Name: Don't Forget by /Hideous Towns
Duration: 3 min 59 s
Description: Recorded and mixed by Matthew Hosking, mastered by Mikey Young.

Could listen to this over & over & over & over. Love it.

Track taken from Lorelle Meets The Obsolete's third album, 'Chambers', which is released via Sonic Cathedral and Captcha Records on February 17, 2014.

Lorelle Meets The Obsolete 'Music For Dozens'

Mountain

FLYYING COLOURS
NEW EP - ‘ROYGBIV’
11th MAY ON CLUB AC30 (UK) /12th MAY ON SHELFLIFE (US)

•	“It’s hard not to crush on the extensive, encircling sound of Flyying Colours” – NO FEAR OF POP
•	 “blistering from start to finish, Kevin Sheields’-inspired shadows linger” - CLASH

Melbourne-based shoegazers Flyying Colours return with a second EP of psychedelic pop textures tempered with sugar-rush melodies. The ‘ROYGBIV’ EP is out May 11th on Club AC30 and Shelflife.

Hailing from a country more synonymous with the beachcombers and the sunshine coast than shoegaze luminaries, Flyying Colours have nonetheless been compared to Lush and Ride, weaving smooth, tactile vocals with coarse textures with finely-crafted songwriting. 

True to their name, Flyying Colours unashamedly display their influences on ROYGBIV – tone-bending My Bloody Valentine / Swervedriver guitars, ferocious bass hooks and the familiar soft hush of early 90s dueting vocals. Added to the mix is their own edgy, refreshing pop-mindedness, buoyed by the lush vocal interplay 

On ‘Running Late’ guitars overlap, playing seemingly different melodies and rhythms, as the vocals float up from the ether of the background. Hearkening back to the 80s but also at once sounding thoroughly futuristic, there’s finely-textured guitar loops and lo-fi delay used to get effect throughout the record. ‘Not Today’ and ‘Leaks’ share the same considerable style and skill: successfully channelling not just Kevin Shield’s growling, bending, wall-of-sound guitars, but also Bilinda Butcher’s cooing, unintelligible vocals. The album opener ‘I Don’t Want To Let You Down’ sports a rolling darkwave groove that’s like Joy Division gone psychedelic. 

Formed in 2011, Flyying Colours self-titled EP received a considerable amount of attention, which was then backed up by their explosive live shows, setting them well apart from others occupying Melbourne's fledgling shoegaze scene. A follow-up, ROYGBIV is a snapshot of a band reaching for the heavens and finding themselves reflected in at all over the cosmos: a sign of greater things to come.


Flyying Colours – UK / EU Tour – May 2015
06 May – CARDIFF - Clwb Ifor Bach   with Pinkshinyultrablast
07 May – BIRMINGHAM - The Temple  with Pinkshinyultrablast
08 May – NOTTINGHAM - Lofthouse with Pinkshinyultrablast
09 May – LEICESTER - Scholar Bar with Pinkshinyultrablast
11 May – LONDON - Hoxton Bar & Kitchen with Pinkshinyultrablast
13 May – RAMSGATE - Music Hall with Pinkshinyultrablast
15 May – BRIGHTON – The Great Escape Festival - The Hope
22 May – PRAGUE - 007 Venue
23 May – HAMBURG - Molotiv


Flyying Colours - Running Late

From The Bridge 7" on Upset The Rhythm:
upsettherhythm.bigcartel.com/product/sa…e-bridge-7

Written & Recorded by Sauna Youth in 3hrs at Karma Nov 2015, Mixed by Boon and Mastered by Kris Lapke

Blurry Images

Recorded and mixed by Matthew Hosking, mastered by Mikey Young.

Don't Forget

Chatham Rise - "Meadowsweet" from Split LP with Thelightshines "We Are The Sun", Mixed by Mark Gardener at OX4 Studios  LP available at https://pictureinmyearrecords.bandcamp.com/album/we-are-the-sun

We Are The Sun

Meadowsweet

Taken from the forthcoming album, Outside (briefly) out 24th February.

Pre-order now - https://lnk.to/frothoutside

http://www.frothband.com/
http://www.wichita-recordings.com/

Catch Froth on the Desert Daze tour with Temples, Night Beats, Deap Vally and JJUUJJUU

Wednesday 2/22/2017 San Francisco UC Theatre
Friday 2/24/2017 Portland, OR Crystal Ballroom
Saturday 2/25/2017 Seattle, WA Neumo’s
Sunday 2/26/2017 Vancouver, BC Rickshaw
Wednesday 3/1/2017 Santa Cruz, CA Don Quixote’s Music Hall
Thursday 3/2/2017 Pomona, CA Glass House
Friday 3/3/2017 Pioneertown, CA Pappy & Harriets
Saturday 3/4/2017 Los Angeles, CA The Regent
Sunday 3/5/2017 San Diego, CA Belly Up
Friday 3/10/2017 Las Vegas, NV Neon Reverb – Plaza Hotel
Saturday 3/11/2017 Phoenix, AZ Viva PHX
Tuesday 3/14/2017 SXSW
Wednesday 3/15/2017 SXSW Desert Daze Showcase at Hotel Vegas
Thursday 3/16/2017 SXSW
Friday 3/17/2017 Dallas, TX Spillover – Trees

