Techno 2000s

Fuck the warmongers!

Follow: @enkosound @do_not_dance

Graphic Design by Kioko @levia_s23twin
www.instagram.com/kiokosign

pre-order 12" Vinyl @ do.not.dance@posteo.de
B1

Savage Nihilism & Enko - Tyananment [Soon on DoNotDance 11]

Peeling The Synthetic Skin

Ghetto House master e91 delivers a club floor thumper flip of Garneau's 'M&P'. Forthcoming on Indexlife.

Article: https://ins-rt.net/audio/garneau-mp-e91-remix

Article

Premiere: Garneau - M&P (e91 Remix) [Indexlife]

https://band.link/burntheempire

Public Service Announcement:

Do. Not. Hyper-politicize. Every. Womxn*. Artist’s. Work.

After making her debut into the world of dark, deconstructed club music on Infinite Machine in late 2017, Ani Klang is releasing her latest hard-hitting, genre-blending EP on Russian label, Hyperboloid Records to round out a busy year of releases in 2020.

‘BURN THE EMPIRE’ is a powerful statement piece seeking to disprove the pervasive belief that womxn and queer people are primarily working and creating music to “empower others.”

After growing frustrated with commentators deeming every bold piece of womxn-made art as an “outspoken feminist act” and forcing political causes on female/non-binary compositions when none are intended, Klang has challenged this trend and created a piece of work that is emphatically not an “empowering anthem for womxn everywhere.”

Armed with frustration, pain, and a little irony, Klang has built her own empire on the outskirts of genre, and all who are open are invited. She is releasing this record with hopes to begin dismantling the notion that womxn’s music is only meant to serve as a political weapon to fight misogyny. There must be something more meaningful womxn have to say to each other besides ‘you can do it too.’

She began grappling with this idea several years ago, when she felt pressured by the underground club community to be “outspoken” to have her music heard. In a 2018 Instagram post, she explained her frustrations as follows:

“I feel like being ‘outspoken’ is almost a prerequisite for being a successful woman at anything these days.It’s not enough to just be an artist who happens to be female – you have to empower women somehow and put your political opinions at the forefront of your art to be considered ‘relevant’. To be completely honest, I find it frustrating as hell. […] I want women to feel empowered but there are so many other creative ways to do this than just talking about feminism. We should be allowed to just BE artists who make records about death, masturbation, chocolate cake, or whatever the hell we want!”

‘BURN THE EMPIRE’ journeys from 145-160 BPM and showcases punchy, fluttery, footwork-inspired kick patterns, layers of heavily manipulated industrial textures and ironically political self-recorded samples (i.e. feminist podcasts, orgasms, and ex-girlfriends crying and singing) bound together by a rave-friendly mentality. Featuring scorching remixes by formidable artists like A.Fruit, Daniel Ruane, and Pixelord, ‘BURN THE EMPIRE’ is an intense sonic excursion through the mind and body of a female artist, eager to set the underground club scene on fire.

With match in hand, Ani Klang urges listeners to fully understand the following before organizing a livid mob armed with extinguishers on her front lawn:

“I am not intending to belittle or invalidate any collective or artist whose primary premise and passion is to empower others. Rather, I am encouraging commentators and listeners to understand and appreciate our unique concepts and technological capabilities before lazily assuming our artistic motivations.

It’s time we Burn the Empire of exhausted empowerment and construct our own domain, fortified by authenticity, legitimacy and resiliency. We’re are not examples, we are exasperated, and we’re gonna burn shit.”

* ‘womxn’ inclusively refers to any female-bodied or non-binary individual, queer or an otherwise unique human who deviates from standard cisgender identities.

Burn the Empire

DIGITAL / CASSETTE

ANI KLANG - THE PROBLEM =

Premiering "Us (Pixelord Remix)"  by Ani Klang taken from "Burn the Empire" out on November 6th via Hyperboloid Records digitally and on limited cassette
Pre-order: https://hyperboloid.bandcamp.com/album/burn-the-empire

‘BURN THE EMPIRE’ is a powerful statement piece seeking to disprove the pervasive belief that womxn and queer people are primarily working and creating music to “empower others.”

After growing frustrated with commentators deeming every bold piece of womxn-made art as an “outspoken feminist act” and forcing political causes on female/non-binary compositions when none are intended, Klang has challenged this trend and created a piece of work that is emphatically not an “empowering anthem for womxn everywhere.”

