falling,
falling,
falling...
I've seen you drown your memory.

【﻿Ｂａｎｄｃａｍｐ】
hellsweep.bandcamp.com/album/--2

【﻿Ｓｐｏｔｉｆｙ】
open.spotify.com/artist/4u40cGb052CY8wQvlD5a4Y

【﻿Ｉｎｓｔａｇｒａｍ】
www.instagram.com/hellsweepofficial/

【﻿Ｙｏｕｔｕｂｅ】 www.youtube.com/channel/UCotk2MHtZbRf6OpZAYBagzA

░▒▓█ＳＥＲＰＥＮＴ／／ＢＲＥＡＴＨ█▓▒░

Part of the opening track from my latest ambient album Real Life and How To Avoid It, out on CD, download and streamies.

This track (like most of my music) was improvised live in my studio with most of my synths rather than just the laptop. 
It is another example of me exploring ways of making even more minimal music that is still satisfying.

Real Life and How to Avoid It

Once More

Playschool (ddos Remix)

Demo for my next album, The Gramophone Suite, which will be released late 2018. The track will also feature on the Soundcolours compilation "Chilltronica No6"

Film Two

Human

This is a song about someone falling in love with a hologram. Or maybe about a hologram who falls in love with someone. I dedicate it to Erasmo Carlos, Louise Brooks, and The Flamingos.

Jeu de Lumières

Created in collaboration with Jason Lytle (Grandaddy), Todd Tobias (Guided by Voices) and Jerry Becker (Train), Kramies’ epic new EP, Of All The Places Been & Everything The End, transports the listener through an enchanted forest of the imagination. Profoundly coloured by Kramies’ time staying at an ancient castle in Ireland, the music is steeped in fables, myths and eerie reflections, resulting in his most vividly realised release to date.

A prog and folk-influenced mini opus akin to Mercury Rev’s classic Deserter’s Songs, the EP covers more ground across its 23-minute run-time than many albums double its length. Given it was the site of the music’s gestation, it’s fitting that the eight-minute epic ‘Ireland’ is the EP’s swaying centrepiece. Single ‘Everything The End’ is an enchanting, unearthly tale of time and loss, coloured by melancholic optimism. And ‘The Hill Dweller’ brings the EP to a goosebump-raising conclusion with its sleigh bells and strings, as Kramies intones, “Now I’m home…”

Kramies - https://www.hiddenshoal.com/project/kramies

Contact cam@hidenshoal.com for all media and licensing (film, tv, games etc) enquiries.

Of All The Places Been & Everything The End

Kramies - Everything The End

Twelve

Counting Days

Put together for Disquiet Junto Project 0470: Calendar View
The Assignment: Create a sonic diary of the past year with a dozen (or more) super-brief segments.

January: Backwards piano from Further
February: Clarinet and effects from Density
March: Vocal treatments from I Saw the Skein
April: Whispers from Don’t Think of an Elephant
May: Segment from Social Distancing
June: Bass and background from Counting Days
July: Guitar from The Collective Field
August: Rehearsal phone recording
September: Synth from Vox Machina
October: Field recording of construction work
November: Rhythm from Music for Tooth Brushing (alternate version)
December: Segment from Committee of Four

Tied together with some effects and treatments

Some of the sources available here:
https://theslantedcity.bandcamp.com/
https://committeeoffour.bandcamp.com/
https://eriknilsson.bandcamp.com/

Calendar View 2020 [disquiet0470]

Hidden Shoal is an Australia-based independent label & licensing agency. All music is available for licensing across film, tv, web, games, compilations and more. Contact us at http://www.hiddenshoal.com/contact-us/

Hidden Shoal has earned a reputation for releasing exciting and engaging new independent music that is not bound by genre or style. The label was chosen as one of Textura magazine’s favourite labels, has been dubbed “This generation’s 4AD” by prominent New York radio host DJ Mojo, and has been described by The Mountain Goats’ frontman John Darnielle as “one of the great wonders of our age”.

Kramies - Everything The End

Hidden Shoal

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