(Song Terry Reeves, Lyrics Janice Slater)
Terry Reeves: Vocals
Gary Reeves: Vocals, Congas, Drums
Hans Albers: All other instruments, Arrangement & Production

Cover pic from Janice Slater's personal archive.
Arterial-flow – Rive-gauche
australianjazzrealbook.com/artists/janice-slater/
bentenlaughing.blogspot.com/
www.reverbnation.com/janiceslater

I arrived in London in early ‘71 and landed on the Holland Road, Shepherd’s Bush not long after.
My good pal Julie Lewis (from Durham) with whom I’d worked with in Sydney, had digs there and invited me to stay. Nonetheless I found it a challenging place to be after Sydney, Summer, beaches, family and gigs. Amongst Julie’s record collection was Nick Drake’s 'Bryter Later' which brought solace to me as I often felt very alone and completely at a loss as to how to navigate London town.

Years later I was to learn that Freddie Mercury was living just a few doors down from us on the Holland Road...no I never knew him...but when I wrote the lyric it seemed apt to pay homage to Freddie and our collective dreams. I’m so happy with Cripple Club’s interpretation of the lyrics, bringing to life a musical collage that depicts the highs and lows of living on the Holland Road through my first cold winter! From my heart; thank you Terry & Gary Reeves; you are two soulful & gifted brothers; I feel so indebted to you both and to Hans Albers for his powerful musical contributions. Thank you, everyone, for listening. (Janice Slater)

Having been such a good friend to us over the years, it has been such an honour to work with Janice on this song. It is dedicated to every one of the beautiful friends we have made here on the Cloud. Thank you all for the support you have given to our music. The last ten years have been filled with such wonderful memories. Much love to you all. (Gary & Terry Reeves)

I’m standing on the fraying edge
Of golden russet gown
Everything’s evolving
Spinning and turning my head around

A familiar voice insulted
And 'Bryter Later's so understated
There’s evidence of a circumstantial nature
But once again, I don’t feel the danger

(Spoken) But now I’m declining all invitations...

I hear the doorbell
But there’s just a stranger
Standing on the fraying edge of fear
Of a city without pity and you’re not near

Freddie he’s walking
Heading down the street
Just like me
The snow and sleet under his feet

Oh but we’ve yet to meet
Looking down the Holland Road
Nobody can see us
Standing on the fraying edge

(Spoken) I was just like you Freddie, looking for that song...

Or three or four
We are looking for salvation
On the Holland Road
And Shepherds Bush Station

Freddie he’s still walking, heading down the street
Just like him, singing music for trick or treat

(Spoken) Oh but we’ve yet to meet…

GUITAR BREAK

(Spoken) Just around the corner from…
Portobello Road
On the fraying edge (repeat x 8)
Of a fraying town

THE FRAYING EDGE - CRIPPLE CLUB, HANS ALBERS & JANICE SLATER

Original Composition / Production : Eli Churnega / Chris Dargay

Out of Time

Griffins in Love is a song about a couple evolving through love into a mythical griffin.

Lyrics
Verse 1
What kind of creature are we?
A mythical kind though normal we seem
When you are weak I am strong
When I get mad, sing me a song
You're keener than I and you soar through the sky
You lift me high before I die

Chorus 1
We're the griffins my love, blessed from above
Lion and eagle are one

Verse 2
What kind of union can we have?
I love you from the top, though they laugh
In my mind we are one
It started before it's begun
You're strength keep me from flying too close to the sun
When I'm with you, the struggle's undone

Chorus 2
We're the griffins my love, blessed from above
Lion and eagle are one

Verse 3
Do you still question what we are?
I was so sad when you were far
I learned from many mistakes
I lost my faith from many snakes
You appeared and claimed me with your eye
My eagle, before I fell

Chorus 3
We're the griffins my love, blessed from above
Lion and eagle are one
Lion and eagle are one

Lyrics by Wayland Stephens and Mary Pothanikat

Griffins in Love

And the rest will follow - 30-8-2025

Composed and played by Pierrou, lead vocal Daniel, second vocal & choir Pierrou

Le Rêveur (featuring Danou)

Detonate

Dear Mr. Dream Maker

Produced in the
ARAPA Music Studio
Sydney - Australia
24.9.2025

Artwork:  #azcreativestudiosydney

No Time For Second Place

Here's track one from my latest album CONGERIES, featuring Jeff Martin on bass, drums, and backing vocals.

Mixed and mastered by Jon Huxtable (smallfishrecordings).

