falling,
falling,
falling...
I've seen you drown your memory.

【﻿Ｂａｎｄｃａｍｐ】
hellsweep.bandcamp.com/album/--2

【﻿Ｓｐｏｔｉｆｙ】
open.spotify.com/artist/4u40cGb052CY8wQvlD5a4Y

【﻿Ｉｎｓｔａｇｒａｍ】
www.instagram.com/hellsweepofficial/

【﻿Ｙｏｕｔｕｂｅ】 www.youtube.com/channel/UCotk2MHtZbRf6OpZAYBagzA

░▒▓█ＳＥＲＰＥＮＴ／／ＢＲＥＡＴＨ█▓▒░

Part of the opening track from my latest ambient album Real Life and How To Avoid It, out on CD, download and streamies.

This track (like most of my music) was improvised live in my studio with most of my synths rather than just the laptop. 
It is another example of me exploring ways of making even more minimal music that is still satisfying.

Real Life and How to Avoid It

Once More

Playschool (ddos Remix)

Demo for my next album, The Gramophone Suite, which will be released late 2018. The track will also feature on the Soundcolours compilation "Chilltronica No6"

Film Two

Human

This is a song about someone falling in love with a hologram. Or maybe about a hologram who falls in love with someone. I dedicate it to Erasmo Carlos, Louise Brooks, and The Flamingos.

Jeu de Lumières

Twelve

Counting Days

'To a Place' is the first single lifted from "Starlings & Crows", the stunning new album by English ambient-pop artist Chloë March. The album sees release on the 23rd of October 2020. 

More on Chloe March here: http://www.hiddenshoal.com/project/chloe-march/

For her fifth album, March drew inspiration from her early childhood in the Warwickshire countryside, nineteenth-century nature poet John Clare, and Lewis Carroll’s fantastical Alice Through the Looking Glass. Throughout the album there’s a palpable sense of wonder at the natural world, shot through with a deep concern for nature’s vulnerability. Starlings & Crows resonates with notions of home on a macro and micro level. 

First single ‘To a Place’ is an elegant waltz built around swooning strings and piano. ‘Landing 1969’ sounds as astral as its subject matter would suggest, pulsing at the same tempo as Buzz Aldrin’s heart-rate as Apollo 11 left earth. ‘Remember That Sky’ is achingly emotive, showcasing March’s innate talent for creating an atmosphere of intimacy without compromising compositional depth. Despite running to a succinct 38 minutes, Starlings & Crows is lush and expansive, while distilled to its crystalline essence.

“The latest album by Chloe March is another heady trip through electro pop... The air is thick with atmosphere throughout and March is a masterful creator of mood… a beautiful sound somewhere between The Blue Nile and David Sylvian” – The Underground of Happiness

Oft compared to singular artists such as Nina Simone, Beth Gibbons and Elizabeth Fraser, Chloë March follows her own independent path, writing, engineering and producing from her home studio in south-east England. Inhabiting musical territory somewhere between art song and folk, dream-pop and electronica, the ambient and the cinematic, March embraces all these influences to create poetic, emotionally charged and intensely atmospheric songs and soundworlds.

The music of Chloe March is available for licensing (film, tv, web and more) via Hidden Shoal.
www.hiddenshoal.com/licensing

Chloe March - To a Place

Put together for Disquiet Junto Project 0470: Calendar View
The Assignment: Create a sonic diary of the past year with a dozen (or more) super-brief segments.

January: Backwards piano from Further
February: Clarinet and effects from Density
March: Vocal treatments from I Saw the Skein
April: Whispers from Don’t Think of an Elephant
May: Segment from Social Distancing
June: Bass and background from Counting Days
July: Guitar from The Collective Field
August: Rehearsal phone recording
September: Synth from Vox Machina
October: Field recording of construction work
November: Rhythm from Music for Tooth Brushing (alternate version)
December: Segment from Committee of Four

Tied together with some effects and treatments

Some of the sources available here:
https://theslantedcity.bandcamp.com/
https://committeeoffour.bandcamp.com/
https://eriknilsson.bandcamp.com/

Calendar View 2020 [disquiet0470]

Hidden Shoal is an Australia-based independent label & licensing agency. All music is available for licensing across film, tv, web, games, compilations and more. Contact us at http://www.hiddenshoal.com/contact-us/

Hidden Shoal has earned a reputation for releasing exciting and engaging new independent music that is not bound by genre or style. The label was chosen as one of Textura magazine’s favourite labels, has been dubbed “This generation’s 4AD” by prominent New York radio host DJ Mojo, and has been described by The Mountain Goats’ frontman John Darnielle as “one of the great wonders of our age”.

Chloe March - To a Place

Hidden Shoal

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