Olly Steele -  Balance

5 Minutes Alone Guitar Cover, base from www.guitarbackingtrack.com.
Yhamaha THR 10x 
Whasbourn N1
Cubase AI 6

Sorry for mistakes and for eq, this is only a try with thr10x and cubase :)

Pantera 5 Minutes Alone

High and Dry - Radiohead (1995)

Diana Ratsamee is a collector, community organizer and DJ. Her weekly KEXP show, Eastern Echoes,  highlights the music and history of Asia and the Asian diaspora. 

As a community organizer in Seattle's International Chinatown District, she play a key role in bringing the community together through events like the CID Block Party and their neighborhood listening parties. 

Beyond the airwaves, she is also a co-founder of the SEA Vinyl Society (www.seavinylsociety.com) a collective of AANHPI DJs committed to collecting, preserving, and sharing rare and treasured records from the Asian diaspora.

This set is a groove-laced journey through international pop, fusion and city pop. Blending the nostalgic vibes of city pop with the dynamic energy of fusion and experimental pop, this set creates a unique soundscape that transcends borders. Each record was carefully selected from a personal crate featuring AANHPI and femme musicians.

Global Pop Fusion, City Pop, Japanese Jazz-Funk, J-Pop & MPB [VinylStudio Session] Diana Ratsamee

LANDMVRKS - La Valse Du Temps

Petroglyphs - Desolate

1900(Nghìn chín)-Ngọt

Nouveau Flamenco, Romantic Spanish Guitar
released May 14, 2018 
Guitar - Max Ostro 
Saxophone - FeelSax

Música en Vivo (feat. FeelSax)

A city pop mix for a relaxing morning, whether you're on your way to work, school, in a taxi, train, or a bike. Escape the monotonous morning commute with a brief daydream to 80s Japan. Featuring well-known and respected city pop artists such as Miki Matsubara, Toshiki Kadomatsu, and many more.

Morning City Pop (朝のシティポップ) 110-139 BPM

TRACK 1: “Garden of Eden”
All of the instrumentation and vocals in this track, apart from the live drums, were done by me. Each track on this EP is meant to represent a different stage of love. This track's intro is meant to reference the closing track to the album, transitioning from the end of the EP back to the beginning, representing the end of a love cycle repeating, similar to the way that perennial flowers go dormant and bloom again in the spring, hence the name "Flora". This song in particular is supposed to represent the early stage of love and a relationship, where you are idolizing your partner. The line "I'm after your garden of Eden" represents wanting to get to what you consider to be an ideal intimate relationship, setting your expectations too high and leading into the next track of the EP, "Four Leaf Clover".
TRACK 2: “Four Leaf Clover”
All of the instrumentation and vocals in this track were done by me. The transition between "Garden of Eden" and this song is the only transition in the EP that is jarring, and this is done on purpose. It is meant to represent a sudden change in mood, going from an idolization to a frustrated "reality". This song is about developing a distaste for someone, and beginning to believe that what you had was not as special as you had once thought. It is written in a minor key, and has a very angry and rash tone, contrasting the upbeat and hopeful feeling of "Garden of Eden". This song serves as a stage of denial in the EP, as it constantly claims that the person you thought you loved is very replaceable, even if that may not be true.
TRACK 3 “Evergreen”
All of the vocals and instrumentation besides the live drums were done by me. The intro to this track references melodic lines from "Four Leaf Clover", and eventually bleeds into this song's progression and melody. "Evergreen" is a song about the realization that you actually lost something of value. Coming out of the anger of "Four Leaf Clover", this song adopts a much more somber and sorrowful feel.  It is written at the same beats per minute as I would slowly walk, to give it a feeling of trudging along hopelessly. In the song, it is repeatedly said "I ain't ever coming home", referring to accepting that what you had is now gone, and you can never get it back. The outro of this song both entirely changes the feel of the song putting you in a much more clear and positive headspace, and changes the key to F major in order to prepare you for the final song of the EP,  titled "Lilac".
TRACK 4: “Lilac”
All of the instrumentation and vocals, besides the live drums, were done by me. It is also the closer to my EP, "Flora". Lilac is sometimes known as the flower of love. In this song, "cover me in lilac" is a metaphor for "love me anyways". This song is about the struggle of deciding whether or not to begin the cycle of love again, and eventually deciding to be loved and start over despite the possible consequence and hardship detailed previously in the EP.

Petroglyphs - Desolate

Minh Hồng