from Anxiety Euphoria available on Bandcamp and Spotify
lxvlxv.bandcamp.com

fever dreaming

3 Moravacid

Ruhail Qaisar - Fatima
Cat. Nr: DN019
Format: DL + 48 page photography & text publication (Urdu / English)
Release Date: January 27, 2023
Buy / stream: dansenoire.ffm.to/fatima

Ruhail Qaisar’s Fatima is a requiem for a dead future. The debut album release by the self-taught artist and producer screams with the trauma and decay of life in his hometown of Leh—a high-altitude plateau region in the contested Ladakh area, extending from the Himalayan to the Kunlun Ranges. Qaisar absorbs this external condition of perpetual conflict between nation states into his internal life and resulting compositions, crossing sound art, noise music and experimental filmmaking. Hauntological drones, power electronics and convulsive post-industrial dissonance create an unnerving sense of fear, anger, and alienation. A broken transistor with a knob tuned to the abyss is bombarded with the cries and bitter laughter of a city’s inhabitants tyrannized, not only by military occupation but the soft-power subjugation of the tourism industry.

Following 2016’s Ltalam EP—released under Qaisar’s now-defunct Sister moniker—Fatima serves to transmit memories carried through the events, local mythos and personal recollections of growing up between the remote agrarian villages of Ladakh and the urban center of its joint capital—Leh. The album was mixed between that area, and a DIY home studio in New Delhi, where the artist amalgamates his collected found sounds and field recordings into unrecognizable hybrids. Discordant pads and atmospherics on the dark ambient of “Daily Hunger” is disrupted by a crashing, pounding reverb, while contributor Elvin Brandhi shrieks towards its horrifying conclusion in the squelching, scratching sound of something soft being chewed.

An anti-lingual conjuring of metaphysical totems in music, Fatima is a seething chronicle of experience through the dynamics of riots, violence, colonization, unemployment, PTSD, and self-abuse. The cycling tumult of “Namgang” hosts a menacing whisper that echoes the hissing fury of something like Einstürzende Neubauten and Lydia Lunch’s “Thirsty Animal,” while a trouncing distorted bass line on “Fatima’s Poplar” circles a voice that barks, "The Western Civilization Show has been discontinued."

The Bunker, New Delhi
Choglamsar Village, Ladakh

Mastering by Rashad Becker
Mixing by Julien Racine
Photography by Rana Ghose
Design by Niels Wehrspann

Fatima

buy / stream

Ruhail Qaisar - Seventh Dream (Ramazan's Wedding)

El sur

FR8558 - Bracelet  
Infant - Brigh 
PDP III - Calendar of Days 
Echium - Yellow-Flowered
Evie Kidd - Romeo  
defled - Neogen
Infant - yours slipping 
P relief - Foggy Pond 
Comechelet x Sasha Vosk - Щ​и​т ч​а​с​т​и​н
windowseeker - crumble crack dawn song 
Nikolay Kozlov - infinite change feat. Perila
Romance - Excerpt from 'A Kiss Is Just A Kiss' Side A
URA - Halogen 
Aeoi - Easy to Forget

true to you

Shuji Terayama Office with Rafael: Cage 檻囚 - 12/05/2023

An Amiga Protracker music module I wrote 30 years ago under the guise of BrokenARM Music for a game called !Phaethon on the Acorn Archimedes playing live out of one of my new prototype MODjack hardware Amiga module players in glorious 8-bit audio powered by a single AAA battery.

If someone was to tell me back in 1987, when Karten Obarski released his groundbreaking 4-channel 8-bit sample based Ultimate Soundtracker program for the Amiga, that one day it would be possible to play back my music modules on a single 8-bit embedded processor chip costing $1 running off an AAA battery using a playroutine written in C my jaw would have hit the floor.. but here we are now 37 years later thanks to Jarkko Lempiainen's nifty embedded playroutine and a world full of remarkably inexpensive little processors.

This is literally nothing but an 8-bit ATmega328P running at 16MHz and a bunch of resistors making up a 1R-2R DAC powered by an AAA battery from a high-frequency DC-DC convertor.. and it doesn't even sound at all bad.. TBH I'm pretty surprised.

The only downside is that the ATmega328P only has 32K of FLASH so you have to be a bit selective with the modules you can run on this thing..

I keep grabbing these things as convenient audio test sources so one day I might re-develop this concept for a wider audience using one of the new high performance embedded ARM processors.

Composition & Recording Copyright D.A.Wilson, Hideaway Studio 1993/2023.

MODjack: !Phaethon Interlevel (Tiny Amiga MOD Player on a 1/4" Jack)

Bolinmgo

weather cam

nothing to report

Curio earworms and other obsessions from Krakow's Natalia Panzer. 
https://www.nts.live/shows/natalia-panzer/episodes/natalia-panzer-21st-october-2023

Natalia Panzer & Sarah Wong 211023

This is part of my 20 year portfolio (under aliases) of live mixes (including vinyl)...my music style comes from blending sounds that normally wouldn’t live in the same space or time - I love taking familiar groove tracks and reimagining them with new energy, whether that’s through creative sampling, unexpected transitions, or layering vocals over completely different instrumentals - see my track list here: https://soundcloud.com/ch_risk_1   I hope you enjoy the vibes and please share it across all generations, so everyone can join in the New Groove! 🎶

Egyptian Reggae DJCK Remix Edit

D.A.Wilson is an Electronic Engineer, Sound Designer & Vintage Synth Specialist with a particular interest in combining vintage tube, classic analog and modern digital technologies working as a synth engineer looking after a very considerable amount of vintage studio equipment for Will Gregory (Goldfrapp / Moog Ensemble) and a number of other internationally celebrated electronic musicians and producers.  Having undertaken several major restorations and produced custom electronic designs for a number of major artists including Jean-Michel Jarre, Dani is also known for fully restoring two out of the world's four remaining 1979 Crumar GDS and partially restoring 1938 Novachord 346 (the only known operational Novachord in the UK) to playable order along with developing and producing the new Elfin family of 8-bit polysynths and the popular MIDI Front Panel Animator (FPA), Filter Defeat Module (FDM) and XD-280 Drive Emulator upgrades for the AKAI S612 sampler.

Demos of the S612 Upgrades in Action: 

https://soundcloud.com/hideaway-studio/sets/hideaway-studios-s612-front


Hideaway Studio Kontakt Sound libraries may be purchased directly from: 
https://www.lootaudio.com/category/kontakt-instruments/hideaway-studios
 

..and a nice introduction by Cory Pelizzari to the Hideaway Studio Kontakt Libraries:
https://www.youtube.com/watch?v=k-C7a3ChC9U&feature=emb_title


For more on releases from Hideaway Studio for Kontakt please visit the blog at:  www.hideawaystudio.net