How can I find lyrics for this song? Need help

awasome! Очень крутая, чувственная композиция, вот прям как надо, чтобы было над чем задуматься..что то вспомнить, подпеть как чика на припеве например на треть, на четвертую долю как Лариса Долина:)

A tribute to Pyotr Mamonov - musician, actor and a great soul

Мамонов И Алексей - Автобус МОА (Koyil Edit)

BLUE

Pavel Milyakov & Yana Pavlova — strong-willed

Just put on this track in the morning when you are so zorked and no longer understand what is happening.

10 AM

Bryozone — Eye Of Delirious 
@gannabryzhata

“Eye Of Delirious” is a long-awaited debut Muscut's release of Chillera’s band bass player Ganna Bryzhata — an Odesa-based sound artist. An ambient LP is a smoothy-flow sub-nautical journey with the songs of Black sea sirens glowing under the moon.

Format: C40, cassette / Digital
Edition: 100, hand-numbered
File under: ambient, dub, experimental

Face A:
Smoothy Flow 
Sub Nautica 
Sequence One 
Glowing Sirens 
Ghost Tribe

Face B:
Ambiency 
Liminal Tribe
Eye Of Delirious 
Fateful Torment 
Ground Floor

Mastering by Gennadiy Boychenko 
Artwork by Volodymyr Pavlov 
Graphic design by (DN) daynight.info 
Neu Medieval and Heymland typefaces by KTF 
Riso print by Hands on Press 
Muscut, 2023

Eye Of Delirious

Order

Bryozone - Smoothy Flow (Muscut 27), March 2023

What is the sound of the Russian dub? There is a storied history of attempts to adapt roots music to Russian soil, but most of them can be attributed to reggae (the so-called ‘northern’ variety) rather than dub. Gost has a history with the town of Smolensk. It’s home to Gamayun, whose great album Filterealism was released on our label last year. Now Anton, one of Gamayun’s members, presents his new duo Dubovaya Kolesnitsa (The Oaken Chariot). In his words, it has no connection to his other band at all and is an attempt to go back to the roots of a genre that doesn’t truly exist.

The Russian word for oak, ‘dub,’ looks exactly like the genre, and the chariot emerged from the name for the group’s jams – ‘telega’ – which can be translated as a cart. All the music here is the result of live improvisations: no samples, just instruments (notably Vasiliy Shilov's bass). These recordings have been slightly edited, and even the almost indecipherable texts are freestyle. There’s no place for real riddims in Russian dub: sometimes this record sounds like something akin to dub variations on underground Russian hip hop (and we mean that in the best possible way).

We should also remember that dub and reggae (and hip hop as well) all started as the voice of people. The voice of those who are always in the minority and try not to be silent. The most prominent dub producers and reggae performers were against hierarchy, imperialism, and colonialism — and their music was born out of the desire to protest against it. As Anton puts it, Oaken Chariot, the “Russian mutation of dub,” is an attempt of voicing the concern. And he links this attempt to a historic Russian tradition of Foolishness for Christ, also known as yurodstvo. The “fool” in question is not naïve at all; he’s trying to seem lunatic on purpose. For Anton, the music of Oaken Chariot is a rebellion with a cut-off tongue. Here, illegible speech, full of inarticulate sounds, is a sign of the inability of the statement. But this inability represents a statement itself that is inevitable.

Yet, the music of Oaken Chariot is genuinely fun, free, and mesmerizing (like the happenings of holy “fools”), but we could also approach it more conceptually. Theoretician Michael E. Veal describes dub as a ‘postsong’, taking the form of “linguistic, formal and symbolic indeterminacy.” The duo’s faintly eerie compositions call back to the notion of musical hauntology. There is an attempt, without any direct references, to reconstruct the feeling of something that was never there at all. A little nostalgic and very forward-thinking at the same time, the music of Oaken Chariot is best described in its own words. In the opening track, a voice can be heard saying “eto delo v lob,” which means something like “it’s a straight-on thing.” This is very direct, almost in the vein of folk music. This is a great – and, it must be said, successful – experiment in searching for the soul of Russian dub. Simple as that.

