𓂃 ࣪˖ ִֶָ 𓈈⭒♬ ﾟ. from the EP ‘tilo’ by cusoon dj
⇩
⇩
Cat#: RA:009
© Related Articles 2024

tilo

cusoon dj - blud

🎬https://deepdronedreamer.bandcamp.com/track/distant-dawn-dim
@deepdronedreamer

🎬

deep drone dreamer, 𝘥𝘪𝘴𝘵𝘢𝘯𝘵 𝘥𝘢𝘸𝘯, 𝘥𝘪𝘮 [EM034]

@abrideabride
https://splintercellunit.bandcamp.com/album/v-a-ii-vertical-archery-spl002

Splinter Cell presents their second release, 'V/A II - Vertical Archery'. Featuring 14 FLINTA* artists, the compilation holds a diverse mix of harsh, repetitive and psychedelic approaches to electronic music.

FLINTA* stands for Female, Intersex, Non-Binary, Trans and Agender, or anyone who is not a cis man.

@transluciddream @disgrays @suelewig @huffyfibryyx @evanema @neurokillkillkill @iv_black @dogsattack @cuntremember @pax_x @ira444 @webmistress-official @abrideabride @rafaelprod

Design by Levin Nelio Omurca
Mastered at Heliopolis Echo Lodge by Panagiotis Vaxevanakis

Suppoer

ROTAEWN - Crimson

Keeping things fresh, we celebrate the Medellín - Bristol connection with none other than Verraco. Sonic pipelines have been running with full force between our two cities for some time, and Breathe… Godspeed embodies a shared obsession for shaping futures and dancefloors through evocative club acrobatics.

Exploring the intersection between the sacred and the erotic, this four-track EP is propelled by visceral sound design, dipping into a variety of styles and paces.

Verraco constructs groove like no other: while covering mind-altering Techno to gut-punch bass music, he takes sheer dancefloor euphoria up to dizzying heights with a unique radiance.

Verraco - Godspeed >

Shadows Lifted from Invisible Hands
by James Hoff

Shadows Lifted from Invisible Hands is an autobiographical record, comprised of four songs that Hoff refers to as ambient media. Each track is composed from sources drawn from his own involuntary aural landscape, specifically musical earworms and tinnitus frequencies.

Neither sound nor a daydream, the earworm (or stuck song) emblematizes music as a commercial form—immediate, ubiquitous, and persistent. Likewise, tinnitus is inaudible and unscrupulous, manifesting across a spectrum of frequencies at will. The cognitive swirling of these phenomena provides an ambivalent, internal soundtrack that scores a person’s movement through the world.

Those suffering from tinnitus or those who have grown accustomed to the “Tinnitus Effect” in movies will likely recognize the buzzing pitches on the record, but will likely not recognize the songs. Distorted and distilled, Shadows Lifted from Invisible Hands features altered versions of four commercial pop songs: Blondie’s “Heart of Glass,” David Bowie’s “Space Oddity,” Madonna’s “Into the Groove,” and Lou Reed’s “Perfect Day.”

Having been haunted by these songs on and off for years, Hoff tweaks the tracks, transposing and recomposing them for orchestral instrumentation. Speaking back to these involuntary echoes, these tracks go to great lengths to obfuscate their sources; to be sure not to simply re-introduce each earworm, as though they were samples. Otherwise, what’s the point? No one needs another stream.

Besides, earworms are not music, although we perceive them as such. They are non-cochlear and exist as an affective force that is neither subjective nor objective, which is to say they are an invasive—and alien—phenomenon. Like tinnitus, they are aggravated by economic, social, and environmental forces as well as emotional states, mental health, and aging. Hoff doesn’t underplay his own struggles with mental health in discussing the record—noting a long history of depression and its acuteness over the last few years, which serve as the backdrop to the composition of this record.

Scratch any pop song hard enough and you’ll find sadness underneath it. Subdermal, the songs on this record evoke a type of ephemeral weariness and despair. By recasting the original songs through their shadowy doubles, Hoff provides a window into the dark core of pop music. At the center of which lies capitalism’s desperate attempt to replicate itself through a cheap high built on echoing refrains. Just below the surface the listener finds a hangover of shadows dancing through the mind.

