recordings that have been made since 1989 with friends improvising or playing their own pieces of music. This is how he wants to express his gratitude for all the experiences he has had with it. The goal is to create a very unique kind of music.

Followers of Hermann Buehler