straight into my "Euphoriachillings" playlist ❤

pff this track is so insanely goodfeeling :o

@harrisonbdp

Home is where your house is
Home is where your family lives
Home is where your friends hang out
Home is where your music plays
Home is where you dance all night

Home Again #25 - Harrison BDP

certified bangers and awesome dance moves from my friends 💞, this was the 3rd Boiler Room in Budapest recored on 01.12.2021. 🙏😎
- feel free to ask for track ids in the comments 👀

Route 8 - Boiler Room Contemporary Scenes (Budapest)

Harrison BDP and Black Loops were live from the studio with a 60 minute b2b. Inside, an hour of deep and tech-y house cuts, breaks and more.

Harrison BDP b2b Black Loops - January 2022

'Hexagonal Club Vol. 3' LP Out July 1st !
Preorder Vinyl & Digi ➫ lnk.to/HexagonalClub3

Artwork by Liorzh
Mastering by Perception Mastering

Special thanks to @laurent-garnier for the voice over ❤️

𝗦𝗵𝗼𝗿𝘁𝗲𝗻 𝘁𝗿𝗮𝗻𝘀𝗰𝗿𝗶𝗽𝘁𝗶𝗼𝗻: “First, we can't say that there was any recognition of electronic music in France from the start. The first people who imported it were a couple of English promoters who organized a party at the Rex Club. It was the very first house and techno night with gay people that fell in love with this music, and helped to develop it in France, in clubs and then in raves.
This is a bit strange to say that, but I think that France is not a country that likes to dance. There was an explosion of disco in France, but it was still very much confined to the gay scene. At the time, even if we had a very large panel of jazz music, France is not a country of black music, we were more into rock'n'roll. And it's the same for techno music when it arrived in France. There was something very hostile from the tabloids and the right-thinking people in music who saw it as something subversive, something for fags, blacks, or drug addicts. Even before that, there was already a sort of hostility towards musicians in France. Because we were in a period where instrumental music was not yet accepted. The only ones who had done it were Jean-Michel Jarre or Cerrone, but they were seen as people who did strange things. 
Here is another example from my experience: when we released “Acid Eiffel” with Shazz on Fnac Music, we quickly realized that the record didn't sell well. A few months later, Derrick May came to the Rex Club, we played “Acid Eiffel”, he fell in love with the track and released it on Transmat. And since then, it's been a hit just because it was legitimized on a foreign label.
The first people who really started to make people talk about the French scene, were Daft Punk, Motorbass, all these people who were labelled as “French Touch” artists. Until then, there had never been any in-depth articles on French music. But there was a moment when journalists in England found themselves with a pile of "French Touch" records and they decided to talk about it. It’s only after this, that it exploded in France, whereas it was seen very strangely before.
So yes, we don't really pay attention to our own scene. The Belgians pay a lot of attention to their own scene, and they're proud of it because they were there from the beginning. The English, the Germans pay a lot of attention to their own scene. But not the French. An artist who hasn't exploded abroad, necessarily, in France, he won’t be seen as a successful artist, whereas we should listen to him and be proud of it.
On the other hand, there is something about the music we defend that is fundamentally international. And I think that we have nothing to envy from the others for a long time. There is a kind of renaissance of this music that is made in Paris and everywhere in France. There is a new scene that could be qualified as “French Touch”, but which is not musically - it would be too reductive - because they have completely digested and assimilated the roots of house music and made it their own.
In the end, if this music was fundamentally shitty as the press and the right-thinking people said 30 years ago, then why do we still see 18-year-olds kids listening and dancing to it today? It still resonates with people, and it proves that it wasn't just another new movement that arrived from England and that it would fade away after six months. Today we shouldn't be ashamed of what we produce and listen in terms of house and techno music in France.”

Hexagonal Club Vol. 3

Preorder Vinyl & Digi

Various - Hexagonal Club Vol. 3 LP (Previews with Laurent Garnier voice over)

After Rex Club last December, we are back together with @holoofficial, playing our grooviest tunes for an @houseum Records special radio show today, hosted at @refugeworldwide Berlin.

Comment for track ID!

———

🌐 Refuge Worldwide is a radio station and community space based in Berlin-Neukölln.
➡️ More info, more music: www.refugeworldwide.com

Support their fundraising projects by becoming a member on Patreon for just 3 EUR a month: www.patreon.com/refugeworldwide

Each year they donate their Patreon revenue to a different organisation. In 2023 the partner will is Turning Tables.

Turning Tables is a non-profit organisation working to empower socially, economically and politically marginalised youth by providing them with the means to express their hopes, dreams and challenges through the arts of music and film production.

Balthazar Martinez & Holo @Refuge Worldwide I Spread The Groove x Houseum Records

The Point G experience

The Point G Experience (Continuous Mix )

HORSEMEN X BLN.FM

This is one for the girls sipping wine on the balcony and boys drinking their coffee alone in the morning. 

A special mixtape made for BLN.FM. Filled with melancholy and hope. Snippets and sketches from old movies about love and break-ups.

ROSE ROSE ROSE

spaced out (vinyl mix)

Roaming live July

Spaced Out 2 (Vinyl Mix)

Deeper Moods blurs the lines between deep techno and deep progressive house. Swirling synths rinse over razor sharp beats that are equalized for maximum head-fuck. The underlying pad is almost hypnotizing with the snycopated melody created by the hi-hats. This one is really set to take over dance floors...immense energy released with perfect subtlety. 

This three-tracker expresses Jan & Erik's true talent for stellar production and innovation in dance music. Faithfully nodding their heads to the founding fathers up in the windy and motor cities Nite Food is a versatile four to the floor record with something for everyone, from fans of Theo Parish all the way to Danny Tenaglia...



Nu Mood Orchestra- Deeper Moods

Bookings: kchandirambookings@gmail.com
Inquiries: darealhorsemen@gmail.com

Linktree: https://linktr.ee/Horsemen_Music

Christoph and Morrison, making music for the heart and soul. 🔥❤️🌈🥂 From Amsterdam & Berlin with love.

Releases on @aterralrecords @ltdwlbl @talkboxrecordings @aprhrecords @metrobeirutrecords @endlesslabel @scruniversal-records @berlinbasscollective @welofi @juicytraxxx @OceanDriveRadio @ReleasedRecords

ROSE ROSE ROSE

HORSEMEN

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