Lightning-bolts and Hurricanes 
(last verse includes words from “Barbara Allen” Trad. and 
Shakespeare’s “Sonnet 18” and "Romeo and Juliet") 

Little Darling, 
Who is it wears the ball and chain? 
Take these shackles from my neck 
That I might breathe again 

A storm is raging, 
The ceiling drips with rain 
But summer breaks through 
With lightning bolts and hurricanes 

Now, on the pastures, 
The prairies, and the plains 
Sunlight bathes the lowing cows 
And dries the window panes 

"It's one or the other," 
Old man leans upon his sugar cane 
He says, "Pour us another round 
Of lightning bolts and hurricanes" 

The green buds swellin' 
In the merry month of May 
Rough winds shake my darling, true 
But life teems from decay 

These violent delights 
Must end with violent pangs 
For summer breaks too 
With lightning bolts and hurricanes

www.josephhouckmusic.com

Congeries

Lightning Bolts And Hurricanes

I am a frozen statue, watching seasons come and go, feeling changes, doing nothing, forever...
Last movement of the rock symphony, where I pay tribute to, and play, my mom's spanish guitar.
Main theme (bass E1-A1...E1-A1-E2...), appears all along the album, and also main themes of other 3 movements sound here as refrains (Vienen y van / Hora tras hora) which are thus sung over 4 different musics ;) E-Ruizzo project is finished, what's to come?... below translated lyrics.

SE NOTA (PRIMAVERA EN EL POLO)  /  ONE CAN FEEL IT (SPRING AT THE POLE)

Se nota… después de seis meses  /  One can feel it… after six months
el sol amanece y se nota…  /  the sun dawns and one can feel it …

En el despertar del zorro ártico,  /  In the awakening of the arctic fox,
en el fluir de los glaciares se nota.  /  in the flow of the glaciers one can feel it.
En el nacimiento de icebergs,  /  At the birth of icebergs,
en los acantilados poblados de aves.  /  on the cliffs populated by birds.

Vienen y van, no me hacen caso,  /  They come and go, they don’t listen to me,
soy sitio de paso.  /  I’m a transit point.
Hora tras hora, los meses pasan,  /  Hour after hour, months pass through,
un sitio de paso soy.  /  I’m a transit point.

Se nota… como cada mañana,  /  One can feel it… as every morning,
que la primavera ha llegado al Polo.  /  that spring has come to the Pole.

Se nota…  /  One can feel it…

En la migración del narval,  /  In the migration of narwhal,
en el aliento del viento,  /  in the breath of the wind,
en las nubes que huyen de él, se nota.  /  in the clouds that run away from it, one can feel it.

En el canto de las sirenas,  /  In the singing of mermaids,
en las inflorescencias de hielo,  /  in the inflorescences of ice,
en el paso del noroeste se nota.  /  in the Northwest Passage one can feel it.

Vienen y van, no me hacen caso,  /  They come and go, they don’t listen to me,
soy para todos un sitio de paso,  /  I am a transit point for all of them,
(soy) una estatua de hielo (soy),  /  (I am) an ice statue (I am),
(soy) una estatua de hielo (soy).  /  (I am) an ice statue (I am).

Vienen y van…  /  They come and go…

¡¡¡ La frecuencia diaria del proceso estacional  /  The daily frequency of the seasonal process
me permite hacer estudios estadísticos !!!  /  allows me to do statistical studies !!!
Ja ja ja ja ja ja jaaaa !!!  /  Ha ha ha ha ha ha haaaa !!!

Vienen y van…  /  They come and go…

Hora tras hora, los meses pasan,  /  Hour after hour, months pass through, 
nuevos migrantes, nunca se cansan,  /  new migrants, they never get tired,
(soy) una estatua de hielo (soy).  /  (I am) an ice statue (I am).
(soy) una estatua de hielo (soy).  /  (I am) an ice statue (I am).

Hora tras hora…  /  Hour after hour…

Se nota…  /  One can feel it…

ER37 PA04 RUIZZO ©1996 ®2020

Now all 44 songs I wrote with mom's guitar in my university years have been arranged and posted, 
after 8 years of E-Ruizzo project, which I'm about to finish. I plan to stay here, commenting as 
usual, and post future and still not scheduled songs from another profile. That's all, no alarm!

Maybe you played this version before? https://soundcloud.com/esemanolain-ruizzo/se-nota-piano-version

Se nota (Primavera en el Polo)

Mastering by Audio Colors

Lucie




Lucie
En l’enlaçant sans m’en lasser
Lucie
Ne cessait jamais de changer
Je connais quelques-unes des personnes qui l’habitent


Lucie
Les nuits de pleine lune
Lucie
Doucement devient louve
Sa bouche fine, ses yeux verts me guettent comme une proie


Pourtant j’n'ai pas peur
Quand elle attend que j’ bouge
Son regard cherche à percer mes secrets
Pendant qu’ le temps s'arrête


Lucie
Le matin m'attire
Mais celle-ci
Celle-ci me parle raison
Je connais quelques-unes des personnes qui l'habitent


Sur ces nuits de pleine lune
Que nous sommes nous dit qui ne soit futile
Nos sens ont pris le dessus
Plus jamais en dessous de tout je ne me sentirais


Lucie
En l’enlaçant sans m’en lasser
Lucie
Ne cessait jamais de changer
Je connais quelques-unes des personnes qui l’habitent

Lucie

Singer songwriter from the mountains of North Carolina

New EP "Blue Ridge Mountain Waterfalls" out now (Sept. 18th, 2025)

www.josephhouckmusic.com

Lightning Bolts And Hurricanes

Joseph Houck