GOST018 Oaken Chariot "Biznes Time"

Side 1

A1: They are looking at us from above
A2: BIZNES TIME 08:39
A3: Free Poetry 01:51

Side 2
B1: Splendor of Wasteland
B2: Purer Than Love
B3: Volchok
B4: Random Regularities

Music and recording — Anton Dvoenko, Vasiliy Shilov
Mix — Anton Dvoenko
Mastering — @poducedbyflaty
Executive producer — Ildar Zaynetdinov
Cover – Eduard Kulemin "Field" 1988

12" LP full-color sleeve.
October 7, 2022

© «ГОСТ ЗВУК»

GOST018: Дубовая Колесница "Biznes Time"

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Track from "Spade" LP
Released Jan 2016
https://oblastrec.bandcamp.com/album/spade

Spade. 93

TNM004 - Cry Tuff / Gus / Bela - 14/07/17
https://klausmuzik.bandcamp.com/track/cry-tuff

Cry Tuff

Shukai presents its debut release - music for television film The Air Seller by Victor Vlasov, which has never been released before. 
Recorded in 1967, the same year as the film was broadcasted on Soviet television. 
The Air Seller directed by Vladimir Riabtsev is a black and white film based on the eponymous sci-fi novel by Alexander Belyaev, first published in 1929. 
Limited edition of 300 copies. 

Tracklist
A1 Intro 0:17 
A2 Why? 3:29 
A3 Untitled I 0:11 
A4 William Is Sailing A Boat 1:03 
A5 Klimenko Is Walking Along The Corridor 0:53 
A6 Untitled II 1:32 
A7 Nikola Is Killing The Guard 0:46 
A8 Nikola Is Sneaking 1:47 
A9 Climbing Up The Hill	3:00 
A10 Title Theme 1:18 
B1 Klimenko Is In The Bed 0:47 
B2 Nora and Klimenko Dance 3:01 
B3 Klimenko Is Escaping I 0:42 
B4 Untitled III 1:13 
B5 Nikola Is In The Boat	0:36 
B6 Klimenko Is Escaping II 1:20 
B7 Klimenko Is Exploring The Bayley's Base	0:49 
B8 Untitled IV 1:11 
B9 Klimenko Is In The Captivity Again 1:25 
B10 Attention! Prepare For The Experiment 1:28 
B11 Sensation! Tragedies! 1:33 

Releases February 13, 2019 

Music by V. Vlasov 
Track B2 - Lirycs by V. Berezinsky, vocal by Valentina Nezhentseva
Recorded in 1967 at Odessa Film Studio 
Mastered At See Why Audio 
ⒸⓅ Victor Vlasov, 2019 
Shukai 1, 2019 
Parent label - @Muscut

A2 - Why
Lyrics by Vladimir Riabtsev
Vocal - Lilia Pliam

Why are there stars over the planet
Why are there winds over the planet
Why are there tornadoes on the planet
Why are there dreams on the planet, why

Why are there waves in the ocean
Why is there the fish in the ocean 
Why is there a sail over the waves
Why are there seagulls over the waves
Why are there green leaves
Why are there blue sunrises
Why is there the golden sun
Why are the children being born?

Why, why do people date
Why do people explain themselves
Why do they love each other
Why do they lie to each other
Why

Why, why do people date
Why do people explain themselves
Why do they love each other
Why do they lie to each other
Why

The Air Seller

Victor Vlasov - The Air Seller, 1967 (excerpts)

Sahasrāra

From the V/A Test Pressing III
https://soundcloud.com/muscut/va-test-pressing-iii-muscut-xx-12-2020-excerpts
Format: 12” LP, 300 copies, numbered, hand-stamped / Digital
Release date: December 11, 2020

Tracklist:
A1. G.E.S. - hipinterval 1&2
A2. Andrew Pekler - Early Bird (Loose)
A3. Hanno Leichtmann - offest 23
A4. S A D - Akpai Song
A5. Nikolaienko - Jazz Tape
B1. Koyil - Vāɡ
B2. Mårble - LESBEE (Shaggy Bumblebee)
B3. KWJAZ - Passing Saints
B4. uon duh - Under
B5. Ahnnu - Wandering

Mastered by Giuseppe Ielasi

Jazz Tape

multigenre sonic experiments &  moving images

Pavel Milyakov & Yana Pavlova — strong-willed

PSY X records

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