What would we do without this essential element of life? 🎵

Starting with jazzy sounds and sliding slightly to the club through beautiful heart touching electronica. Bass music, Dub Tech House from the 97’ and powerful fast atmospheric Progressive House

For the second hour, a mix of vinyls and digitals recently included in the library.

First Hour:
@hird-music @janekvanlaak , Algrthm , Edmonson, @kaleidamusic @masha-ny @terryfrancis @io-mulen  @vegyn @luisleon 

Second Hour:
@datamemoryaccess @fumakilla @fantastic-man @ag303norway @moodwaves @veniceprod @djmisjahofficial @nathalie-seres @roza-terenzi @d-tiffany @jacopoo

Essència Electrònica by @santacreumusic

Essència Electrònica 08 - Santacreu

Rock Wit Me!

Motown treasure by the powerhouse songwriting trio, covered masterfully by The Band.  Thanks Bangin' Bruce, Pickin' Pete, Loopin' Lou, Bobby McSlidester, and all-Knowing Kevin.  Growler & Gill open mic, Feb 6, 2024.

Don't Do It

Don't Do It (Holland / Dozier / Holland cover) - Live at G & G

I usually record primarily piano music that I produce and mess with until it sounds like a song. Here's some tracks I made, focusing on rhythm as a base layer, all sounds recorded by me, most anything you hear thats fly? resampled from something else I recorded, chopped, glitched up, pitched, flipped upside down and backward, welcome to my mind, this is how I think about sounds outside of the piano...Sean

As If I Were Submerged

Improvisation happy day for fun..
pm 26/02/2024

pm - Impro 26 4

V5 Freestyle

A song for the people who got ear's to listen 
When I was working on the track,I was thinking about a wedding type song
A song everybody can listen to 
If you love the track, please follow and repost it ,so that we can reach more people 



follow me on TikTok 
@Owen_Keagan

follow me on Instagram 
@Owen_Keagan

my email 👇🏽👇🏽.. down here...
greenoceanpup@outlook.com

Single

Hurts_To_Love

The scale and horror of the First World War were possible only after the Nineteenth Century's double revolution in the nature of war. Warfare -- including weaponry, strategy, and command -- had remained mostly unchanged for three centuries, from the early integration of firearms in the 1400s until the French Revolution; the campaigns of Napoleon unleashed a new era of mass mobilization and nationalistic fury, while a series of haphazard improvements massively multiplied the killing power and reach of firearms, tearing open a battlefield "killing zone" unlike anything that prior generations of soldiers could have imagined. We follow both the breakdown in the old distinctions between war and civil society and the breakneck advance in land and sea warfare that set the stage for the nightmare of World War I.

Image: Japanese riflemen defending a breastwork embankment, Russo-Japanese War, 1904-5.

Margaret MacMillan on war & 19th-century society: https://www.youtube.com/watch?v=hJVe0KLONJU

Nicholas Murray on the emergence of trench warfare: https://www.youtube.com/watch?v=2cbq7iu8FrI

Suggested further reading: Nicholas Murray, "The Rocky Road to the Great War"; Margaret MacMillan, "The War That Ended Peace";  Hew Strachan, "A Clausewitz for Every Season," https://www.the-american-interest.com/2007/07/01/a-clausewitz-for-every-season/

Please sign on at any level to support this podcast and to hear the recent lectures on Germany, Bosnia, and Japan -- https://www.patreon.com/user?u=5530632

Origins of the First World War, pt. 11 -- The 19th-Century Revolution in Warfare

If 2022’s The Children Of Scorpio was the debut album that turned people onto the world of Project Gemini aka Paul Osborne, Colours & Light is the body of work that will be buried deep into their hearts. It is a majestic album, bringing together the worlds of folk rock, psych soundtracks and hazy cinematic funk.
 
A growing confidence and ease emanate from the writing and production of this sophomore LP, bolstered by the reception to his standout debut. “It’s a more layered and diverse record” Paul mentions, “with a more outward-looking, global sound, born out of the records I was listening to and the musicians I was lucky enough to collaborate with”. It feels relaxed yet self-assured, with a kaleidoscope of sounds that twist together in a mesmerising fashion.
 
The theme of the album developed naturally through the lyrics Paul began writing. A creative process both plagued and fed by insomnia, nourished by relationships, entwined in emotions, nights out, nights in and the after-effects on the human condition. Relatable themes yet seen through the prism of a soundscape that takes in many a different culture and scene. From acid folk to psych-funk, Francophile elements to Anatolian and Eastern inspirations, all interlocking and rotating as one.
 
Drawing inspiration from those he admires, Colours & Light radiates with collaborations. The title track, which tips its hat to a live 1973 TV version of Pentangle’s ‘Wedding Dress’, features the folk rock, guitar brilliance of Jack Sharp from Wolf People/Large Plants.
 
Elsewhere, two tracks are blessed by the sultry, smokey French vocals of Gloria’s Wendy Martinez, ‘Extra Nuit’ and ‘Entre chien et loup’. The former echoes Paul's love of classic French psych-pop from the late ’60s and early ’70s and artists such as Laurance Vanay, Calcium, Leonie, and Serge Gainsbourg. Martinez's sublime vocal work nestles perfectly within Paul's psych-folk-funk productions, as her Gloria partner, Alexis Morel (aka Kid Victrola) sprinkles a dose of entrancing guitar line magic on proceedings.
 
The list of collaborations extends further with Raz and Markey Funk, drummer Tony Coote and percussionist Paul Elliott all featuring. Regular collaborator and underground icon Barrie Cadogan (Little Barrie) returns along with Bert Page from The Cromagnon Band, who between them provide a hit of whacked-out, fuzzed-up country guitar and Moog madness respectively on ‘Lost In The Woods (Bacchanal)’.
 
Rounding off the record Paul’s daughter, Olivia Osborne, supplies the keyboard intro on the penultimate track ‘Twilight’. Dorian Conway from The Soundcarriers (whose bandmate Paul Isherwood returns on mixing duties) then layers echoing heavy flute parts to magically capture the psychedelic sunrise images brought to mind. 
 
Balancing light and shade on this record, there is beauty and tension all wrapped up in Paul’s vivid and visceral, storytelling gift.

Project Gemini - The Sun Devil

Project Gemini - The Sun Devil Prelude

Et paf !
Pas le meilleur mais on a bien rigolé ^^ 
Manque la partie de l'ami Vinz @Asso Face B... On a oublié de cables pour enregistrer en sortie... Bref ^^

Apero Mix @TRI-MARTOLOT - Volume 6 - Avril 24

History lectures by Samuel Biagetti, a historian (and antique dealer) with a Phd in early American history; my dissertation was on Freemasonry in the 1700s. I focus on the historical myths and distortions, from "the Middle Ages" to "Race," that people use to rationalize the world in which we live.   More info at www.historiansplaining.com

Please see my Patreon page, https://www.patreon.com/user?u=5530632, if you want to keep the lectures coming, and to hear the patron-only materials.

Origins of the First World War, pt. 11 -- The 19th-Century Revolution in Warfare

Historiansplaining

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