Gentle as the wind, flowing like bamboo – a beautiful soundscape! 🌿🎶

Damn it, i would have love you as the composer for the Assassin Creed: Shadows...Would be SOO much more immersive!

Back again, I do love this track, I felt it’s very familiar sound as a Japanese . And also very creative and fresh. Really cool and wonderful work!

And love the story of the Flutemaker. Very interesting !

Mixed for Lillithe

Watch Out! ➡️ https://youtu.be/ioB6ZNxr2CA (Really cool Video 😀)

Where you want to go when you get older and want to go back when you are old, that is "home".

I have been an isolated stranger until now, wandering around in nature and possessing nothing but property. All the beings to whom I have attached myself have had something dearer to them than I, and with that my heart cannot help itself. I long for a civil and domestic existence, and that is the only thing I hope for now. And yet they fly away...the houses of my own existence. I am feeling homesick!

--------------------------------------------------------------------------------------------------

Every single instrument, every track was recorded, processed and edited separately. Articulations are on the individual keyswitches, for which I put a specially made sketch next to my keyboard to make sure I get the right key in any case 😂 

This outstanding image inspired me to write this song. Picture by Rafy A (unfortunately I did not find a direct link to him) : (

🎞️ Video!

Homeland!

Mount Abby's Race W/ UK Man

Recorded in Modesto, Ca. Featuring Sergio Parraga on Congas, Bongos & Percussion. Gibson 335 Electric Guitar solo. Trumpet solo. Alto Saxophone solo. Acoustic Bass. Roland Synthesizer Bass Rhythm. Fender Rhodes Electric Piano Rhythm. Steinway Brother Acoustic Piano Rhythm. Drums Standard Trap Drum set. Percussion Congas, Bongos, Timbales, Cowbell, Zildjen Crash Cymbal.

Lighthouse

Newport Beach

I heard Erik the Flutemaker describe how he imagined how the pre-historic man first came up with the flute concept.
He imagined a group of early humans living near a forest, occasionally weird sounds would come from the forest that scared them into running away, until a inquisitive ancestor ventured into the forest in search of this unworldly noise .
He found a bamboo that fell ,the little forest bugs ate the inside of the bamboo as it is soft and eventually decomposition made holes in to the bamboo.
Occasionally when it was windy and the wind blow from a certain angle its created a note, a sound.
And that ancestor of ours tried to understand the concept of wind, hollow bamboo with holes...
And maybe this was the way that the flute was born...
I loved that vision and when I saw this art work, it reminded me of this story and my creativity started to develop ...
Erik is a master flute maker, he makes All kinds of amazing flutes, please visit his site, it will bring you joy... https://eriktheflutemaker.com/

A special thank you to Brita Seifert, a generous ,fabulous ,creative artist with a great talent and eye for beauty.
Please visit her site , it will definitely brighten your day  
https://www.shutterstock.com/g/Brita+Seifert

For Tom and Ela

The Bamboo and the Wind

Art cover by Nataly NGM      
Drum programming, bass, one guitar with a slight delay 😉,
and vocals  all performed by Bruno 

This title was composed in January 1990, recorded on 4tracks tape recorder in February 1991, and mastered with Audacity on March 2023! 
All by Bruno C aka Loony De Bussy 

Better play it loud 🤘🔥

I'm Leavin' - Bruno C

you have to be
the birds and the bees
B. Hasemeyer can be found at, https://soundcloud.com/b-hasemeyer

Be Heaven, In The Trees

B. Hasemeyer / numbers in the dream - Be Heaven, In The Trees

yeah, so here is another piano I made for you, an ambient..
and I tried to sync on 60bpm..
forgive my mistakes as it's Live

Live Reflexion#028

Drifting Beyond – A sound floating between reality and infinity.

Soft, melancholic melodies blend with deep, atmospheric tones, telling a story of longing, loss, and the search for the unknown. Like waves drifting endlessly across the ocean, this track carries the listener into a world of emotion and contemplative silence.
Another chapter from the album Tides of Melancholy – a musical journey through light and shadow.
Close your eyes, let yourself drift, and find your own path Drifting Beyond.

Drifting Beyond – Ein Klang, der zwischen Realität und Unendlichkeit schwebt.

Sanfte, melancholische Melodien vermischen sich mit tiefen, atmosphärischen Klängen und erzählen eine Geschichte von Sehnsucht, Verlust und der Suche nach dem Unbekannten. Wie Wellen, die unaufhaltsam über den Ozean treiben, trägt dieser Track den Hörer in eine Welt voller Emotionen und nachdenklicher Stille.
Ein weiteres Kapitel aus dem Album Tides of Melancholy – eine musikalische Reise durch Licht und Schatten.
Schließe die Augen, lasse dich treiben und finde deinen eigenen Weg Drifting Beyond.
Note: This track was entirely composed, performed, arranged, and produced by myself – without the use of artificial intelligence.
Creating authentic music with real emotion and personality is important to me. Thank you for listening and for your support.

℗ 2025 DestKorn | © 2025 DestKorn. All rights reserved.
Unauthorized use, reproduction, modification or distribution of this track is strictly prohibited and will be prosecuted under applicable law.
℗ 2025 DestKorn | © 2025 DestKorn. Alle Rechte vorbehalten.
Jegliche unautorisierte Nutzung, Vervielfältigung, Bearbeitung oder Verbreitung dieses Tracks ist untersagt und wird rechtlich verfolgt.
Artist & Publisher: Matthias K. / DestKorn
SenneRecord – established 2012

Drifting Beyond

They Took All Out Of My Hands

They Took It All Out Of My Hands

Original composition and programing by Neno J.
Electric guitar Yamaha SG, recorded directly using multi effect Hotone Ampero 100
Please listen a little louder! April, 2025.

