Chiastic Slide

Nuane

Liquefaction - extended live version of „In The Heat“ (Liquid Bones) - is an electroacoustic study of form and structure, shaped by their impermanence and transience. Over 11 minutes, layers of electronics, orchestral textures, and digital elements dissolve and reform, creating a highly dynamic and immersive listening experience that is as delicate as it is forceful, where moments of tension and release continuously reshape the listening space.

Liquefaction is a music that takes its time — because time in music is not what we think we know.

credits: 
Music composed and produced by Noémi Büchi 
Mixing & mastering by Suoni Speziali
Cover photo by Jean-Marc Avila

Download | Buy

LIQUEFACTION

In Dreams

In Dreams (feat. Eva May)

info + tracklist: https://radio.syg.ma/episodes/walking-for-two-w-giselle
https://37735i6.bandcamp.com
https://soundcloud.com/37735i6

walking for two

walking for two w/ giselle

From 'Aboyer au mauvais arbre', by ARBORE, out 6th June on Somewhere Between Tapes

ARBORE is Laure Boer & Diane Isadora
@laureboer
@dianeisadorabarbe

ARBORE - La main sur la corde (SBT07)

From APPX:LP01 Post Ambient Lux by Igor Dyachenko

full release here >> https://appendixfiles.bandcamp.com/album/appx-lp01-post-ambient-lux

Written & Produced by Igor Dyachenko
Artwork by Yaro Svyatykh
Mastered by Ike Zwanikken

Post Ambient Lux

Melting Reality

Vinyl & Digital

Melted Reality

The Way Of Time takes loose inspiration from Elizabeth Madox Roberts’ novel The Time Of Man, sampling Joan Lorring’s voice from the 1951 radio play adaptation of the novel.
Biosphere’s signature ambient loops, soothing arctic synths and melodies combine with Lorring’s sweet, wistful and deep-south wonderings to create a record that is both deeply human and searching.

https://ad93.lnk.to/TheWayOfTime

released June 20, 2025 via AD 93

Artwork and design by Lucas Dupuy and Pavel Milyakov
Vinyl mastering by Stefan Betke

Biosphere - The Way Of Time

mindseyerecords.xyz/
https://www.youtube.com/watch?v=KbzQeNhMIp4

Archaic Vaults - PS [audio-server archive 21/05/24]

WVLT is the newest sonic addition from https://soundcloud.com/wndfrm (Portland-based, Tim Westcott), an album of eight distinct explorations of micro-rhythmic IDM.

Tim Westcott’s practice is rooted in an acute, nearly forensic attention to sound. Subtle tones, sculpted drones, and lean percussive gestures, always pursued with a patient ear and obsession with sound design. 

With previous releases on Prologue, Home Normal, and Dragon’s Eye Recordings, and several live performances at Mutek, a new album from Tim is a rare yet welcome occurrence. The conceptual approach for WVLT began in 2021, mixing synths with drum machines and granular processing. Lightly arced structures slip between gates of rhythm, shifting pulses, translucent washes, and disquieting residue. There’s a precision to the hesitation and an insistence in the space between notes, a deft balance of raw improvisation and sculpted quietude.

An exercise in immediacy and response, each track builds and unspools, like form in fleeting motion, driven by the moment’s tonal contrasts, micro‑rhythmic interplay, and slight gestures that alter entire planes of listening. It’s minimal without sparsity, intense without density.

Available digitally and on limited transparent dark blue 12”  vinyl on September 26th 2025. Mastered by Taylor Deupree @12k Mastering and featuring artwork by Noah M / Keep Adding.

WNDFRM / WVLT (ASIPV056) [Previews]

Of Silence Revelation Dub

Having fun layering an assortment of patches I dialled into my 2004 Studio Electronics Omega 8..  

I have always liked the array of multi-mode filters this synth has to offer - it adds a great deal more sonic potential to an often overlooked and very capable analog beast.

NB:  Although it might sound like it, no phasers were used in this recording.. what you are hearing is copious use of the superb band-pass and high-pass filters in the Omega 8 being modulated by the LFOs.

Composition & Recording Copyright D.A.Wilson, Hideaway Studio, 2021.

2004 Studio Electronics Omega 8: Spring Cycles...

D.A.Wilson is an Electronic Engineer, Sound Designer & Vintage Synth Specialist with a particular interest in combining vintage tube, classic analog and modern digital technologies working as a synth engineer looking after a very considerable amount of vintage studio equipment for Will Gregory (Goldfrapp / Moog Ensemble) and a number of other internationally celebrated electronic musicians and producers.  Having undertaken several major restorations and produced custom electronic designs for a number of major artists including Jean-Michel Jarre, Dani is also known for fully restoring two out of the world's four remaining 1979 Crumar GDS and partially restoring 1938 Novachord 346 (the only known operational Novachord in the UK) to playable order along with developing and producing the new Elfin family of 8-bit polysynths and the popular MIDI Front Panel Animator (FPA), Filter Defeat Module (FDM) and XD-280 Drive Emulator upgrades for the AKAI S612 sampler.

Demos of the S612 Upgrades in Action: 

https://soundcloud.com/hideaway-studio/sets/hideaway-studios-s612-front


Hideaway Studio Kontakt Sound libraries may be purchased directly from: 
https://www.lootaudio.com/category/kontakt-instruments/hideaway-studios
 

..and a nice introduction by Cory Pelizzari to the Hideaway Studio Kontakt Libraries:
https://www.youtube.com/watch?v=k-C7a3ChC9U&feature=emb_title


For more on releases from Hideaway Studio for Kontakt please visit the blog at:  www.hideawaystudio.net