Daniel Maalman a.k.a Polymer is an artist obsessed with sound in the broadest sense. From a young age Daniel was tinkering with computers and disassembling devices around the house to look how they worked. From the age of thirteen he started making electronic music with computers and tapedecks. Later, in art academy, his passion for sound evolved into building large installations, merging technology and sound, showing his sound obsession in an art context. 

Since many years Daniel moves back and forth between the world of electronic music, playing his music productions in parties and festivals as Polymer, and the world of sound art, exhibiting his creations as art installations. In the last years he has created collaborative ‘exhibition concerts’, with his project Foundscape Orchestra, where he makes musical compositions using industrial buildings, materials and objects as a sound source. These two worlds in which Daniels projects exist, sometimes collide and overlap, and sometimes run parallel to each other, but they always feed and inspire one another. 

Through his projects, Daniel wants to immerse the audience in a world of sound, where they can catch a glimpse of another world outside the mundane, and motivate them to playfully explore their inner universe.

Go to www.thepolymerexperience.com for contact, links and materials!

Daniel is based in the Netherlands. For other projects besides Polymer / The Polymer Experience check www.danielmaalman.com

Portrait black & white photo by Willem-Jan Mengerink

Free Dub Releases
https://linktr.ee/odgprod

Odgprod is a french net label owned by @Ondubground based on a free & legal music database inspired by the precursor Dubzone(dubzone.org)...

We've moved our complete archive to:
www.mixcloud.com/RedLightRadio

Red Light Radio was an online radio station and international music platform based in Amsterdam’s Red Light District. From 2010-2020 RLR  broadcasted daily shows of local and international artists. Enjoy all great music!

Natural Tribe Recordz né de la rencontre entre Dylan (Abystep / Abyssal Sound System - Belle Ile en Mer) et Pierre (Obeah / Yessaya Sound System - Rennes). 

Adeptes des productions puissantes aux mélodies mystiques et spirituelles, c'est dans ce style qu'évoluera chaque release, que ce soit au format digital ou viny
Tous les 15 jours , une selection d'1h est mise en avant dans les Natural Tribe Tape avant de faire découvrir et partager l'univers de chaque crew/artiste.

May the natural vibe guide you all along the way to the redemption, 
Natural Tribe blessings.

Once my body could not contain my frustrations, my actions not my dreams, my words not my anger
But things have distilled, at least for the last
I leave out the warm and the kind, and I just sign
Regards

I play an eclectic mix, rooted in post-punk, aiming to give due respect to the artists in our collective memory that have pushed boundaries, moved us, or just knew how to make a damn good song.

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FOR BOOKINGS:
http://esp-agency.com/contact
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Setting fire to dancefloors with chopped breaks, deadly deep subs, soundclash mentality and pure euphoria. 

FFF started "djing" on 2 turntables (without pitch control) early 90s. Mixing mainly rave, techno and the sparse UK breakbeat hardcore imports that arrived at his local record shops. 
First steps into making music: combining sounds from vinyl mixed with tapeloops, sounds from his sisters keyboard and a lot of feedback. Things changed big time when his parents bought a PC and his friends turned him onto tracker software. 

Mid 90s he started the cassette label "Orange Socks" on which he released his own material plus music from his friends and artists he met through tapetrading. He released his first track on vinyl in 2001 (on the French Necromaniacs Industry label) and from then on kept releasing on  a wide range of labels (Planet Mu, Kool.Pop, Murder Channel, Prspct RVLT, Hong Kong Violence, Mindbender, Sozialistischer Plattenbau, Sprengstoff, Clash, K-produktions, Sonic Beligeranza, Ketacore, Encounters, Artcore, Dub Attack, Zero71) His first full length album "20.000 Hardcore Members Can't Be Wrong" was released on the Japanese Murder Channel Label in 2011. And the follow up "Keep The Fire" in 2013.

In 2001 Bong-Ra & FFF organized the Breakcore a GoGo parties. These became one of the first regular Breakcore nights in Europe. When BCGG ended in 2004, FFF continued to promote breakcore & Jungle on the monthly Wreck havoc nights which never officially stopped and still pop up once in a while. 

FFF is an obsessive vinyl collector. A trip to the record shop, flea market, thrift stores, record fair and the element of surprise that comes with crate digging are most of the times the basic inspiration for a new track. 

Live you can expect amen warfare, hoovers, rave horns and tropical vibes with elements of jungle, rave, bubbling, dancehall and gabber. 


"Every single track will have audiences calling “Tuune!” and demanding a wheel!!" - Kid Kameleon 

"..generating a kind of classic '92 Hardcore variation, littered with classic rave stabs and healthy Amen breaks, just the way we like it." - boomkat.com


"..blends my favorite styles of dancefloor music with ease and efficiency - ravecore at it's very best!"  - Parasite

highcourage13 is following