Tonebenders is a Sound Design podcast dedicated to covering the worlds of sound editing, field recording and audio post production for film, television and gaming.  Through interviews and experiments we delve into everything from foley to plugins.  Check us out at www.tonebenderspodcast.com

—Published across visual art, music & critical thought from 2012-2022
—Other discrete projects, as and when

A label run by Doug Kaplan and Max Allison. We operate out of Chicago, IL and release music on vinyl, on cassette tape, and digitally via Bandcamp.

It’s likely that we’ve never met, but we believe that all of the decisions you make as a person operating in this world are well-intentioned and correct in their own way and with that belief in our minds we’d like you to know how deeply we admire you.

Electronic producer / sound designer / poet from Hong Kong

データコード 〔Dētakōdo〕 - ::ＤＡＴＡＣＯＤＥ::
The project touches various genres and influences, analog and digital techniques for an extensive research in sound design.
"Post-digital Research" aims at exploring what, in the afterglow of digital art and culture, lies beyond the digital as a form of existence. We are witnessing fundamental changes: we no longer distinguish between online and off-line or analogue and digital practices. It has become embedded in almost every contemporary aesthetic practice. In this, our focus of attention somewhat shifts: we become interested in the renewed significance of the technologies we left behind (the role of print, magnetic tapes, floppy disks, etc.).
We do not wish to claim a research interest in a future predetermined by the digital, nor do we want to do away with the digital. Instead we will attempt to explore how to practice research in a culture where the digital has become a cultural residue that consumes resources, even producing new forms of trash and overloaded forms of existence. the aesthetics and politics of the digital "during the transition to new cultural forms are still unknown to us". With this call for "Post-digital Research" we do not wish to set a particular direction for research, but rather provide a speculative and experimental framework for research in a post-digital culture. We therefore invite proposals that take diverse perspectives to open up some of the paradoxes of contemporary thinking and technologically-informed artistic practice after the digital.
データコード tells of abstract ambient soundscapes, surrounded by residual datas, randomly memory allocations, transmission problems, video signals, h/v sync, interferences, distortions, glitch, granular techniques and no-input noise to access certain parts of the mind through contemporary and avant-garde experimental music.

for more info: https://encr.pw/datacode

http://1010.co.uk

http://www.1010.co.uk/org/ERD.html


aged release: http://www.archive.org/details/xxxxx-is_land

Audio signals received from unknown sources.
Audio decoded by Antonio Blanca & データコード

༺ ༺ Magic Vibes ༻ ༻

Camille @jetski001 & Thomas @retinaset

French electronic music webzine. Premieres, podcasts, free downloads, reviews and more.
SSS Crew: @backgroundsounds / @idris-ght / @fluidmatter / @drazel / @clemseg  / @marco-kabbale

Sound Designer at Twisted Tools
Some of my sounds (not tracks!) If you like, feel free to downlad them. WAV format.

hirsk is following