Klang believes the notion of empowerment through music – especially between womxn in the music industry – has begun to feel forced and inauthentic, not to mention largely ineffective and burdensome. What’s the most effective way to enable other womxn in 2020? BURN THE EMPIRE of bogus, commodified empowerment.
https://soulfeederweb.com/premieres/premiere-ani-klang-burn-empire/

Links:
Ani Klang
https://soundcloud.com/aniklang
https://www.facebook.com/anikbeats
https://www.twitch.tv/ani_klang
http://www.aniklang.com
https://www.mixcloud.com/aniklang

Hyperboloid Records
https://soundcloud.com/hyperboloid
https://hyperboloid.bandcamp.com
https://instagram.com/hyperboloidrecords
https://www.facebook.com/hyperboloidrecords
https://twitter.com/hyperboloidrecs
https://vk.com/hyperboloid

BURN THE EMPIRE

[PREMIERE] ANI KLANG - US (PIXELORD REMIX)

Hyperboloid Records presents “Argo” by Fisky, a drum club music producer from Moscow, Russia. He has previously released on Hyperboloid both on vinyl and digitally (Traektoria, Virtual Tracks Vol.2), released on 22nd December digitally and on limited cassette
“Argo” EP is across-cultural journey, the route is outlined by references in the names of the tracks.
In a personal sense, this EP is a departure from the drum tracks of recent releases by Fisky to a more melodic release structure, an attempt to bring together his moods from different years.

Links:
Fisky
https://soundcloud.com/fiskyoioioi
https://www.facebook.com/FiskyMusic
https://fiskyoi.bandcamp.com
https://www.instagram.com/fiskymusic



Hyperboloid Records
https://soundcloud.com/hyperboloid
https:/hyperboloid.bandcamp.com
https://www.facebook.com/hyperboloidrecords
https://vk.com/hyperboloid

Artist: Fisky
Title: Argo
CAT: HYPR087
Release Date: 22/12/2020
Release type: Digital (all formats) / Cassette
Mastering by A.Fruit
Artwork by gsm_garden

Argo

FISKY - AMANITA

FISKY - STANDALONE

FISKY - THREE SEVEN ACE

About Let's Collapse

Let’s Collapse is a collaboration EP between Pixelord and Max Dahlhaus in Moscow and Berlin, respectively. The illusion of the global village, which it seems like yesterday’s, collapsed due to the outbreak of covid-19, but none of this can prevent people from contacting each other. This EP shows how the artists feel in it.

Both artists are good at creating cold music, and the collision of ideas has produced many wonderful changes in the results. The whole EP is like a roaring turbo engine, and the huge sound continuously presses our hearts. There is always some strange but beautiful sound between the heavy drums and the rough background noise, when they appear, it will make the listener's scalp tremble like two sharp pieces of metal rubbed in a flash. All these sounds constitute a sci-fi world, and the rich details bring people into endless spaces of imagination. The world is constantly destroyed and rebuilt in the journey of the seven tracks, and the epic ending leaves all this to the unknown.

《Let’s Collapse》由分别位于莫斯科和柏林的Pixelord 和Max Dahlhaus 共同合作完成。恍如昨日的地球村幻景由于疫情的爆发一瞬间崩塌了，但这一切都无法阻止人们相互联系。这张EP展现的就是音乐人在其中的感受。

两位音乐人都善于制作黑暗冷酷的音乐，这次创意之间的碰撞使结果产生了许多奇妙的变化。整张EP就像一台轰鸣的涡轮引擎，声浪持续地压迫着我们的心脏。在厚重的的鼓点与粗糙的背景噪音之间总有一些奇特但又美妙的声音，他们出现时就像两片锐利的金属片擦过一般使听者的头皮一刺。所有这些声音共同构成了一个未来的科幻世界，丰富的细节使人们进入无尽的想象空间。在这七首歌的旅程中，这个世界被不断地毁灭，又被不断地重建，充满史诗感的结尾把这一切留给了未知。 

Mix:Max Dahlhaus & Pixelord
Master: Max Dahlhaus
Artwork:Gabriel Massan

Let's Collapse

Otel Beat

Premiering "Sheherezade" by Tzusan, a bonus experimental rap track from "Fizzy Milk" out on 28th February via SKOOP digitally and on limited edition cassette accompanied by an A3 poster, exclusive bonus track and a short book containing lyrics, artworkand photography.

In the artist's own words:
"I wanted it to echo the sounds of a post-industrial Scotland stripped of its ship yards and factories, recycled from glass Irn Bru bottles and empty jam jars. I wanted it to evoke something."

Links:
Tzusan
https://linktr.ee/Tzusan

SKOOP
https://soundcloud.com/skoopskoop
https://skoop.bandcamp.com/
https://www.facebook.com/SkoopCollective