Name: [naviarhaiku534] dawn, pre-inertia by how the night came
Duration: 1 min 4 s
Description: two drum and bass drum loops hand cut and glitched. layers of distortion, feedback, electric guitar, sub drones, voices and multiple field recorded one shots.

Based on original tracks by @encym and @Wodwo

[disquiet0638] DSRDR

Disquiet Junto Project 0638: Center (3 of 3)

This is the third phase of a three-phase sequence over the course of as many weeks during which, consecutively and asynchronously, musicians build trios together.

https://llllllll.co/t/disquiet-junto-project-0638-center-3-of-3/66559

I chose the track "idiophones" (disquiet0637) w/ xhg by Raincat
https://soundcloud.com/raincat-306596410/idiophones-disquiet0637-w-xhg

Left: Disquiet0636 - Left Bells by xhg
https://soundcloud.com/xhg/disquiet0636-left-bells

3 instruments: 1 double bass and 2 prepared pianos.
One beat every 6 seconds, plus a 4 second delay for the first piano (mallets) and a 7 second delay for the second piano.

Thethirdman[disquiet0638] w/ Raincat & xhg

Sound Fantasy on:

Flowing along
changing its colors
a soap bubble.

by: Takashi Matsumoto

Naviarrecords Haiku Challenge 533

Soap

Soap_Naviarhaiku533

two drum and bass drum loops hand cut and glitched. layers of distortion, feedback, electric guitar, sub drones, voices and multiple field recorded one shots.

[naviarhaiku534] dawn, pre-inertia

started from a few notes on home made string instrument- attempt to create the sound world of an often active brain awake at 4am but going nowhere! :) Thanks NaviarHaiku & ,Marco.

The noise of a busy mind in the silence of inertia(NaviarHaiku534)

Remix of Morning on top (disquiet0638) by Marc Eisenschink feat. analoc & Torsten Goerke.

Response to the Wickedly collaborative challenge posed by Disquiet for even more audio pathways.

On The Same Team - disquiet0639remix

sound art for disquiet0639

More on the 639th weekly Disquiet Junto project, Path Ways (4 of 3) — The Assignment: Rework musical trios using the constituent parts — one of two ways — at https://disquiet.com/0639/

semantic soundscape [raincat remix] DeDe_euclidian_undermulden (disquiet0639remix)

My interpretation of this week's Disquiet Junto was an invitation to consider the concerto: its form, its constraints, its traditions; and to create our own composition based on these traits. I read up, listened, read some more, and made my list of rules and constraints. Then I set to it.

I knew that I wanted the solo/virtuoso instrument to be the ARP2600 that I sampled in the Melbourne Electronic Sound Studio (MESS) a couple of years ago. I improvised some chord movement with a generic pad and got the thin, flute-like ARP lead kind of dancing around on it in a single take. The overall feel reminded me of "Deckard's Blues" from the Blade Runner soundtrack, so I ran with that.

Turns out I had also sampled a Deckard's Dream analog synth at MESS, so that became my pad bed. I added some more support with a Streichfett analog string synth and  bass with a Moog Minitaur. The entire composition is 4 tracks of analog synths (and what should be an illegal quantity of reverb).

"The Voight-Kampff Concerto" is best enjoyed with good headphones, like the ones you got at that little shop under the glittering c-beams near the Tannhauser Gate.

Recorded at NO SIGNAL Multimedia Labs, The Shambles, Chicago USA.

More on Disquiet Junto: https://disquiet.com/0649

Disquiet Junto

The Voight-Kampff Concerto (disquiet0649)

Stochastic terrorism occurs when a public figure or speaker uses incendiary and dehumanizing rhetoric against a person or group, leading to statistically predictable but individually unpredictable acts of violence by a "lone wolf" attacker. This type of incitement uses indirect, ambiguous, or coded language, allowing the speaker plausible deniability and legal insulation from accountability for the resulting violence. The term was popularized to describe the phenomenon of mass communication contributing to politically motivated violence.

Stochastic Terrorism

“GoneFromHere” is the sound of letting go. PHNTMZN drifts between fragile memories and cold neon nights — dissolving everything familiar into echo, distortion, and pulse. Each track fades like a signal lost mid-transmission: love, distance, identity, all slipping through the static. It’s not about escape — it’s about acceptance. You’re gone from here, but not forgotten.

gofrmhere names

i just wanted to upload another beat ngl to you

addictedtoreversingmybeats*

how the night came

>> soundtracks for soundscapes

[naviarhaiku534] dawn, pre-inertia

how the night came

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