—

James Hoff is an artist living and working in New York. He has exhibited and performed internationally. He co-founded Primary Information in 2006 to publish historical and contemporary artists’ books.

JAMES HOFF 'Everything You Want Less Time' (SP151)

Premiere of the track "Mechanophobia" by the NY based Ivory Black, taken from the upcoming VA compilation on Splinter Cell.
-
Artist: @iv_black
Track: "Mechanophobia"
Title: "Vertical Archery"
Label: @splinter-cell-unit
Format: CD + DL
Mastered at Heliopolis Echo Lodge by Panagiotis Vaxevanakis (AstyTekk)
Release date: May 3, 2024
Pre-order: https://splintercellunit.bandcamp.com/

Premiere: Ivory Black - Mechanophobia [SPL002]

Carrier - In Spectra
Cat # CRRR002
Label : Carrier

Vinyl / Digital / Streaming 24/05/24

available now from Boomkat https://boomkat.com/products/in-spectra

Carrier’s experiments in rhythmic pressure continue with In Spectra, the second offering on his eponymous imprint following releases for FELT and The Trilogy Tapes. A triad of kinetic reductions from an unrivalled practitioner in angular minimalism.

In Spectra finds Guy Brewer magnifying the approach taken on Neither Curve Nor Edge, unthreading the micro-structures within to strip bare his process of reverse-engineered dance forms. His hyper-focus continues on sound and texture, but meshed tighter in tense atmospherics with fascinating results.

Coastal circles the lurch with steady poise, rallying with its faint hardcore momentum and muted dub reverberations. Wood Over Plastic scatters its disassembled rhythmic remains across warped zones of surreality, before closer Locus furrows inside a repurposed stepper amidst sharpened percussion and a creeping sub. Further proof of Carrier’s unique vision, In Spectra is a vital development along his open-ended sonic journey.

Written & Produced by Guy Alexander Brewer
Mastered by Rashad Becker @ Clunk, Berlin
Iconography by MENSLIES
Photography by Benjamin Lehmann
Digital layout by Atack.uk
distribution via boomkat.com.

Carrier - In Spectra - CRRR002

Italian producer and DJ, Ehua has been making waves since 2018 with releases on labels like 3024, Nervous Horizon and Fabric Records. She holds a bimonthly residency at Rinse FM, where she explores percussion-influenced sonic realms across a wide range of tempos. Enjoy!

ITPS105 EHUA

山岡晃 (Akira Yamaoka) ― サイレントヒル2（オリジナルサウンドトラック）(Silent Hill 2 (Original Soundtrack)) (3 October 2001)

13 山岡晃 (Akira Yamaoka) ― The Day Of Night (1:37)

http://www.discogs.com/master/126198


13 山岡晃 (Akira Yamaoka) ― The Day Of Night (1:37)

山岡晃 (Akira Yamaoka) ― サイレントヒル2（オリジナルサウンドトラック）(Silent Hill 2 (Original Soundtrack)) (3 October 2001)

02 山岡晃 (Akira Yamaoka) ― White Noiz (1:24)

http://www.discogs.com/master/126198


02 山岡晃 (Akira Yamaoka) ― White Noiz (1:24)

Hamza - Bac +12 feat. Koba LaD (Afraamix)

Percussionnist, composer, sound chaser

Afraa 🏴 monthly on @rinse_france

Booking (France): 
valentin@limitrophe-production.fr

Releases on SUPERPANG, @prmsss, @hitd-3, @not-not-fun-1, @atelierciseaux, etc

Drums for @lafawndah, @cobysey, @ahossan, @apollonoirisnoir, @jorrdan-xx, @toroazor, @francoisatlas...

Hamza - Bac +12 feat. Koba LaD (Afraamix)

Sébastien Forrester

Recent comments

VnDrew👆🏽

Souad Akn

Souad Akn

jeune_pousse_du_91

Related tracks