Disquiet Junto Project 0607: Silence Wave
The Assignment: From close to zero and back again, alter the relative amount of sound to silence in a piece of music.

There’s just one step to this project:

Compose a piece of music in which the relative amount of sound to silence starts at zero (that is, no sound), rises to approximately 40 percent (that is, 60 percent silent) and returns to zero again. Keep the pace fairly steady.

Rhythmic Wave(disquiet0607)

a reworked version now appears on:

https://howthenightcame.bandcamp.com/album/hostile-architects

[naviarhaiku508] //// moonlight ////

a reworked version now appears on:

https://howthenightcame.bandcamp.com/album/hostile-architects

- - - -

first time layering two sampled drum beats

More on this 613th weekly Disquiet Junto project, Test Drive (The Assignment: The Assignment: Do something you’ve been meaning to do), at: https://disquiet.com/0613/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0613-test-drive/

[disquiet0613] test drive

played at a gallery opening yesterday
My goal was to create absolutely free, momentary music with my new Soma Terra and Soma Cosmos and a bit of guitar.
I started and after 18 minutes the journey was over and I had a very dry mouth

mixed on TE´s TX-6, recorded on TE's TP-7
Mastered in LIVE

Sounds from terra to heaven/hell(disquiet0613)

Synth track inspired by haiku by John Hinks

Deep, dark Summer night
A sudden shaft of moonlight
Blesses the temple

John Hinks, aka FlownBlue, is a prolific and talented composer, and a regular participant in the Haiku challenge. Aside from his solo project, John is also involved in multiple projects: ‘Windfall Light‘ (with Jim Tetlow), ‘Abstract Blue‘ (with Kevin Buckland), ‘Light Fragments‘ (with Steve Escott), Szukanie (with Michał Wojciechowski), and Meadowlight (with Emma Reed).

Blessed Is The Temple

Blessed Is The Temple - (naviarHaiku508)

Haiku by Elliot Carson

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Orchestral Rainfall (naviarhaiku510)

Hommage au Daphne Oram

[naviarhaiku513] black dog

Spill the tea

sinner

A track that I have been working on during my hospital stays over the past 3 years, this song samples the machines that kept me well during my recoveries.

Recovery (Extended)

how the night came

>> soundtracks for soundscapes

[disquiet0613] test drive

how the night came

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Martin Hoogeboom

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