A collection of instrumental compositions being considered for a forthcoming CD project. Please comment : )
©2010, 2011 Huston Singletary

Tribe Of Three

Animation and Game Music Composer | Twitter: @Will_Dodson1

I work to balance my compositions with a blend of modern synth, organic percussion and unique sample based production vs. world style drum and percussion grooves, guitar and bass. Mixed with a minimal symphonic orchestration, acoustic piano and rare lead tones.

* Introduction
* More on my music background
* What makes me stand out, and More on my highly personal styles
* On comment exchanges

INTRODUCTION:
I'm an Awards-winning Composer & Music Producer with lots of depth and experience in several musical genres, but also for visual and music symbolism.
Recently, I'm focusing on Music for Licensing. Both individual work and producing other artists with the same aims.
I'm also offering my services for pro music productions for media, musicians and singers.

For projects, my music can be focused on the single emotions and effective cues, to greatly enhance moods, or more complex and closer communication to bring extra plot dimensions to the script and screenplay, on a highly professional intepretation & correlation level.

The thing I value the very most in music is the emotions it touches, both my own and for listeners.
It could be technically and theoretically advanced, but not always necessarily.

Some of my personal tracks here are very complex and not suitable as cues, more for showcasing my depth, composing level & musical versatility.

Recently, I've focused a lot on improved mixing & mastering skills quite a bit, and I also consider re-mastering most of my existing tracks. 
I use professional plugins & software, but one can always learn more.

Thanks a ton so far, and stay tuned for new versions & new tracks, reaching the next level!


MORE ON MY MUSIC BACKGROUND:
With 7 years of full-time post-college music education, and more than 15 years of teaching music subjects, I've begun to focus a lot more on my own music again in recent years.
Still improving my production skills towards Music Production, but I now feel ready to start marketing myself and my services, whether it's for moving image and other  medias, freelance musician for track projects, or editing and mixing your own tracks.

So let me know if you think you got some task for me to work on. Either as a hired talent, or for mutually fulfilling self-promotions of pro quality.


ON WHAT MAKES ME STAND OUT:
I think the attention to details is of highest importance, be it details in phrasing, melodies, chord changes, sound and mixing etc.
The diverse and extensive music background and close studies of film & game genres all certainly help for these things. But there's more:

Another aspect is that I often design my own music for deeper analyze challenges, for anybody who gives it a try.
Therefore, my most personal tracks are heavy on both traditional music symbolism, but some also including sublime or hidden symbolism. 
It's a highly personal way to add depth, multi-layered concepts, mystery and challenges while listening/analyzing.
In specific tracks, I avoid spelling out any sublime references, because I'd rather invite you to have all kinds of personal & individual thoughts on my creations.

Before I picked up composing again, I spend most of my spare time with personal research on numerous subjects, from different perspectives & media for a wider picture.
This too helps me in my highly personal composing style - Metaphors, allegories, and to reference well-known and less known knowledge & media alike.


ON EXCHANGING TRACK COMMENTS: 

For OLD FRIENDS: 
Give me a holler if you wish for some new in-depth feedback of your own material. (I'd wish that you will take a close listen to another track of mine in return, giving me your honest thoughts too.)

for ANY LISTENER: 
Put a REAL listening comment on my track, and I'll prioritize giving a real comment back on yours. 
If I feel you're the kind that welcome critical ears mentions with close attention listening, then I'm usually game for offering some in-depth feedback.
Personally, I welcome all kinds of nitpicking and remarks on my own tracks, but I'm aware that not everybody appreciate that on  theirs,

Don't forget to visit my website for blog posts and more info. Thanks!

Image credits to Pixomar at www.freedigitalphotos.net

ELECTRONIC MUSIC, AMBIENT, PROGELECTRO, PIANO and more ...
Artist contact via E-Mail: jens-hinrich@t-online.de

The instrument I learned first was the cello, later on the piano. In my childhood and youth I took part in several orchestras and choirs. At the age of 17 I started playing in rock bands; in 1989 me and my friend Daniel ("Vocebasso" and "Liedschmied", you find him here) founded the progressive rock band "The Lynx"
(my functions: keyboards, cello, backing vocals, songwriting and arrangement). In the early 90s I became more and more enthusiastic about electronic music and the German broadcast radio show "Schwingungen" with Winfrid Trenkler. With the help of my first synthesizers Kawai K1 and Korg T3 I started to compose tracks. After using the internal sequencers I discovered the possibilities of Cubase. 
Beside my activities in the cover rock band "Silent Sound", several projects I initiated in my function as a teacher for music in a secondary school and the singer- /songwriter project "WortSpiel" (https://www.facebook.com/DuoWortSpiel) I never stopped composing electronic music in the last 20 years. 
My music is most influenced by orchestral music (classic, soundtracks), progressive rock and pop music and - of course - by electronic music. I will never forget, when I was six years old and my brother put on the record "Oxygene IV" by Jean-Michel Jarre. Another track, which gave me magic moments, was "Force Majeure" by Tangerine Dream. The year 1990 meant the final electronic wake-up call, namely in the form of Ron Boots and his great record "Dreamscape". It's one of my favorites to this day.
The themes of my music are generally the nature, journeys and landscapes, personal relations and emotions and - within these associations - often the longing for inner and outer freedom, for the breakout of boundaries and fears. 
Wiesenberg: That's the maiden name of my mother (by trade a vocalist), which refers back to my roots and to the long way, my ancestors took from Salzburg (Austria) through Königsberg / Kaliningrad (Russia) to Rheda-Wiedenbrück (Germany, North Rhine Westphalia). I walked on - through Lower Saxony to Rhineland-Palatinate. Next stop: Who knows? In the end I am an expellee and a hermit - an "eremit".

http://soundcloud.com/1sumi1

http://soundcloud.com/tacocatmusic

https://soundcloud.com/wizrdsonly

Welcome,   

Collaborations :

- Toxic Voltage
- Farisha 
- Kelsey Collins
- Jenny Mayhem

 

