Azure

Darklite

Acopia - Toxic Traits - CMPN002

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@benbondy
@specialguest-dj
@uwudustbath

Eagerly awaited yet patiently bubbling under the surface, UwU dust bath emerges with its primal offering, a deeply generous and authentic sonic array from lowkey prolifics Purelink. Despite the
Chicago trio’s humbly mysterious presence, the transcendental music speaks resoundingly.

The most unforeseen plot twist comes via xphresh (Special Guest DJ & Ben Bondy), causing Rihanna’s notoriously iconic vocals to drip like honey, seeping into the fuzzed post-dancehall daydream; a sunkissed celebration.

Words by Katie Campbell 

vinyl preorder : www.one-eye-witness.com/release/16539…link-Purelink
digital preorder : uwudustbath.bandcamp.com/album/purelink

releases July 1, 2022

Purelink

pi pi pi premiere: Purelink - Butterfly Jam (xphresh Bad Girl version)

upsammy - Germs in a Population of Buildings
Label: PAN
Cat.No.: PAN 132
Release Date: 05 May 2023
Purchase: pan.lnk.to/GerminaPopulationofBuildings

On her sophomore album "Germ in a Population of Buildings”, upsammy moves through her surroundings with the curiosity of a place-bending landscape architect. The album is rooted in her interest for ambiguous environments in constant shift, and the feeling of discovering strange patterns in different ecosystems. Often, the Amsterdam-based artist finds herself zooming in and out beyond a place's most recognizable surface features to inhabit the microscopic and gigantic. Gathering field recordings and evocative environmental sounds, she shapes this source material into vibrating electro-acoustic rhythms and unstable, psychedelic textures.

upsammy's debut album, 2020's critically-acclaimed "Zoom", was praised for its careful reimagining of IDM, evolving vignettes that nodded towards the dancefloor without being shackled to its rigid set of rules. On "Germ in a Population of Buildings" her process has evolved considerably; the skeletal trace of IDM is still present but it's been trapped in amber, allowing her unique sonic landscape to develop organically. 'Being is a Stone' is a proof of concept in many ways, layering upsammy's contorted voice in rickety patterns beneath a lattice of fragile rhythms and faintly melancholy synths. It's never immediately obvious where the sounds are coming from - a hiccuping beat might be glass cracking underfoot, and larger pulses could be wet concrete, rusted iron or bent plastic. As the sounds develop they morph into each other, demolishing what came before and building on top of the ornamental wreckage.

On the dynamic 'Constructing', upsammy's sound design fluxes through hyperactive bass music structures, abstracting expectations at every turn. Often her sounds are whisper quiet, rattling and vibrating until heavier masonry drops and disrupts the structure. And when discernible rhythms subside into the background, like on the album's eerie title track, they become almost illusory, morphing between the real world and the electronic. upsammy's processed voice works like a bridge between these realms, snaking between stark, whimsical melodies on 'Patterning', arching from AutoTuned detachment into cooing, dreamy intimacy. By considering the harmonies between each location she's visited, upsammy has been able to build a unique topology that's an uncanny digital amalgam of her lived experience. It's a thoughtful alternative in an era more concerned with flatting the landscape than crumpling it and examining its peaks and troughs.

Mastered by Rashad Becker
Mixed by James Ginzburg
Artwork by Jonathan Castro Alejos and Tharim Cornelisse

Germ in a Population of Buildings

upsammy - Germ in a Population of Buildings (PAN 132)

Aïsha Devi nurtures an idiosyncratic approach to her music. She describes her sound as Aetherave, and uses bassy-heavy club motifs and intentional aesthetic signifiers to transport listeners to a dizzying, kinetic environment, harnessing timeless frequencies. On each record, Devi has advanced her philosophy and developed her technology; her last album 'DNA Feelings' was a radical hybrid of ancient mysticism and rebellious pop, and 'Death is Home' propels listeners towards the extremes, bending fictile beats and cybernetic textures into transformational songs. This eagerly-awaited new album is a livable, breathable sonic essence that reveals itself alchemically, reorienting anachronistic cultural preconceptions with its contemporary, ornate language and eerie architecture.

'Death is Home' is ultimately a manifesto. It's Devi's most revealing work to date and a direct result of her personal evolution and ongoing quest. Growing up under the shadow of isolation and abuse, she formed her practice as a healing method, using it to neutralize her past and recreate an alternate, more hospitable reality - beyond the human condition. 
Her feelings were compounded when she tracked down the whereabouts of her father B.K. Gurung, a Nepali drummer whom she never knew. Devi was informed he had died young, but rather than perceive this as a binary, through mourning, she realized that his existence had already offered her a lifeline and a refuge. 

Devi's words and productions reach out to a place where weightlessness has the power to dissolve the corporeal world's manufactured terror of death. Without this trepidation, life's boundaries and limitations fall away. "Burn the flesh, a Deva's born," she sings over tense, pneumatic kicks on 'Not Defined by the Visible'. Her voice is contorted by electronic processes, but the meaning is human: to reach the holy, we must shed our skin. The narrative that guides the album unfurls with the plasticity of an open-world videogame, a space where one can unravel the dogma of life vs. death. On 'Lick Your Wounds', Devi reveals her deepest trauma, pacifying it with rousing, ritualistic rhythms and melancholic pads. "Vapors of violence remain in my broken bones, intoxicate my DNA," she invokes. "I'll lick my wounds and heal at night. I'll take over." She extends this invitation to anybody tuned in to her signals, providing lodging for those that crave it. Birth is virtual. Death is home.

Death Is Home

vinyl / stream

Azoth Eyes

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Lick Your Wounds

@violentquandonaime

helen island - last liasse
Vinyl/Streaming/Digital
- 21.02.24 -

Ghastly and hallucinatory – Last Liasse is a sign of the times, alternative pop record by Helen Island. Within this debut album, the artist captures the saccharine gaze of digital escapism through characteristic filtered high notes, cut-up genres, and processed vocals. Providing a comprehensive overview of Helen Island’s self-distributed initiatives, with the ethos of the Parisian Simple Music Experience collective, the twelve tracks set a solid musical score that resonates with the age to come.

helen island - alice dj

This new edition of Jochem Hamerling's Introspection not only features the full-length original versions of each track, but also a powerful collection of remixes that take the music into exciting new directions. Together, these releases blur the lines between progressive, house, and techno, expanding on the wide palette of Introspection and cementing Hamerling's place at the forefront of today's underground scene.

Buy on Beatport

Wake Up (Full Version)

An experimental ambient-leaning electronic album drawing influence from vaporwave and slushwave, built around warm, immersive synth textures and intentionally slow BPMs. The melodies and soundscapes evoke a shifting palette of emotion and introspection. Vocals alternate between pitched-down and natural delivery, layered with heavy delay and reverb. Hooks feature intricate rhyme and assonance schemes, adding lyrical depth to the atmospheric production.


im l o s t here

Stream/Buy: https://fanlink.tv/ffalling
Listen on Spotify:
https://open.spotify.com/album/6V1yLQoOdvHDBRR7miqG17

Follow Me:
Spotify: open.spotify.com/artist/6iJssSwlfABvWKmYrR9Cn3
Apple Music: music.apple.com/ua/artist/avrx/1718591883
Instagram: www.instagram.com/avrxsound/
TikTok: www.tiktok.com/@avrx.sound
YouTube: www.youtube.com/@avrxsound
Soundcloud: @avrxsound

Falling

Stream/Buy

UK record label based at fabric, East London. Run in part by Rob Booth (Electronic Explorations)

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Houndstooth