absolutley beautiful track especially the female vocal

Great vocals at the start and melody! I like the bass tone and chord progression. I'm not that much of a fan of how this song is mixed at the 2-minute mark it's a little bit messy, but I think that having the drums more centered and prominent could help keep it from being too much. Overall cool song!

Reposts - November 2022 Edition

A song by Igden Daledrop.

#alternative #pop #electronic #jamesbond #vintage #indie #soundtrack #melancholic

Bored of Too Much Magic: Contemporary Lovesong

Contemporary Lovesong

Now we start to beep and we're hanging with our robodatchi friends
We start to rokkunroru do the robodatchi dance again

We robodatchi this
We robodatchi that
I want a robodatchi
Want a robodatchi cat
Me and bobodatchi best friends until the end robodatchi

Come on let's start the music
Do the robot with a robodatchi
Come on let's all cut loose
Do the robot with a robodatchi

Robodatchi
Rokkunroru

Now we start to blaze and we're smoking with our robodatchi friends
We start to rokkunroru do the robodatchi dance again

We robodatchi this
We robodatchi that
I want a robodatchi
Want a robodatchi cat
Me and bobodatchi best friends until the end robodatchi

Come on let's start the music
Do the robot with a robodatchi
Come on let's all cut loose
Do the robot with a robodatchi

We roll the robot joint
We light the robot joint
We pass the robot joint
We smoke the robot joint

Robodatchi Rokkunroru

Purchase on Bandcamp

NEW! instrumental version https://soundcloud.com/hurdy-man/dalai-lama-instrumental-piano-organ-drums

Dalai Lama

you're moving faster than a million kilowatts of light
and though she took there, you know it's just not right 
but something brought you back to me

you're talking faster than room of crowded diplomats
and though your words can dance, you know it's not like that
but something sent you back to me

all flesh and bones were made, to triumph over weight
I tried but could not make, these doubts evaporate
all so the Dalai Lama won't leave
all so the Dalai Lama won't leave


you're moving faster than a taxi in an open lane
and though what you hold is new, you see that your grip's the same
but something sent you back to me

with diamonds in her eyes, all freed from corporate ties
her breath and deepest thoughts, now free to actualize
all so the Dalai Lama won't leave
all so the Dalai Lama won't leave

Dalai Lama

Lyrics:

Numbly counting days
Trapped inside this role
Ropes on tired hands
A step away from fall

Clinging to the unknown
In the fight with the time
The familiar call of the apathy

Stop! Stop! -
Trying but failing

Stretched to nigh being torn
In the hands of the lies
And fiction envious of this reality 

Hold on
To all that's remaining

Rise!
Pain of being awake
Is no excuse for the lies
Can't just keep closing your
Eyes
We're far from the end
Still dormant in this denial

Favor roll of the dice
And trust the loudest of all!
Incessant screams of the crowd drown the reason

Wake up!
Illusions will fall

Tales promoting the lies
While fooled submissively wait
For fading halo to light up their hero

Shut up!
Delusions is all you know!

Rise!
Pain of being awake
Is no excuse for the lies
Can't just keep closing your
Eyes
We're far from the end
Still dormant in this denial

Desperate run towards this brittle peace of mind
Anxiety devoured from within
Eyes down...
I'll wait it out
This time...

Denial

Pale Ontology

Complaining

Song made in "El Ñuki" based on a phrase that Buddhists rightly apply.

Los Budistas Dicen

Big blue day heralded an arrival. this is the arrival.

Hear the leviathan's monologue as it lumbers ankle deep across the sea, ego slowly unfurling like a chant of prayer flags waving in the clouds. Hear it stop and splutter as it makes up religions and gobbles migratory birds, hear drums of devotees from far scoring its passing through. witness also the final inhale before the chant is spoken like a chant should be and time convulses in loops.

head In the cloud!

Three of us were 17 years old. Don was a little older (The Complainer) 
A BOOMBOX RECORDING
Rob Cassano - Drums
Ron Snyder - Lead Guitar
Joe Storino - Bass
Don Williamson - The Complainer

DISFUNCTION (LIVE 1978 JAM) Cassano-Snyder-Storino-Williamson

What I could have been, washed out by the salty sea, oh it is just a dream, a dream that's obsolete. 

What a place to be, a place where you can go and see, the things that you could be, all that you could dream. 

Now you'll never know, anywhere's the way to go, oh, It's all for the show, now you'll never know. 

Washed out by the sun, this sun is just the current one, the bun that traps the fly, now you wave goodbye. 

Just wasted on the sand, wasted in a foreign land, wasted like you planned, you wasted all your hands. 

Time it ticks away, ticks away another day, the days they will not stay, the days they go away. 

What I couldn't see, washed out by the salty sea, reminds me of the time, I searched but couldn't find. 

