https://hkcr.live/shows/apogee-w--08-03-2021

APOGEE w/ фанкшн - 08/03/2021

bHorus - Nefilim

stream on other platforms : https://release.studio/slipup

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SLIPUP

I said maybe

Taken from Astral Black's 'Frass FM 4' compilation. 

Available now for free DL or as limited edition cassette, mixed by Jossy Mitsu.

https://astralblack.bandcamp.com/album/frass-fm-4

Frass FM 4

05. Loom x Tsunga - Homer Riddim

Bad Zu was created three years ago and remained a well kept secret of Moscow underground until it got signed to Berlin's finest Through My Speakers label. Soon after Bad Zu played more shows in Berlin than in Russia for a while, but eventually Moscow rave crowds started to fall in love with the fusion of African traditional music and grime and the band played huge shows for thousands of party and festival people before they were even present on the social media. More releases followed via Through My Speakers and #internetghetto.

"Zupreme" is the first full length album by Bad Zu. It elaborates and develops the extravert "Ritual Rave", where the audience and their state of consciousness are always in the focus, rather than the creator of the music and his thoughts. 10 tracks for dancing and sex, infused and mixed with our reality: from fake brands and darknet, to being beaten up for the wrong look in the club.

CAT: HYPR065
Release type: Digital (all formats) 
Mastering by iBenji
Cover art designed by German Kapitonov

Zupreme

BAD ZU - THSNDS

All music: bastiengoat
Mastering: Matt Davis at Hacienda Mastering
Cover art: Yoga Vaswani & @bathroombabe.jpg

Bastiengoat - Unlockt

J-Shadow's 'Inflation' brings massive stabbing synths combined with alternating drum and bass patterns.

More: https://ins-rt.net/audio/j-shadow-inflation/

Article

Premiere: J-Shadow - Inflation [Simply Deep]

https://band.link/burntheempire

Public Service Announcement:

Do. Not. Hyper-politicize. Every. Womxn*. Artist’s. Work.

After making her debut into the world of dark, deconstructed club music on Infinite Machine in late 2017, Ani Klang is releasing her latest hard-hitting, genre-blending EP on Russian label, Hyperboloid Records to round out a busy year of releases in 2020.

‘BURN THE EMPIRE’ is a powerful statement piece seeking to disprove the pervasive belief that womxn and queer people are primarily working and creating music to “empower others.”

After growing frustrated with commentators deeming every bold piece of womxn-made art as an “outspoken feminist act” and forcing political causes on female/non-binary compositions when none are intended, Klang has challenged this trend and created a piece of work that is emphatically not an “empowering anthem for womxn everywhere.”

Armed with frustration, pain, and a little irony, Klang has built her own empire on the outskirts of genre, and all who are open are invited. She is releasing this record with hopes to begin dismantling the notion that womxn’s music is only meant to serve as a political weapon to fight misogyny. There must be something more meaningful womxn have to say to each other besides ‘you can do it too.’

She began grappling with this idea several years ago, when she felt pressured by the underground club community to be “outspoken” to have her music heard. In a 2018 Instagram post, she explained her frustrations as follows:

“I feel like being ‘outspoken’ is almost a prerequisite for being a successful woman at anything these days.It’s not enough to just be an artist who happens to be female – you have to empower women somehow and put your political opinions at the forefront of your art to be considered ‘relevant’. To be completely honest, I find it frustrating as hell. […] I want women to feel empowered but there are so many other creative ways to do this than just talking about feminism. We should be allowed to just BE artists who make records about death, masturbation, chocolate cake, or whatever the hell we want!”

‘BURN THE EMPIRE’ journeys from 145-160 BPM and showcases punchy, fluttery, footwork-inspired kick patterns, layers of heavily manipulated industrial textures and ironically political self-recorded samples (i.e. feminist podcasts, orgasms, and ex-girlfriends crying and singing) bound together by a rave-friendly mentality. Featuring scorching remixes by formidable artists like A.Fruit, Daniel Ruane, and Pixelord, ‘BURN THE EMPIRE’ is an intense sonic excursion through the mind and body of a female artist, eager to set the underground club scene on fire.

With match in hand, Ani Klang urges listeners to fully understand the following before organizing a livid mob armed with extinguishers on her front lawn:

“I am not intending to belittle or invalidate any collective or artist whose primary premise and passion is to empower others. Rather, I am encouraging commentators and listeners to understand and appreciate our unique concepts and technological capabilities before lazily assuming our artistic motivations.

It’s time we Burn the Empire of exhausted empowerment and construct our own domain, fortified by authenticity, legitimacy and resiliency. We’re are not examples, we are exasperated, and we’re gonna burn shit.”

* ‘womxn’ inclusively refers to any female-bodied or non-binary individual, queer or an otherwise unique human who deviates from standard cisgender identities.

Burn the Empire

DIGITAL / CASSETTE

ANI KLANG - THE PROBLEM =

Premiering "Us (Pixelord Remix)"  by Ani Klang taken from "Burn the Empire" out on November 6th via Hyperboloid Records digitally and on limited cassette
Pre-order: https://hyperboloid.bandcamp.com/album/burn-the-empire

‘BURN THE EMPIRE’ is a powerful statement piece seeking to disprove the pervasive belief that womxn and queer people are primarily working and creating music to “empower others.”

After growing frustrated with commentators deeming every bold piece of womxn-made art as an “outspoken feminist act” and forcing political causes on female/non-binary compositions when none are intended, Klang has challenged this trend and created a piece of work that is emphatically not an “empowering anthem for womxn everywhere.”

Klang believes the notion of empowerment through music – especially between womxn in the music industry – has begun to feel forced and inauthentic, not to mention largely ineffective and burdensome. What’s the most effective way to enable other womxn in 2020? BURN THE EMPIRE of bogus, commodified empowerment.
https://soulfeederweb.com/premieres/premiere-ani-klang-burn-empire/

Links:
Ani Klang
https://soundcloud.com/aniklang
https://www.facebook.com/anikbeats
https://www.twitch.tv/ani_klang
http://www.aniklang.com
https://www.mixcloud.com/aniklang

Hyperboloid Records
https://soundcloud.com/hyperboloid
https://hyperboloid.bandcamp.com
https://instagram.com/hyperboloidrecords
https://www.facebook.com/hyperboloidrecords
https://twitter.com/hyperboloidrecs
https://vk.com/hyperboloid

BURN THE EMPIRE

[PREMIERE] ANI KLANG - US (PIXELORD REMIX)

Hyperboloid Records presents “Argo” by Fisky, a drum club music producer from Moscow, Russia. He has previously released on Hyperboloid both on vinyl and digitally (Traektoria, Virtual Tracks Vol.2), released on 22nd December digitally and on limited cassette
“Argo” EP is across-cultural journey, the route is outlined by references in the names of the tracks.
In a personal sense, this EP is a departure from the drum tracks of recent releases by Fisky to a more melodic release structure, an attempt to bring together his moods from different years.

Links:
Fisky
https://soundcloud.com/fiskyoioioi
https://www.facebook.com/FiskyMusic
https://fiskyoi.bandcamp.com
https://www.instagram.com/fiskymusic



Hyperboloid Records
https://soundcloud.com/hyperboloid
https:/hyperboloid.bandcamp.com
https://www.facebook.com/hyperboloidrecords
https://vk.com/hyperboloid

Artist: Fisky
Title: Argo
CAT: HYPR087
Release Date: 22/12/2020
Release type: Digital (all formats) / Cassette
Mastering by A.Fruit
Artwork by gsm_garden