The last track of the EP. Just chill. The most relaxing one I made (pretty fast and naturally by the way) in between the process of making the other tracks. I think this is a nice finale after such a heavy trip through my mind, thoughts and emotions (if you listened to everything in the order of the EP).

Floating Mind

Marco Lucchi : piano and tape

marzo 2024

Iki no kôzô

Iki no k​ô​zô # 5

Enjoy the accompanying visuals at https://youtu.be/t3AsvEyUhXc

Pre-dawn inertia
Where do I go
From here?

Haiku by Marco Sebastiano Alessi

For more information visit http://www.naviarrecords.com/about/naviar-haiku

visuals (YouTube)

halF intertiA [naviarhaiku534]

two drum and bass drum loops hand cut and glitched. layers of distortion, feedback, electric guitar, sub drones, voices and multiple field recorded one shots.

[naviarhaiku534] dawn, pre-inertia

Three Ghosts, One Forest  by Petri Lahtinen / Paul Mimlitsch / Martin Hoogeboom

https://petrilahtinen.bandcamp.com/album/three-ghosts-one-forest

Ghost in the Forest Act 3 https://petrilahtinen.bandcamp.com/album/three-ghosts-one-forest

Recorded in AUM with generative MIDI from ZOA feeding three synths.  Lightly post-processed in Audacity.

Pre-Dawn Inertia [ naviarhaiku534 ]

Disquiet Junto Project 0639: Path Ways (4 of 3)
The Assignment: Rework musical trios using the constituent parts — one of two ways.

These instructions are fairly lengthy. Please read carefully. Originally this trios sequence of projects would have ended with the completion of the trios after three consecutive weeks. However, those went particularly well, so let’s see if we can push it a little further.

Please note: You needn’t have participated in any of the prior Junto projects to participate in this one.

Step 1: In the previous project, we completed musical trios. Project 0638 was the third of three consecutive projects. In the first one, 0636, musicians recorded solos. In the second, 0637, musicians took those 0636 tracks, nudged them to the left side of the stereo spectrum, and then added their own music to the right, forming duets with a hole in the middle. In project 0638, other musicians introduced a third track down the center of the 0637 recordings, completing the trios. You can revisit the music via the blog posts disquiet.com/0636 1, disquiet.com/0637 2, and disquiet.com/0638 2, and you can follow the forking paths through the related Google Drive spreadsheet 9.

Step 2: The goal of this project is to rework the material that accumulated over the course of the previous three projects. There are two main ways to go about this. One is to simply choose one or more tracks and remix, combine, mash-up, or otherwise transform them. The other is to move on to Step 3.

Step 3: Choose one 0636 track, a solo, that yielded more than one 0638 trio. (These are highlighted in light blue, or maybe it’s teal, in the leftmost column of the spreadsheet 9.) Trace the various routes that 0636 track took. Perhaps it also led to some 0637 tracks that never went any further. Perhaps there are various 0638 versions based on varied 0637 versions. In any case, record a piece of music that lets the listener experience the branching paths that the original 0636 track took over the course of the three phases of the trios project sequence. Clearly you will be using a linear form to represent variations, so how to achieve that will require some compositional ingenuity. But you’re up to the task.

Tasks Upon Completion:

Label: Include either “disquiet0639remix” (if you follow the loose rules of Step 2) or “disquiet0639paths” (if you follow the more specific rules of Step 3) in the name of your track.

Upload: Post your track to a public account (SoundCloud preferred but by no means required). It’s best to focus on one track (but if you post more than one, clarify which is the “main” rendition).

Share: Post your track and a description explanation at https://llllllll.co/t/disquiet-junto-project-0639-path-ways-4-of-3/

Discuss: Listen to and comment on the other tracks.

Full circle (ft @Raincat, @tristan_louth_robins, @xhg, @krakenkraft, @SinnySounds) disquiet0639paths

This track was created for the Naviar Haiku group.
549
https://www.naviarrecords.com/naviarhaiku549-the-cloud-mountain/

2024-07-11

The Cloud Mountain ( Naviarhaiku 549 )

Pianist-turned-Junglist Tunstep has carved out his place as one of the rising names in London’s underground, stepping up as a key member of the Vibez Connection family. His sound fuses hard-hitting basslines with razor-sharp breaks, channelling raw dancefloor energy through a forward-thinking mindset. Each set and studio session reflects a deep respect for the foundations of Jungle and Drum & Bass, while also pushing the music into fresh and unexpected spaces. Tunstep brings a rugged, roots-aware style that feels built for dimly lit basements, late-night radio runs and any system ready to rumble.

⚡️Like the Track? Click the [Repost] ↻ button so more people can hear it and download it here: https://www.beatport.com/release/eclipse-ep/5571230

⚡️Subscribe to our Youtube Channel - goo.gl/8QosjS

⚡️Follow our Drum & Bass Spotify Playlist: goo.gl/Dyo4hY

👉 Data Transmission
Spotify: bit.ly/3TexYS8
YouTube: bit.ly/3y8DI4j
Facebook: bit.ly/3TexYS8
Instagram: bit.ly/3wOMWqj
Apple Podcast: bit.ly/3wOMWqj
Grahame Farmer from DT YouTube: bit.ly/3wMBL1j

👉 Tunstep
https://soundcloud.com/tunstep
https://www.instagram.com/dj_tunstep_dnb/

👉 Drippyboiii Recordings
@drippyboiii
www.facebook.com/drippyboiii
www.instagram.com/drippyboiii__/
linktr.ee/drippyboiiirecordings


[naviarhaiku534] dawn, pre-inertia

how the night came