Bristol techno, noise and hardcore supremos SCALPING will release their latest project ‘FLOOD REMIXED’ on October 8th. The EP is an excellently curated collection of sublime remixes from some of the most prominent and intriguing musicians, producers and figureheads from across the musical spectrum. Heavyweight contributors include 2021 Mercury Prize nominees and recent number 1 album holders Mogwai as well as Laurel Halo and object blue.

‘FLOOD REMIXED’ continues the stellar trajectory of the band, who, over the past few years have become an unmissable live act and gained notoriety as one of the essential, electrifying new bands in the UK. Their recent debut EP ‘FLOOD’, their first release for the forward-thinking Houndstooth label, gained widespread acclaim including CRACK Magazine, NME, The Quietus, Loud & Quiet, Mixmag, The Line of Best Fit and many others.

Scottish post-rock icons Mogwai step up to remix ‘Cloudburst’. Stretching and expanding the track, creating new drum patterns, and continually ratcheting up the drama inherent in the original; a naturally sensational slab of post-rock.

“I loved reworking Cloudburst due to the sheer mass of lovely little (and big) noises from which I could make new drum sounds and melodies to layer over the original. This was a tune where everything was so nicely overwhelming in the beginning and somehow came together really well with a bit more chaos from my fumbling about with the buttons. Really looking forward to seeing the band live soon.” ~ Barry Burns of Mogwai



SCALPING is the Bristol based group comprised of James Rushforth, Alex Hill, Isaac Jones, Jamie Thomas and visual collaborator Jason Baker, initially formed at the end of 2017 with a desire to pair their hometown's visionary, off-kilter dance music to the more organic instrumentation you might find in noise-rock and post-punk. They have since won all manner of plaudits at radio, press and through fervent word-of-mouth for both their eclecticism on record and for the pummelling intensity of their live performances.

FLOOD Remixed

Cloudburst (Mogwai Remix)

COLOUR 12" / DIGITAL

SCALPING - Cloudburst (Mogwai Remix)

Ghostly Art Director Molly Smith guest hosts live for this month's episode of Ghostly International x The Lot Radio.

Tracklist:
Perila - Fallin Into Space (Smalltown Supersound)
Shuttle 358 - Scrapbook (12k)
The Remote Viewer - Spend More Time With Me (City Centre Offices)
Mystic Tribe A.I. - Telepathic Seduction (Clone)
Loraine James (feat. Eden Samara) - Running Like That (Hyperdub)
Mr. Projectile - You Need (Merck)
Lusine icl. - Strand (Hymen Records/Mad Monkey Records)
The Starseeds - Behind the Sun (Never Records)
Hooverphonic - Inhaler (Columbia)
The Future Sound of London - Dead Skin Cells (Virgin)
Lucrecia Dalt - Mirage (Human Ear Music)
Bola - W.I.K. (Skam)
Patricia - MTBF (Analogical Force)
Khotin - Health Pack (Pacific Rhythm)
Janet Jackson - Empty (Virgin)
Ametsub - Snowy Lava (Progressive Form)
To Rococo Rot - From Dream to Daylight (City Slang)
o9 - Terminal Silver (Schematic)
Round Five (feat. Tikiman) - Na Fe Throw It (Main Street)
Lifetones - For A Reason (Tone of Life)
Benoît Pioulard - Souer (Disques d’Honoré)
The Beloved - Sun Rising (Tom's Drum & Bass Mix) (WEA)

IG: @ghostly / @dogpasta

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Molly Smith @ The Lot Radio 11 - 29 - 2021

Electronic Rhythm Number Twelve

LIES-043
Gunnar Haslam-Laghi Sotterranei
from the upcoming "Porte Maillot" ep
to be released January 2014

Gunnar Haslam-Laghi Sotterranei (LIES-043)

paralysed

🌌 SoundCloud Description (English)

“The Infinite Signal – A Journey Beyond the Edge of Time” is a journey into the unknown - a sonic universe where synthwave, space ambient, and film score collide. Deep analog bass pulses, haunting arpeggios, orchestral swells, and subtle vocoder whispers merge into an expansive soundscape that feels like a transmission from the stars. Dramatic builds, unexpected drops, and cosmic sound design elements create evolving tension, culminating in a massive hybrid climax worthy of a science-fiction epic.

