Mad shit

BLUE

Pavel Milyakov & Yana Pavlova — strong-willed

what game

Happy New Year! We bring you new music <3
Free download / name your price
https://hyperboloid.bandcamp.com/album/hyperboloid-2024

Hyperboloid 2024

free dl / bandcamp

A.Fruit - Nostalgia

Faith In Strangers’ was written and produced between January 2013 and June 2014, and was edited and sequenced in late July this year. Making use of on an array of instruments, field recordings, found sounds and vocal treatments, it’s a largely analogue variant of hi-tech production styles arcing from the dissonant to the sublime. The first two tracks recorded during these early sessions bookend the release, the opener ‘Time Away’ featuring Euphonium played by Kim Holly Thorpe and last track ‘Missing’ a contribution by Stott’s occasional vocal collaborator Alison Skidmore who also appeared on 2012’s ‘Luxury Problems’. Between these two points ‘Faith In Strangers’ heads off from the sparse and infected ‘Violence’ to the broken, downcast pop of ‘On Oath’ and the motorik, driving melancholy of ‘Science & Industry’ - three vocal tracks built around that angular production style that imbues proceedings with both a pioneering spirit and a resonating sense of familiarity. Things take a sharp turn with ‘No Surrender’- a sparkling analogue jam making way for a tough, smudged rhythmic assault, while ‘How It Was’ refracts sweaty Warehouse signatures and ‘Damage’ finds the sweet spot between RZA’s classic ‘Ghost Dog’ and Terror Danjah at his most brutal. ‘Faith in Strangers’ is next and offers perhaps the most beautiful and open track here, its vocal hook and chiming melody bound to the rest of the album via the almost inaudible hum of Stott’s mixing desk. It provides a haze of warmth and nostalgia that ties the nine loose joints that make up the LP into the most memorable and oddly cohesive of Stott’s career to date, built and rendered in the spirit of those rare albums that straddle innovation and tradition through darkness and light.

Violence

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Kursa & Duskky - Sesquipedalian [EDM.com Premiere]

NERD002

everything is still flexible

We are very pleased to present you the second installment of our V/A compilation.
The path to this release was very long and difficult, but from now we can move forward to dropping upcoming scheduled nerd stuff.

Arseni Bagdasarov; Idea/Curating and Mixing/Concept
Nikolay Bogancev; Concept Formulation
Kura Brodskaya; Art & Label Identity
Tsotne Tabatadze aka Verbindung; Mastering
Sima Haustova: Support
Hilde Wollenstein; Fundraising receiver transmitter a lot of help & support

the best nerds around <3

artist's links;

soundcloud.com/kutyma
soundcloud.com/ssiyaniya
soundcloud.com/user-397305103
soundcloud.com/maug-elements
soundcloud.com/nerdsyndicate
soundcloud.com/lilmooooon
soundcloud.com/vtgnikeee
soundcloud.com/qwqwqwqwa
soundcloud.com/keroz_one
soundcloud.com/ladooniani
soundcloud.com/dx2ov
soundcloud.com/free-version

soundcloud.com/sablemik
soundcloud.com/ceny4

განსაკუთრებული მადლობა ჩვენს ოსტატს

soundcloud.com/verbindung2
verbindung.bandcamp.com

flexible compilation pt. 2

НАРРУ ПЕШ УЕАГ is our free compilation for your NYE party. Some future artists to watch in 2016 and fam you already know. 
Thanks a lot for your ongoing support, guys! You are the best!
credits
FREE DL: https://hyperboloid.bandcamp.com/album/-
released December 30, 2015

Raumskaya - Nobody

Andy Stott's first material of 2010 finds the producer in a hot and sultry mood, delivering two House variants produced with that typically deep and luxurious style. "Tell Me Anything" centres around shuffling snares, a rugged bassline and sparkling keys anchoring the track somewhere between wide open and summery expanses and the compressed warehouse environments of darkest North Manchester. 
"Love Nothing" on the flipside is the slower of the two tracks, but somehow one of the most important of Stott's career, unraveling to expose an unfathomably deep arrangement of decomposed vocals and mangled percussion. It sounds like Newworldaquarium, Mount Kimbie and DJ Qu shooting the breeze, evoking the humid spirit and glamour of a hot summer in the city.

Tell Me Anything

TNM004 - Cry Tuff / Gus / Bela - 14/07/17
https://klausmuzik.bandcamp.com/track/cry-tuff

Cry Tuff

'Behind The Wall I See New Life And Tears', clip.

low quality; unreleased;

Just for fun!
Original Track : https://soundcloud.com/trampa/make-room
Please support Trampa.
https://www.hive.co/downloads/download/501456/spotlight/

FREE DOWNLOAD

Trampa - Make Room (AtomStaub Hard Flip) 190Bpm

Released on m_division's compilation 'Unity'
Profits from the sale go to supporting cancer patients affected by COVID-19 in Russia.

Thanks for supporting.

https://advita.ru/
https://mdivision.bandcamp.com/releases

Mastered by Aleksandr Matlakhov
Released June 25, 2020

SKY H1 ft. Soho Rezanejad - Animal

From: Placid Angles - Touch The Earth (FIGURE LP07)
Out: March 29th 2021
Preorder: http://bit.ly/FIGURE_LP07

When the first Placid Angels album dropped in 1997, Jon Beltran was already an established force within dance music’s then-emerging scene. He had a knack for both the melodic side as well as intricately designed rhythmic programming. A signature style that went for his early records in the 1990s as much as it does for this new installment of the Placid Angels series.

The blissful synths, Aphex Twin-era IDM and loose percussive patterns take you right back to where it all began when genres didn’t mean anything and Beltran was just starting out to experiment with any sound that would elevate your consciousness.

The Michigan-born artist since has spanned a career of nearly four decades, remaining relevant all the while, by playing the music he found himself most drawn to express. By working with artists like Detroit veteran Carl Craig, labels such as R&S or more recently his LPs for Delsin or his joint work with Four Tet. Whether it be his more Techno-leaning or New Wave-inspired works, his takes on Ambient, or the more Latin-influenced productions - he has always stayed active and re-invented himself while painting his records with a clearly own palette that is full of beautiful melodies and a timeless sound-design. 

The album Touch The Earth itself comes as diverse as the artist’s own legacy, ranging from skittish, colorful UKG to proper pulsing sub-basslines as it progresses deeper into intelligent drum programming and further into the melodic ventures of what’s at the core of Beltran’s work. Drawing to a close, ambient tones overweigh, as Beltran oozes the last drops of emotion from this LP, leaving the angels to look down placidly.

Artwork by Tim Calver Photography.
www.figure-music.com

Raumskaya - Nobody

Hyperboloid Records

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