This week’s podcast features music made by Naviar’s community inspired by 
Clive Bennett’s poem “distant hills … / beyond the gate / winter stillness”


https://www.naviarrecords.com/2023/03/01/naviarhaiku478-distant-hills/


Tracklist:


John Wright - Between Us
Night Note - Distant Hills
Douglas James's DarkWaterBlue - Distant Hills Winter Stillness
Ingvar Tautra - Beyond The Gate
Seramind - Ferne Hügel
Leon Clowes - Beyond The Gate


Credits:

music intro: “This ruined house” by Tuonela
voice intro: Ian Joyce
cover image: Micah Hallahan
voice reciting the poem: Marco Sebastiano Alessi

Naviar Broadcast is a radio programme curated by Naviar, broadcasted on Resonance Extra every Wednesday at 7pm UK time. Thirty minutes of experimental music made in response to a weekly assigned haiku poem.
To have your music featured on the show, you'll have to participate in the Haiku music challenge: https://www.naviarrecords.com/about/naviar-haiku
support the show: https://www.naviarrecords.com/support-us/

Naviar Broadcast #259 – distant hills – Wednesday 15th March 2023

The Sludgefork

Enjoy the accompanying visuals @ https://youtu.be/nXTq8-uefv8

in dark autumn nights
dew and the new bamboo shoots
reaching out to moon

Haiku by Shubham Dasgupta https://www.instagram.com/poetry.bysdg

More information: https://www.naviarrecords.com/about/naviar-haiku

visuals (YouTube)

halF bamboO [naviarhaiku511]

Orchestral soundscape.

I've been "testing" some gorgeous string orchestra libraries I have because next week I have a job to do with it, mostly quiet orchestral pads and soft beds. So This junto comes at the right time to try that, I played some quiet episodes combining different sample libraries and different convolutions reverbs and some Valhalla Supermassive.
The only real instrument I played is the bowed double bass, triple-tracked.
I tried to leave some pure silence a couple of time, filling it with pure reverb and resonances, I'm not sure the silent parts are what I was aiming for, I may rework this during the week end, but this is the result of this morning's work (Friday October the 20th)

Photo by Vladimir Fedotov

https://llllllll.co/t/disquiet-junto-project-0616-definition-jam

Quiet Versus Silent (disquiet0616)

Endless echo
footsteps on an empty house
once full of life

Haiku by Marco Sebastiano Alessi

More information: https://www.naviarrecords.com/about/naviar-haiku

more halF unusuaL

halF echO [naviarhaiku512]

An electronic composition, sounds created in Pure Data.

Black Dog (naviarhaiku513)

[naviarhaiku513] black dog

More on this 618th weekly Disquiet Junto project, Burying the Lede (The Assignment: Turn old news into new music), at: Disquiet Junto Project 0618: Burying the Lede – Disquiet

About the Disquiet Junto: Disquiet Junto F.A.Q. – Disquiet 1

Subscribe to project announcements: Disquiet Junto by Marc Weidenbaum (Disquiet.com)

Project discussion takes place on llllllll.co 2: https://llllllll.co/t/disquiet-junto-project-0618-burying-the-lede/

ingthele - Disquiet0618

"This collaboration was born out of a desire by Diogo @diogo-terror to create a track with a 'live', dynamic and improvised feel.

Diogo came up with the original song idea and arrangement of the track by playing in the synth pad tweaking the notes and configs of the arpeggiator, distorted guitar and running bass line.

Trev then played in live drums using roland v-drums electronic kit to continue the live feel we wanted to create. Trev added some extra synth and lead melodies, ear candy, a little bit more fine tuning the arrangement and then mixed and mastered the track."

Fusion (with Trevphonic)

eve for an eve

Force symbove

how the night came

>> soundtracks for soundscapes

[naviarhaiku513] black dog

how the night came

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