🎬 For filmmakers & game developers:
Perfect for trailers, sci-fi scenes, cinematic cutscenes, and futuristic game worlds that demand atmosphere, mystery, and cosmic drama.

✨ Mood: mysterious · futuristic · awe-inspiring · extraterrestrial
🎧 Genres: Cinematic Synthwave · Space Ambient · Hybrid Sci-Fi Score

The Infinite Signal – A Journey Beyond the Edge of Time

Available to download now from https://kelpe.bandcamp.com/album/polymar-one

POLYMAR ONE

Polymarb

from the album 'sequitur' available 11/12

steve hauschildt 'constant reminders'

Jennifer Touch - Behind The Wall

Equally at home on and off the dancefloor, its cold sensuality is both vibrant and brooding. Showcasing her unique sound in the saturated world of electronica, Touch successfully draws from electropop and disco influences, combining 80’s vintage synths with industrial soundscapes, delivered with a visceral post-punk snarl.

Pre-Order

Jennifer Touch - Daria

It may be the first time you hear of FOUDRE! but it's already their fifth full-length album. Previously appearing on BLWBCK and Gizeh, this exclamatory named project is actually a supergroup [that's when numerous established solo artists come together for a unique collaboration], comprising of Frédéric D. Oberland (aka Oiseaux Tempête, Le Réveil des Tropiques, FareWell Poetry), Romain Barbot (Saåad), Paul Régimbeau (Mondkopf, Extreme Precautions, Autrenoir) and Grégory Buffier (Autrenoir, Mätiss). If those names are familiar to you, then so is their music, which is generally evocative, post-apocalyptic, drony, noisy, and dark. So you can imagine their potential at conjuring the spirits of the underworld during a joint ritual. This particular gathering "stems from a desire to probe the invisible forces that live within us, through a ceremony that brings together occult sciences, forgotten landscapes and the fever of the unconscious." Such is the case with their latest release for the French NAHAL Recordings, a label run and curated by Régimbeau and Oberland themselves. The music is brooding, stirring, and menacing. The synth pulses chase after heartrate, the instruments wail, the organ evokes a post-spiritual creed. I can only imagine this music performed live on the stage - an experience from which this semi-improvised exploration in texture originally flourished. Yes, I miss feeling live music so very much. The closest I can come to this encounter is by putting on a record at home and turning it up to eleven. So here's a teaser from the group's upcoming Future Sabbath album, released early next year, with a premiere of a track titled "Black Swan Theory I."

"Gathering regularly since their debut in 2015, FOUDRE! brings together electronic and acoustic instruments, merging incarnate and disembodied souls, past and snippets of a post-apocalyptic future. After the ghostly and hovering EARTH (2017) then the wild and telluric KAMI神 (2018), Future Sabbath travels even further into the tangle of genres and textures, offering a luxuriant palette of moods and emotions. Passing through the tracks with evocative titles, mystical symbols, and spiritual signs set this Sabbath of machine sorcerers ablaze."

The album is out on January 15th, 2021, available as a digital release, as well as on a deluxe 12″ vinyl [with a stamped metal red hot foil]. The album features fantastic cover art by Faye Formisano sourced from her La Danse Secrète series of drawings using a blue crayon. It looks nice and sinister in red!

Future Sabbath

Black Swan Theory I

TRACK PREMIERE : FOUDRE! - Black Swan Theory I

Single edit from the 'In Ferneaux' album, out 2/26/2021.

Blanck Mass - Starstuff (Single Edit from 'In Ferneaux')

UK record label based at fabric, East London. Run in part by Rob Booth (Electronic Explorations)