sg mm115_6

https://colorsquadrecords.bandcamp.com/album/c-o-l-o-r-s-q-u-a-d-0-1-8
   "The music from the club, spilled into the alley, thick and low, like the heartbeat of the city. We had danced for hours. Now outside, the sweat shimmered and reflected like halos in the streetlights.

    We walked, As the music echoed behind us.  

We walked by night
 
   Our footsteps sketching a new rhythm on the pavement. The world felt wide and waiting, the kind of night that became our soundtrack.

   We walk by night"

Spoken word by: Green.Washer
https://soundcloud.com/greenwasher

Wanting to explore some different production styles and build elements to blend. With the goal of producing something special for the Color Squad Records compilation. 

Created in multiple Logic project sessions. Sound design and Beat building session - bpm 124. Mix and arrangement session. Final assembly in Mastering session. Midi soft synths (Vital, UA Polymax, Surge XT, Logics Retro Synth). Live percussion elements. Break beats: Dedalus - CT6 & Hilton Felton - Be Bop Boogie. Granular Re-synthesis of melody/lead using "bandlab" Audio stretch app on phone. Sonosaurus PaulXStretch app for textures.

The main lead/melody loop was created many years ago, for a part of a remix of "Kill or be killed" for my indie rock band, at the time. "Further" 
https://www.discogs.com/artist/1765210-Further-4
A track we never released or published.  One of the lyrics in this song was "When we walk by night" (More to do with taking a dark path, rather than going to an after party) 

When the melody/lead was rediscovered while randomly going through files & folders looking/listening for some inspiration. The loop manifested a memory of going to clubs and the night life around 1990 in Sydney. Friends, the sounds, the drinks, the music and the walk/journey home. Ears ringing. Reliving the night. Feeling glorious. Being out in the night with friends. 

Writing a passage with this in mind. Green.Washer was generous with his time, to read through and record the "we walk by night" passage a few times via his phone. With limited info regarding its context or the music. He sent a few versions and they were edited into arrangement session. Thanks Green.Washer!
Tom Sine https://soundcloud.com/tom-sine has a contribution, with some very subtle/barely audible beats. And supporting guidance during the arrangement. When I got lost in the process...
A big thanks also to Spoutnik https://soundcloud.com/spoutnikz And the Squad!


I hope you enjoy

We Walk by Night

We Walk by Night

CSRComp018

Track included in the 18th Color Squad Records compilation.
https://colorsquadrecords.bandcamp.com/album/c-o-l-o-r-s-q-u-a-d-0-1-8

Undawn [colorsquad018]

"But what's really changed? The dead stay dead, and the living stay living, until they die, at which point, they stay dead.
And you can't save the dead! I've tried! They're just too damned dead!"

"You can't save the dead! I've tried! They're just too damned dead!"

New QY g 10 scM

DEPICT MIND 006 – playlist – 20/08/2024 – 18h - 19h30
L’émission musicale à destination des curieux, des rêveurs, des musiciens, des danseurs, des geeks, des hippies, et tous les autres ... consacrée à la braindance, l’ambient, et toutes les formes d’électro, break et techno expérimentale.
Ce mercredi, l’émission sera consacrée à l’artiste playlist, l’occasion pour moi de vous partager sa musique ainsi que des extraits de nos échanges.
« « Qu’est-ce qui est important pour toi ? (dans la musique, la vie, ...) » : difficile à dire... on ne sait jamais vraiment sur quoi il faut se concentrer par rapport à ce sur quoi on pense devoir se concentrer. donc ces choses pourraient changer. Cela dit, ce qui est important pour moi dans l’art (mais cela s’applique certainement à presque tout) c’est de « rechercher la grandeur ». »

playlist's soundcloud : https://soundcloud.com/dataphase
playlist's bandcamp : https://dataphase.bandcamp.com/music

Includes tracks from : playlist, dataphase, Forex Trading, moth, zvld, motorwrists, Robodysseus

dm006 about playlist / ... – 20/08/2024 - radio eko des garrigues, 88.5

Titter

A Flooded Need is pleased to present ‘Flos Paradisi’, an album born from the efforts of international industrial legend Maurizio Bianchi and sound artist and composer Devid Ciampalini.

Conceived as a cross between a liturgical celebration and an investigation into the ideal of spiritual purity, the album is divided into two sides of exactly 17.17 minutes each, offering different variations on the central concept.

Side A is a a vast soundscape blossoming with bliss and absence: infinite dreamlike pads that surrender to an intense charge of grace and melancholy. Side B, on the other hand, reveals the sinful aspect of the flower, presenting itself as a conflictual and profound communication with the unknown, a deranged ballet of industrial drones, damaged metals and otherworldly voices typical of Maurizio Bianchi's early style.

Written & Produced by Maurizio Bianchi, @devidciampalini
Mastered by @nocturnerror
Artwork by Andrea Bolognino

Flos Paradisi

Flos Paradisi (side A)

Flos Paradisi (side A - extract)

messing around with colundi dunno perhaps not wise

ColundiOffset

12345

Two landscapes made with several layers of sound generated by feeding an Alesis Micron through Hideaway Studio's Klockwerks system.  In this case modified Klockwerks Donor FX were the ART MultiVerb LT and LTX.  Some of the layers were slowed down and some were reversed.

Klockwerks is a unique and fully programmable external DSP clocking system using DDS technology allowing autonomous control of the system clock under MIDI, CV and algorithmic control thus creating all manner of unusual effects the factory original FX units were not capable of producing.  This includes effects whereby the system clock is modulated by a MIDI clocked LFO with complex waveshapes with MIDI or CV control of all the LFO parameters or where the clock frequency is morphed between two keys on a midi keyboard.  The system also allows patches on the donor FX unit to be attributed with named patches created in the Klockwerks handset for instant recall.

Sound Design, Composition & Recording Copyright D.A.Wilson, Hideaway Studio.

Klockwerks System in Action: Eastern RetroLanders

D.A.Wilson is an Electronic Engineer, Sound Designer & Vintage Synth Specialist with a particular interest in combining vintage tube, classic analog and modern digital technologies working as a synth engineer looking after a very considerable amount of vintage studio equipment for Will Gregory (Goldfrapp / Moog Ensemble) and a number of other internationally celebrated electronic musicians and producers.  Having undertaken several major restorations and produced custom electronic designs for a number of major artists including Jean-Michel Jarre, Dani is also known for fully restoring two out of the world's four remaining 1979 Crumar GDS and partially restoring 1938 Novachord 346 (the only known operational Novachord in the UK) to playable order along with developing and producing the new Elfin family of 8-bit polysynths and the popular MIDI Front Panel Animator (FPA), Filter Defeat Module (FDM) and XD-280 Drive Emulator upgrades for the AKAI S612 sampler.

Demos of the S612 Upgrades in Action: 

https://soundcloud.com/hideaway-studio/sets/hideaway-studios-s612-front


Hideaway Studio Kontakt Sound libraries may be purchased directly from: 
https://www.lootaudio.com/category/kontakt-instruments/hideaway-studios
 

..and a nice introduction by Cory Pelizzari to the Hideaway Studio Kontakt Libraries:
https://www.youtube.com/watch?v=k-C7a3ChC9U&feature=emb_title


For more on releases from Hideaway Studio for Kontakt please visit the blog at:  www.hideawaystudio.net