Restoration [Liverpool Comeback Motif]

Infinite jukebox wc 25 April 2022

I DRØMME - An Everlasting Aesthetic - 2021
Please Check Out the Video~~~~  https://www.youtube.com/watch?v=BnAcBAS0zrI
Ingrid Soares - Vocals | Motion X - Drums, Bass, Space Piano, Feedback
What can be construed as an instrumental, this piece has 7 tracks of Ingrid's vocals, some that are run through a melody layering sampler & some treated with granular effects. What may sound like synthesizers are actually some of the vocal tracks.
Mix, Mastering and Video by Motion X
Pic Art Photo by Michele Seghieri on Unsplash

An Everlasting Aesthetic

YouTube Video

I DRØMME - An Everlasting Aesthetic (Video Link in Description)

Noel Murphy joins us from London to tell us about his historical novel set in Kilkenny

(Image: bookdepository.com)

The Way It Is; Noel Murphy joins us to tell us about his historical novel set in Kilkenny

Might Not Make It Ft. YTB (Prod. GERREAUX KATANA x ALAWAIS)

How it Feel

nonna 3in1

satu Janji

Written for Britten Sinfonia as part of Opus 1.

Recorded in West Road Concert Hall, Cambridge, UK on 18/09/21.

Flute: Sarah O'Flynn
Oboe: Peter Facer
Violin: Marcus Barcham-Stevens
Cello: Juliet Welchman
Recording: Myles Eastwood

The Emptiness That Is Also Not Emptiness

Out of the two verse's All We Got Is Us was the first one released.

All We Got Is Us / Can I Live (Split record)

I'm a ardent fan of Fela Kuti, afrobeat, and African music in general. So, when I found I was able to create this beat, I just sat down and got out everything I've always wanted to say on an afrobeat song. This is just the first of several, though, I hope.

6 hours ahead

BBC Scottish Symphony Orchestra's first performance of Angus Macphee at Tectonics 2015 conducted by Ilan Volkov broadcast Hear and Now 16.05.15

angus macphee

This is a miniature for cor anglais comprising 10 fragments that can be performed in any order. This realisation was made by oboist and cor anlglais performer Maureen Wolloshin at home during lock-down (some bird tweets remain in the background of the recording!).
Maureen chose to repeat one fragment, and I think this realisation really brings out the different timbres achieved by different techniques on the cor anglais throughout its range. The piece was also completed during the lock-down, so this is its first recorded performance!

Find out more about Maureen here: https://www.maureenwolloshin.com/

goose calls (2020) performed by Maureen Wolloshin

Recorded by Martin Pilger at the Studio of Ensemble Musikfabrik (Köln), 3-4 November 2020. 

Conductor: Christian Eggen
Flute/Piccolo: Helen Bledsoe
Oboe/Cor Anglais/Slide Whistle: Peter Veale
Solo E-flat Clarinet: Carl Rosman
Horn/Slide Whistle: Christine Chapman
Trombone/Slide Whistle: Bruce Collings
Tuba/Slide Whistle: Melvyn Poore
Piano/Slide Whistle: Benjamin Kobler

"The title ‘Gêmdis’ combines the Welsh words for ‘game’ and ‘dice’, and like a desperate gambler, Bethan Morgan-Williams’ piece for E-flat clarinet and ensemble keeps returning for another roll of the dice. Each new start takes the music through a different set of emotional states, from playful to down and dirty, from the still voice of conscience to the horns of a dilemma. Or does it keep returning to the same place?

Are things out of control, then, or not?

Gêmdis was written as part of the Composer Collider Europe programme for Carl Rosman and Musikfabrik."

Programme note: Tim Rutherford-Johnson
Photo credit: Katharina Dubno

Please visit my blog for more information: https://bethanmorganwilliams.com/gemdis-out-now

Gêmdis (Studio)

Composer, performer & occasional multimedia artist. Formerly Newcastle, Gothenburg, Birmingham & Hague.

Selection of works available here, full portfolio available on my website below.

The Emptiness That Is Also Not Emptiness

Hugo Bell