i loved every bit of this. i will recommend it as much as possible

What would we do without this essential element of life? 🎵

Starting with jazzy sounds and sliding slightly to the club through beautiful heart touching electronica. Bass music, Dub Tech House from the 97’ and powerful fast atmospheric Progressive House

For the second hour, a mix of vinyls and digitals recently included in the library.

First Hour:
@hird-music @janekvanlaak , Algrthm , Edmonson, @kaleidamusic @masha-ny @terryfrancis @io-mulen  @vegyn @luisleon 

Second Hour:
@datamemoryaccess @fumakilla @fantastic-man @ag303norway @moodwaves @veniceprod @djmisjahofficial @nathalie-seres @roza-terenzi @d-tiffany @jacopoo

Essència Electrònica by @santacreumusic

Essència Electrònica 08 - Santacreu

Rock Wit Me!

Motown treasure by the powerhouse songwriting trio, covered masterfully by The Band.  Thanks Bangin' Bruce, Pickin' Pete, Loopin' Lou, Bobby McSlidester, and all-Knowing Kevin.  Growler & Gill open mic, Feb 6, 2024.

Don't Do It

Don't Do It (Holland / Dozier / Holland cover) - Live at G & G

I usually record primarily piano music that I produce and mess with until it sounds like a song. Here's some tracks I made, focusing on rhythm as a base layer, all sounds recorded by me, most anything you hear thats fly? resampled from something else I recorded, chopped, glitched up, pitched, flipped upside down and backward, welcome to my mind, this is how I think about sounds outside of the piano...Sean

As If I Were Submerged

Improvisation happy day for fun..
pm 26/02/2024

pm - Impro 26 4

V5 Freestyle

A song for the people who got ear's to listen 
When I was working on the track,I was thinking about a wedding type song
A song everybody can listen to 
If you love the track, please follow and repost it ,so that we can reach more people 



follow me on TikTok 
@Owen_Keagan

follow me on Instagram 
@Owen_Keagan

my email 👇🏽👇🏽.. down here...
greenoceanpup@outlook.com

Single

Hurts_To_Love

If 2022’s The Children Of Scorpio was the debut album that turned people onto the world of Project Gemini aka Paul Osborne, Colours & Light is the body of work that will be buried deep into their hearts. It is a majestic album, bringing together the worlds of folk rock, psych soundtracks and hazy cinematic funk.
 
A growing confidence and ease emanate from the writing and production of this sophomore LP, bolstered by the reception to his standout debut. “It’s a more layered and diverse record” Paul mentions, “with a more outward-looking, global sound, born out of the records I was listening to and the musicians I was lucky enough to collaborate with”. It feels relaxed yet self-assured, with a kaleidoscope of sounds that twist together in a mesmerising fashion.
 
The theme of the album developed naturally through the lyrics Paul began writing. A creative process both plagued and fed by insomnia, nourished by relationships, entwined in emotions, nights out, nights in and the after-effects on the human condition. Relatable themes yet seen through the prism of a soundscape that takes in many a different culture and scene. From acid folk to psych-funk, Francophile elements to Anatolian and Eastern inspirations, all interlocking and rotating as one.
 
Drawing inspiration from those he admires, Colours & Light radiates with collaborations. The title track, which tips its hat to a live 1973 TV version of Pentangle’s ‘Wedding Dress’, features the folk rock, guitar brilliance of Jack Sharp from Wolf People/Large Plants.
 
Elsewhere, two tracks are blessed by the sultry, smokey French vocals of Gloria’s Wendy Martinez, ‘Extra Nuit’ and ‘Entre chien et loup’. The former echoes Paul's love of classic French psych-pop from the late ’60s and early ’70s and artists such as Laurance Vanay, Calcium, Leonie, and Serge Gainsbourg. Martinez's sublime vocal work nestles perfectly within Paul's psych-folk-funk productions, as her Gloria partner, Alexis Morel (aka Kid Victrola) sprinkles a dose of entrancing guitar line magic on proceedings.
 
The list of collaborations extends further with Raz and Markey Funk, drummer Tony Coote and percussionist Paul Elliott all featuring. Regular collaborator and underground icon Barrie Cadogan (Little Barrie) returns along with Bert Page from The Cromagnon Band, who between them provide a hit of whacked-out, fuzzed-up country guitar and Moog madness respectively on ‘Lost In The Woods (Bacchanal)’.
 
Rounding off the record Paul’s daughter, Olivia Osborne, supplies the keyboard intro on the penultimate track ‘Twilight’. Dorian Conway from The Soundcarriers (whose bandmate Paul Isherwood returns on mixing duties) then layers echoing heavy flute parts to magically capture the psychedelic sunrise images brought to mind. 
 
Balancing light and shade on this record, there is beauty and tension all wrapped up in Paul’s vivid and visceral, storytelling gift.

Project Gemini - The Sun Devil

Project Gemini - The Sun Devil Prelude

Et paf !
Pas le meilleur mais on a bien rigolé ^^ 
Manque la partie de l'ami Vinz @Asso Face B... On a oublié de cables pour enregistrer en sortie... Bref ^^

Apero Mix @TRI-MARTOLOT - Volume 6 - Avril 24

Universities are unique -- a quintessential product of the High Middle Ages that has miraculously survived and even flourished in the modern world. In the first part of the history of universities, we examine the origins of the first universities in the power struggles of Popes and emperors; the ways that medieval students learned, lived, and annoyed their elders; and the ways that universities adapted to and withstood serious challenges from Renaissance humanism and the republic of letters.
Next will be the rise of universities in America, the modern research university, and the current crisis of academia.

Please support Historiansplaining, in the spirit of knowledge and inquiry, and to get patron-only lectures such as my latest on political left and right: www.patreon.com/user?u=5530632

Suggested further reading:  Walter Ruegg, ed., “A History of the University in Europe,” 4 vols.;  William Clark, “Academic Charisma and the Origins of the Research University”;  Olaf Pedersen, "The FIrst Universities."

Image: "Master and Scholars," illustration from "L'Image du Monde," copybook by Gautier de Metz, 1464, in collection of British Library.

Intro music: Domenico Scarlatti, Sonata in D minor, played on harpsichord by Wanda Landowska.

History of Universities, Part 1:  Flower of the Middle Ages

History lectures by Samuel Biagetti, a historian (and antique dealer) with a Phd in early American history; my dissertation was on Freemasonry in the 1700s. I focus on the historical myths and distortions, from "the Middle Ages" to "Race," that people use to rationalize the world in which we live.   More info at www.historiansplaining.com

Please see my Patreon page, https://www.patreon.com/user?u=5530632, if you want to keep the lectures coming, and to hear the patron-only materials.

History of Universities, Part 1: Flower of the Middle Ages

Historiansplaining

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Justus Poussin

Justus Poussin

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