12 20 IQ

This track was made with a sample of Alan Turing's device which broke the enigma machine: Bombe. 

Also included is a dual message in morse code.

[disquiet 0546] Bombe

This track follows the inspiration of the Disquiet Junto Project 0564: Encode a secret message in music.
Some rather trivial phrases that could be found in love letters are encoded in a melody that guided the creation of this track.

More on this 546th weekly Disquiet Junto project – Code Notes (The Assignment: Make music that includes a secret message) – at: https://disquiet.com/0546/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0546-code-notes/

The Billet Doux (Disquiet0546)

Yet another variation of screwing around with a combination of ifft and wave/spectral-table morphing
First 1.5 minute is adjusting some of the main parameters to show some of the "cloud" functions, after which the drums come in, featuring a new sequencer using an improved flam algorithm and three new drum sound generators (kick, snare and a randomisable multi-channel drumkit generator)

Spectral Madness

peoplemover debut liveset - thrg 07 2022

10.23.2022 Halloween Mix

Zopelar and Vermelho has joined forces again for a new cosmic studio journey. The result is a killer 808-Italo-electro-dirty-rhythms jam.

“Upstairs” starts with uplifting and crispy 808 grooves, driven up by funky and tight bass lines. The Juno and Arp 2600 synth lines brings up some cool retro futuristic vibes on it, until the harmonies and bass changes and shakes off every dancer on the floor.

https://sphynxx.bandcamp.com/track/upstairs-original-mix

Sphynx - Upstairs (Original Mix)

Artist: Pipe + Taslo
Title: Motion Suite
Label: Global North
Cat No: GN03
Format: 12” Vinyl

Tracklist: 

A1. Realtime Bounce
A2. Palladium
B1. Moonshine
B2. Shake It

For the third release on Global North, DJ Pipe teams up with Crawley wunderkind Taslo to summon DJs and punters alike into their “Motion Suite”: celebrating a partnership galvanized during countless misspent hours on the dancefloors of Berlin, Tisno and beyond.

A1 “Realtime Bounce” gets things moving with slick tribal-house rhythms, fevered exhortations and a folder-full of stabs: not stopping for breath yet still keeping it deep. Bouncy and boisterous “Palladium” marries the sacred resonance of the S900 with undulating sub-bass squelch, making it a certified winner in rooms of all shapes and sizes. Pure momentum!

GN03’s flip side continues to deliver sustained bang for your hard-earned buck, with the oily, viscous grooves of “Moonshine” tumbling into your lugholes to deliver a fast-paced and dynamic tech-house cut. B2’s sensual “Shake It” rounds off the collection with heavily swung snares, strung-out chords and plenty of analogue delay – a supremely versatile deep house cruiser with the subtlest hint of melancholy. 

Another refined, massively playable slab from Global North – and probably not the last you’ll hear from Pipe + Taslo… enter the Suite.

Pipe + Taslo - Motion Suite (GN03)

demo by Die For Country
American Pie-Core

Rocket To Russia

A lifelike emulation of the classic Roland TR-707 as modified by Diabolical Devices with ring modulation, filtering, distortion and doubling type effects.
"If you're looking for a radically different drum machine sound for your productions, Devil07 puts a screamin' demon drumbox in your DAW for pocket change." - Recording Magazine

Devil07 is a classic Roland TR-707 drum machine instrument and much, much more! It is a re-programming of the Diabolical Devices modification that augments the TR-707 with limitless sound potential. With close to 600 individual samples, and 21 banks of sounds, Devil07 will take you to places that the original 707 could never come close to.
The TR-707 used for this library was completely upgraded by master circuit bending technician Diabolical Devices. Using a system of patches and switches, each "bent" sound was explored and all of its expressions captured with high resolution a/d conversion. The library includes an enormous collection of "Mechanical", "Bitpitched", "Shorted" and "Rusted" sounds all categorized into individual banks.
Devil07 Features

• Over 20 multi-sampled banks
 • Close to 600 high quality samples
 • Singly integrated Ableton Live Rack can be played as a seamless instrument
28 MB
$15

Devil07

Made a re-routing yesterday again, starting off with the build of a versatile kick-routing:
Intellijel Quadra is being used to generate 3 different envelopes to control pitch of oscillator II, borg-filter and pitch of noisering.
The triangle wave of the richter oscillator II is being directly routed to the intellijel planar to serve as a "basebone" basskick.
The normal square output and the phase modulated outputsof the richter oscillator II are going into an A-151 sequential switch, being controlled by triggers from a trigger riot and from there are send to a bitcrusher and a RS-180 VCA which serves as a ringmodulator (being modulated by the melody oscillators).
A fourth basskick-channel is being created by a malekko noisering.
Then the intellijel planar is used to mix the four channels together, while the XY inputs are being modulated by a tempo synced and basskick-trigger synced vermona fourmulator LFO.
The planar then sends it to the borg filter and from there it's off to the distortion input of the hexinverters mutant bassdrum for some sweet-ass distortion. smile-emoticon
From there it's being send out to the channel 1 output of the modular synthesizer, going through an EQ and then into the akai MFC-42 mono-input.
Next to the kickrouting, the trigger riot is also playing some claps/snares and hihats from the hexinverters clap and hihat modules and a basimilus iteritas for cymbals (the outgoing volume of that module is way too low!) and some melodic/glitching/cross-modulating oscillators (lunar modular centre. These are all mixed together and send through a echophon, erbeverb and then into a schippmann VCF-02 input 1 (except for the clap/snare, which goes directly to the schippmann filter's input 2 so it's not made too fuzzy by the effects, then again, the nord modular G2 fx totally destroy the sound afterwards anyway..but anyhow)
From here the percussion/melody/glitch channel is being send to the output 2 of the modular synthesizer, also going through some EQ-ing and into the modular G2 after which it goes to the akai MFC-42 stereo input to be mixed with the kick-channel and is "ready" to be recorded ("ready" as in, my dominator compressor/limiter was doing kinda weird, so I took it out..frown-emoticon )
The nord modular G2 has several multi-FX parts in it to glitch the hell out of the incoming audio. The first two stages are mono-FX processing of 8 FX each (4 fx at same the time, which can be switched with 4 other effects), which have velocity control for:
-FX-parameter modulation when an FX is triggered
-FX-order, which can be any order...delay->dist->trem or dist->trem->del etc
-FX-2nd effects, switching the 4 effects with 4 others
-FX modulation, adds a LFO/oscillator modulation to the FX.
The third stage is a granular FX with vowel filter and ringmod (3 inter-modulating triggers and velocity control.)
The last stage of FX are several stereo effects to influence the panning/stereo field.
Then it goes through some final polishing (EQ-ed sidechain compressor to compress high frequencies more then low frequencies) and being send out the the akai MFC-52
well...there it is....

12 20 IQ

Hitachii