In Arcadia

Mayflower

When the railway runs along the coast, right beside the sea, there are many tunnels. Sometimes they’re so narrow that two tracks must draw near to one another to pass through. That’s how a strange love story begins between them.
This is a song I wrote around the year 2000, one of my last. I think it has a good mood. I’ve remixed and partially rearranged it.
You can still hear the warm tone of the Washburn, along with the old Yamaha’s sounds (including the flute). The sax — reworked by me  — is kindly provided by Dropgun Samples.
Still, as always, everything is very handcrafted.

Below is the English translation of the lyrics.

They converged at the tunnel’s mouth,
suddenly parallel —
twins of the railway.
They looked at each other, studied each other,
just enough
to not quite grasp
how much the one beside you knows of you.
They hesitated, thinking of the road behind:
companions in adventure,
but now unsure why.
And then they stared at the night gaping inside the tunnel:
a magnificent promise
to be traveled on the thread of fantasy.

“Inside this darkness, maybe we will never part,
under this shadow, maybe you’ll finally know me,
after this night, who knows where you’ll fall asleep —
perhaps closer to the sea…”

They parted at the tunnel’s edge,
but a narrow wall concealed a silence
charged with jealousy,
shaped like fear — fear of that strange kind of courtesy,
fear of the light,
fear of the end of the tunnel.
“Parallel track,
mirror born of the railway,
traitorous twin,
lover made of parody.
Don’t tell me that
after this darkness we’ll never part,
that under this shadow you’ll finally touch me,
that after this night, who knows where you’ll take me —
perhaps down by the sea…”

And at the end of that masterpiece of engineering,
only one of them
came rushing out of the tunnel;
on instinct, he turned and saw
that the sea was beside him,
and under the sea, the sky,
and beneath the sky — who knows what lies...

“After this darkness, surely we will never part,
inside this shadow, surely you’ll let go,
after this night, I cannot say where you’ll fall asleep —
perhaps closer to the sea…”

----

Confluirono all'ingresso della galleria
improvvisamente paralleli 
gemelli della ferrovia.
Si guardarono, si studiarono quel tanto che
non basta a misurare sino in fondo
quello che hai di fianco cosa sa di te.
Indugiarono, pensarono alla strada dietro di sé:
compagni di avventura,
ma ora non capivano perché.
E poi guardarono la notte spalancata nella galleria:
magnifica promessa
da viaggiare sul filo della fantasia

"dentro questo buio forse noi non ci separeremo mai,
sotto questo scuro tu finalmente mi conoscerai,
dopo questa notte poi non so dire dove ti addormenterai,
forse più vicino al mare ..."

Si congedarono sulla bocca della galleria,
ma parete stretta nasconde silenzio
fatto a carica di gelosia,
fatto a forma di paura di quella stranissima cortesia,
paura della luce
paura della fine della galleria.
"Binario parallelo,
specchio generato dalla ferrovia,
gemello traditore,
amante da parodia.
Non dirmi che 
dopo questo buio noi non ci separaremo mai,
che sotto questo scuro tu finalmente mi toccherai,
che dopo questa notte poi chissà dove mi accompagnerai,
forse giù vicino al mare ..."

E alla fine di quel capolavoro di ingegneria,
di loro uno solo
usciva di corsa dalla galleria;
d'istinto si voltò e vide che
c'era il mare di fianco a sé,
e sotto il mare il cielo,
e sotto il cielo chissa cosa c'è ...

"dopo questo buio certo noi non ci separeremo mai,
dentro questo scuro tu sicuramente ti abbandonerai,
dopo questa notte poi non so dire dove ti addormenterai,
forse più vicino al mare ..."

----

Composed by Michele Ansani (1999)
Posted on SoundCloud: 2025, May 16

Down by the sea [Viaggio di nozze] *

In collaboration with Francess Harris. She played the piano composition and I did the composition of the orchestral arrangement. Thank you for listening and enjoy. Any comment is appreciated always.

Collaboration Timothy McGuire / Francess Harris

Hibernia

Hibernia (feat. Fr. Harris)

OC RECORDS PRESENTS:
Nox Aeterna by Jawker | 🎵 Available on ALL platforms!

"Nox Aeterna," the debut album from our co-founder Jawker, which marks a powerful return to the Dubstep genre intertwined with cinematic soundtrack elements. This album is not just a collection of tracks, but a deep, narrative journey into a dark, gothic universe where Aeron, the knight protector of the Black Rose, grapples with destiny under the shadow of the enigmatic Nox.

♦Support Jawker
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Nox Aeterna

Ember (Anima Sola)

requiem of forgiveness

All original tracks, this work dates back all the way up until 2016. This album is my life's work up to this point, some unfinished tracks and some finished, I've decided to put it all out there for the world to see and everything is going to be alright now. 

You must open your mind

I find it hard to communicate,sometimes only through the piano can I express what I truly feel. I love to write music for people who love to dream.
Thank you for taking the time to listen.
Kind regards.

The Bamboo and the Wind

Ricardo da Silva

Recent comments

Chihiro MATSUMOTO(JETTT)

Chihiro MATSUMOTO(JETTT)

PianoPrinceOfAnime

DestKorn

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