Side A of my latest release, Available on vinyl from December the 1st, Go here: https://jonny3snares.bandcamp.com/album/phlap

Phlappy

Ned's Den

A rough hardware jam. I'm spending some long overdue time with the cirklon after working on a video game and finding paying work. The cirklon is endlessly interesting, there are so many workflows to discover and features to explore. I keep falling deeper into the rabbit holes. Launching clips with MD took a little head scratching and I can't sort out whether to I want to move drum sequencing to the cirklon. The elektron workflow is so damn good on the native hardware, despite all the power of the cirklon. I sort of fantasize about the more elektron-like p-lock UX for the cirklon which feels blasphemous to say. Cheers and kisses. 

Hardware: Korg Monologue, Ensoniq EPS, Moog Mother-32, Elektron MachineDrum, Sequentix Cirklon, Roland JV-1080. 
Software: Bit of multi-band compression and top-end spatializing in Ableton before the final bounce.

AcydGill

25 August 2015
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Photo by Anna Nekrashevich @ Pexels

Undressing Claire

First track from my new collection of tracks released on Diffuse Reality. 

CLAW BACK TIME

robot city (2009)

Hidden Groves/Sylvassa Taggar (2014)

davros arch

jenkagalaxy 02 3-13 (2007)

Yes it's that (2017)

Having fun layering an assortment of patches I dialled into my 2004 Studio Electronics Omega 8..  

I have always liked the array of multi-mode filters this synth has to offer - it adds a great deal more sonic potential to an often overlooked and very capable analog beast.

NB:  Although it might sound like it, no phasers were used in this recording.. what you are hearing is copious use of the superb band-pass and high-pass filters in the Omega 8 being modulated by the LFOs.

Composition & Recording Copyright D.A.Wilson, Hideaway Studio, 2021.

2004 Studio Electronics Omega 8: Spring Cycles...

D.A.Wilson is an Electronic Engineer, Sound Designer & Vintage Synth Specialist with a particular interest in combining vintage tube, classic analog and modern digital technologies working as a synth engineer looking after a very considerable amount of vintage studio equipment for Will Gregory (Goldfrapp / Moog Ensemble) and a number of other internationally celebrated electronic musicians and producers.  Having undertaken several major restorations and produced custom electronic designs for a number of major artists including Jean-Michel Jarre, Dani is also known for fully restoring two out of the world's four remaining 1979 Crumar GDS and partially restoring 1938 Novachord 346 (the only known operational Novachord in the UK) to playable order along with developing and producing the new Elfin family of 8-bit polysynths and the popular MIDI Front Panel Animator (FPA), Filter Defeat Module (FDM) and XD-280 Drive Emulator upgrades for the AKAI S612 sampler.

Demos of the S612 Upgrades in Action: 

https://soundcloud.com/hideaway-studio/sets/hideaway-studios-s612-front


Hideaway Studio Kontakt Sound libraries may be purchased directly from: 
https://www.lootaudio.com/category/kontakt-instruments/hideaway-studios
 

..and a nice introduction by Cory Pelizzari to the Hideaway Studio Kontakt Libraries:
https://www.youtube.com/watch?v=k-C7a3ChC9U&feature=emb_title


For more on releases from Hideaway Studio for Kontakt please visit the blog at:  www.hideawaystudio.net