Outside (briefly)

Froth - Passing Thing

This is the consequence of a lot of influences: music, visual references and cities we have visited. We wanted to make something different, something brighter; East / West is that. A double album that reflects our idea of ​​evolution as a band. On one hand, we have 8 synth-pop songs with a very marked aesthetic; on the other, we got into experimenting with different types of instruments to create environments that go along with a side that we did not want to leave behind. This album is a perfect balance between that idea we had of the band that gazed at their shoes and the legacy of a whole generation of music made with synthesizers and futurism.
credits
released March 15, 2018 

/// East (Audio Credits) \\\ 

Sexores: 

606: Acoustic and Electronic Drums, Synths and Programming 
2046: Guitars, Vocals, Synths and Programming 

Produced by Sexores 
Recorded, Mixed and Mastered by Emilia Bahamonde at the East City Side (Quito) 
Support: David Yépez 

-------------------------------------------------- 

/// West (Audio Credits) \\\ 

Sexores: 

606: Acoustic and Electronic Drums, Synths and Programming 
2046: Guitars, Vocals, Synths and Programming 

Bass Synths in Tales of the East Coast: a) Bluish Lovers, The City That Sorrow Built, Evil Drivers, Berlin and Rigel: Daniel Pasquel 
Additional Programming in all West tracks: Daniel Pasquel 
Background Vocals in When I’m in Your Eyes, Evil Drivers, Berlin and Rigel: Daniel Pasquel 

Guest Bass Player in When I’m in Your Eyes, Tropical 
Nest and Underneath: Martín Herrera 

Guest Vocals in Underneath: Milton Mahan from Dënver 

Saxophone in The City That Sorrow Built: Álvaro Jaramillo 

Produced by Daniel Pasquel 
Co-produced by Sexores 
Recorded by Daniel Pasquel at La Increíble Sociedad (Quito) 
Mixed by Daniel Pasquel at La Increíble Sociedad Mobile Studio (Brooklyn, NY) 
Mastered by Juan Pablo Rivas 

-------------------------------------------------- 

/// East / West (Visual Credits) \\\ 

Cover: Trevor Alexander 
Photography and Post-production: María José Rodríguez and Jairo Proaño 
Package Design: Alexis Madrid 
Art Direction: Sexores 

This is for all the cities we have visited 
​ 
© 2018 Sexores 
℗ 2018 Buh Records 
℗ 2018 Recoop

Tropical Nest

Papercuts "Parallel Universe Blues" is out Fall 2018 on Slumberland Records.

Over the course of five stellar albums, Papercuts' Jason Quever has shown himself to be a top-notch song-writer and producer, equally at home with lush, baroque textures and more stripped-down arrangements. His skill in the studio has helped him build-up an enviable resumé recording, producing and playing with artists including Luna, Beach House, Cass McCombs, Dean Wareham/Dean & Britta and Slumberland's own The Mantles.

Papercuts' new album "Parallel Universe Blues" reflects Quever's recent move from long-time musical home San Francisco to Los Angeles and all of the searching and self-exploration that accompanies leaving your home, your friends and your scene. The sound is intimate and close, nicely balancing the sonic concerns of the last few Papercuts records. The opening pair of songs "Mattress On The Floor" and Laughing Man" superbly sets the table for the rest of the album: perfect Spectorian pop songs echoed down through The Velvet Underground, LA's Paisley Underground, Spiritualized and The Jesus and Mary Chain.

"How To Quit Smoking" is a wry bit of self-examination, fueled by some gorgeous guitar melodies and a terrific chorus. "Sing To Me Candy" amps up the fuzz - distant peels of feedback blending into tape loops to create a Opal-esque atmosphere. "Clean Living" is another "jab at self improvement and who it's really for" that could fit right on on Nico's "Chelsea Girl." "All Along St Mary's" is an epic breakup song that would be right at home on The Jesus And Mary Chain's "Darklands" - ideal late night/rainy day vibes.

Never sacrificing song-writing for atmospherics, "Parallel Universe Blues" is a superb addition to the Papercuts catalog. Its themes of self-examination are as a timeless as the tunes themselves, the dreamy autumnal mood perfectly captured in the pastoral cover art. The album is a triumph and points to more great things in the future from Quever and Papercuts.

Parallel Universe Blues

Papercuts - Sing To Me Candy

From Film School "EP", coming summer 2019 on Hauskat Records.

Written by Film School
Produced by Film School and Dan Long
Mixed by Headwest Studios
Mastered by Howie Weinberg
Artwork by Adam Marks

Greg Bertens - vocals, guitar
Nyles Lannon - guitar, backing vocals
Justin LaBo - bass
Jason Ruck - synths
Adam Wade - drums

Lyrics:
Liberate
Take it all away
Higher state
Make it go away

Positive
Bullshitive
Knock me out
Take my mind away

Wasted day
Just another day
Leave or stay
Don’t care either way

Influence
Pestilence
Knock me out
Take my mind away

Positive
Bullshitive
Knock me out
Take my mind away

Influencer

Sinister performed by Pinemoon - the first single from Pinemoons debut album.

Sinister

Debut album out now on LP/CD/digital via The Lost And Lonesome Recording Co.

Don't Forget

/Hideous Towns

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