Like the subtle nuances in the piece. Nice work =]

wow!! big ambient respect for 432hz tuning. your work feels warm from the very start. happy to find person holding the same views <3

im always quite sceptical about music/drone like this, but my god this is brilliantly made, well done

artist: spheruleus
title: inaugurate
catalog: eR001
release date: 26th of february 2022

release type: ep
series: eRecords digital series
playing speed: 45rpm

written and produced by: harry towell
mastered by: james edward armstrong
cover photography by: harry towell

https://whitelabrecs.com/erecord-series/

eRecords are a series of digital editions which aim to transform the digital format into something that can be experienced in a similar way to a listener’s interaction with a real, whitelabel vinyl record. Each edition includes a special PDF scrapbook including polaroids and liner notes and you will only be able to find out more about the themes and ideas about each record, once you’ve downloaded them.

Inaugurate

eR001 spheruleus - a blank horizon

dougy's been waiting for us

Sounds From a Cloud Forest In Ecuador.
Field Recordings. Nature Sounds. Rain. Mountains.
Birds. 

From the Album Sacred Ground

Available here  : https://balsam.bandcamp.com/album/sacred-ground

Cloud Forest (Remastered)

Music written, recorded and produced by Hotel Neon (www.hotelneonmusic.com).
Additional textures and arrangement on "4:10 AM" by Takahiro Yorifuji (www.hakobunemusic.jp).
Vocals on "6:59 AM" and "8:30 AM" by Lacey Tasselmyer.
Mixing and additional production by Matthew Kidd (www.slowmeadow.com).
Mastering by Taylor Deupree (www.12kmastering.com).

1:57 AM

https://stereoscenic.bandcamp.com/album/repose

Repose is an ambient experiment created with the intention of aiding sleep and meditation. The music is meant to replace the space in our mind taken up by thoughts anxiety and worry. 

I calibrated my instrument’s tuning to 432hz, which has indeed given it a different feel. However, I cannot say with scientific or historical confidence that tuning in that way is truly more beneficial to mind body or spirit. I can say that the long-form music contained in this album easily disappears into the background along with the over active mind. 

A field recording from the forest has also been buried within to subtly keep the listener grounded as not to float too far away. 

For those like me who have trouble with sleep or meditation, this album could prove to be a beneficial tool and an artful listening experience for other fans of the genre. 

Please feel free to get in touch and let me know about your experience.

Photography/Album Art by Bryan Hilyard

https://hilyard.bandcamp.com

Repose

Add to Spotify!

Repose I

Robert Farrugia is a composer from Malta who has released through labels such as Assembly Field, Post Global Recordings, Batenim and more recently Spanish imprint Archives. Robert is a classically trained pianist although his earlier work saw him produce experimental guitar-based music before returning to focus more on piano recordings in 2013. 
Citing Ólafur Arnalds, Stars of the Lid and Taylor Deupree as his major influences, Robert’s work usually starts off with small motifs which are layered with a largely improvisational approach. 

Robert has also performed live many times alongside artists such as Jimmy Bartolo, Joseph Wilkins, Timothy Garrett & Cosmicomics and he has also collaborated with Roman Willi, Warmth and SineRider. He’s also a member of Eyes To Argus, an atmospheric/shoegaze band who have recently released an album entitled ‘VEER’ in October 2017.

‘Almost There’ is an Ambient record with droning synth/piano texture in a similar vein to the aforementioned Stars of the Lid as well as Hammock and is a record that Robert quotes as being his first serious attempt at recording a full length album. It was recorded during the examination period of his first year at University and he used it as a means of breaking away from his hectic routine, over the course of 3 weeks. The contents of the record are soothing yet dramatic as they map out a relaxing space that pauses all of life’s challenges into microscopic slow motion frames. Almost There gives a sense of being on the brink of achievement and as the finish line comes into focus, moments of reflection and triumph overflow. 
credits
releases February 24, 2018 

Written and produced by Robert Farrugia 
Mastered by Tim Diagram 
Artwork by Chris Vella

Almost There

wlr035 Robert Farrugia - Almost There

Buy CD/Dig

Ilya Glebov & Joe Fujinoki - Glimmer II

free download on bandcamp via the buy option.

https://turion.bandcamp.com/track/i-like-places-where-there-is-no-one

i like places where there is no one

track 4 from “On the Sorrow of Firn” by @Hilyard
https://hilyard.bandcamp.com/album/on-the-sorrow-of-firn

On the Sorrow of Firn

Hilyard - Morning Vapor

Written and produced by Shuta Yasukochi & Carlos Ferreira
Remixes by Hilyard and Warmth
Mastered by Fraser McGowan
Photography Alexander Kopatz
www.go70north.com
ARCHIVES68 // ARCHIVESCD49
Archives | 2020

Shuta Yasukochi & Carlos Ferreira - An Endless Dream (Warmth Remix)

track 1 from “Prelude” by Dreone
https://dreone.bandcamp.com/album/prelude

Music by @Hilyard
Mastered by @AndrewJKlimek

Prelude

Dreone - Memories to the Machine

@toneharvest
@stereoscenic
@cryo-chamber
@archives-5

Repose I

Hilyard

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