A scar that fades away, reminders of the former days, the days that fade away, the days they often change. 

The salty sea imbibes, more than you would care to mind, you're full up to your eyes, the salty sea revives. 

Salty Sea

se uso para armar la base de sintetizadores app de android groove pad...guitarras grabadas y mescladas  partes.

Escupiendo Al Vacio

Are the Russians repeating a new Berlin. A new (mental) wall is rising down through Europe as a consequence of the war. Why ? Inspired by the war in Ukraine and David Bowies monster hit "Heroes". The song written in and about Berlin. Trying to catch a part of the same feeling. Waving. Guitars flying. Waves in the sea.

Highlights from John F. Kennedys speech in Berlin 1963 - Ich Bin ein Berliner. 

Instrumental version without John F. Kennedy Speech:
https://soundcloud.com/modvaegt/walk-on-clouds-instrumental

Track from the Instrumental Rock Album 2023 from MODVÆGT:
No Music No Life: https://soundcloud.com/modvaegt/sets/nomusicnolife

V. 1.0
Released January 2023

Ich Bin Ein Berliner (Instrumental with Kennedy Speech)

Project Fuzz AKA Fret W**ker

All keyboards, guitars, and vocals performed by C. Riggalls.  

Original song "More"
By Andrew Eldritch and James Steinman
Copyright Universal-McA Music Publishing Div. of Universal Music Corp. and EMI Blackwood Music Inc. o/b/o EMI Songs Ltd

Officially licensed through EasySongLicensing.com
https://www.easysonglicensing.com/pages/account/projects/cover-songs/proof-of-licensing.aspx?p=612043

More (Nov 2020 Remaster)

This latest Track by Bryan Scott touches the heart and crosses the line between genres. It is a universally heartfelt song with meaning and real life situations.

https://youtu.be/Jqkt-ymsiVc

Bryanscottmusic.com

https://soundcloud.com/bryan-scott-261530594/eagle-on-fire-bryan-scott-mp3

Share track
https://soundcloud.com/bryan-scott-261530594/bryan-scott-im-gonna-party

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https://soundcloud.com/bryan-scott-261530594/bryan-scott-you-stood-in-the

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https://soundcloud.com/bryan-scott-261530594/your-my-hero

Count Your Blessings

This song speaks about my naivete as a young man. Brought up thinking I was an invincible Christian and learning I was just a regular guy. 

Nutty Crunchy

Inspired by a young woman standing up to hypocrisy in a BBC political question time...

Remixed, reworked and extended, Nov 22

TALK TO ME

talk to me, talk to me I’m right here
i used to be distant but now i’m so near
look at me 
i once was blurred now I’m clear

how can you say you don’t know me
don’t you recall what you told me…

i was invisible now I can see
you were untouchable, how did that feel?

talk to me, talk to me, tell me no lies
lay your hand on the table and show me your eyes
the truth is unsettling it blows your disguise 

how can you say you don’t know me
don’t you recall what you told me…

i was invisible now i can see
you were untouchable now you are real
i was invisible now i can breathe
now i can feel
you were untouchable, you were untouchable…

talk to us, talk to us
through grinning teeth
we can see you are smiling
we know what it means
wherever you broadcast
reception is weak

how can you say that you know us
don’t you recall what you sold us

we were invisible now we can see
you were untouchable now you are real
we were invisible now we are free (can feel)
you were untouchable now we are, now we are….

Talk To Me

Eclectic indie San Francisco band that blends alt-rock, folk, bluesy funk, Americana, ska, and more into a captivating and unique sound. With both male and female members, this diverse group brings a refreshing and inclusive energy to their performances. 
Formed in the vibrant music scene of San Francisco, HGM boasts a lineup of talented musicians, each with their own distinctive style and passion for creating music. Together, they create a tight and pulsating foundation that drives the band's music forward.
With a rich blend of influences ranging from Lumineers and Arctic Monkeys to Pink Floyd, Elliot Smith, and Gillian Welch, HGM effortlessly navigates between genres, infusing their music with unmistakable hooks and creativity.

Eleanor Collides is the solo project of UK singer-songwriter Nick Ranga.  

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Named after Nick’s childhood imaginary friend, Eleanor Collides started life as a lockdown project in March of 2021 when a group of London based musicians got together to support each other in writing, recording and releasing music. Named The MusiCollective, this group has produced acts such as Pisgah, Colin Tyler, Corporate Drone and Lucoline

'People Are Taller in Real Life',  the debut album by Eleanor Collides, falls somewhere between Indie, Alternative Rock and Dream Pop. On this album Nick draws on a wide range of influences from the 90s alt-rock of Alice In Chains and Hole, British Indie bands such as Manic Street Preachers and Depeche Mode's moody synth pop

Dalai Lama

Hurdy Gurdy Men

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