Science Cult Radio 049 - Aserrín

Aserrín is a Dallas-based producer creating futuristic electronic funk through his label, Pan-Am Tracks, founded in 2023. Splitting his time between Dallas and Pereira, Colombia, Aserrín curates a global sound rooted in underground electronic music. The label showcases eclectic, unconventional releases with a focus on originality, cross-cultural collaboration, and a deep passion for the music.

Facebook: https://www.facebook.com/profile.php?id=61552199152735

Instagram: 
https://www.instagram.com/mattballenger/
https://www.instagram.com/panamtracks/

Bandcamp: https://pan-amtracks.bandcamp.com/
Youtube: https://www.youtube.com/@PanAmTracks

Soundcloud:
https://soundcloud.com/aserrin
https://soundcloud.com/pan-am-tracks

Linktree: https://linktr.ee/panamtracks

Tiktok: https://www.tiktok.com/@panamtracks

Tracklist: 

01. David Morley - Frozen [R&S]
02. Gravitational Effect - X-RAY Burst [Mechatronica]
03. Telesumo - Blakice [Bandcamp]
04. DVS NME - Buy, Borrow, Die [Bandcamp]
05. Konerytmi - Avanto [Science Cult]
06. Boris Divider - Rs-232 [Drivecom]
07. Mr Velcro Fastener - The Flock [Stars Music]
08. Ben Pest - Cancel Couture [Love Love Records]
09. Datawave - Nano Module [Talahachi]
10. Carl Finlow - Phalanx [Fanzine]
11. Das Muster - Fern Und Nah [Stilleben]
12. Aserrín - Probing The Ether [Science Cult]
13. ERP - Telenovela [Alien Communications Ltd]
14. Brice Kelly - Head Trash [Bandcamp]
15. Sean Kosa - Time Machine [Facecontrol Audio Industries]
16. Amper Clap - Message From Hell [Elektrodos]
17. Funktor - Critical Point [Abstract Rhythm]
18. Ole Mic Odd x Alonzo - Body Rocking [Zement]
19. DMX Krew - Cloud Ocean Part 2 [Curtis Electronix]
20. Dexter - Space Booty [Clone]
21. Cygnus - My Style (The Exaltics Alternate Remix - Digital Bonus) [Science Cult]
22. Underground Resistance - Detonate [Underground Resistance]
23. Syrte - Mechanical Matriarch [Science Cult]
24. Joe Drive - Drifting [Bass Agenda Recordings]
25. Drexciya - Black Sea (Aqualung Version) [Clone]
26. Fabio Vinuesa - Analog Activity [Distrito 91]
27. Not Insoluble - Aserrin - La Pregunta Final [Science Cult]
28. Aux 88 - Free Fall (Interlude) [Puzzlebox Records]

Science Cult Radio 049: Aserrín

Basicnoise - Welcome To Iconia 
Echoes From Iconia [SPCLNCHBLACK02 / spclnch]

Produced by Peter Fanai aka Basicnoise
Mastered by Pheek
Artwork by Thomas Carmody
Released by spclnch from The Hague, Netherlands
Release Date: September 25th, 2025
Format - Vinyl and Digital

Logbook. Exploration mission.

Day 1. The planet is dead. An anomaly is detected — the time flow is slightly distorted.

Day 2. Landed in the central crater. The clocks of our suits show different times from the clocks on the ship. The gap is increasing.

Day 4. Logs contain records of events that never happened. A report of tomorrow’s evacuation appeared in the system. No one wrote it.

Day 5. We found footprints leading from the landing site to the crater, identical to ours. The ship log was discovered nearby. Final entry: “Do not enter the crater.”

Log transmission terminated. The crew did not reestablish contact.

Basicnoise (Wiesbaden, Germany)
https://soundcloud.com/basicnoise
https://www.facebook.com/basicnoise
https://www.instagram.com/basicnoise_

spclnch
https://soundcloud.com/spclnch
https://www.facebook.com/spclnch
https://www.instagram.com/spclnch
https://spclnch.bandcamp.com

Oslated.
http://www.oslated.com

Echoes From Iconia

Welcome To Iconia

Support & Buy

Basicnoise - Welcome To Iconia [spclnch]

Iris EP

Iris (Nídia Remix)

Music By: @badbwoy-bmc & @chelsmosis
Mastered by: @Chefwamp
Art by: @Chefwamp

free

Badbwoy BMC & Chelsmosis - Dangerous

PACKBACK=THE DEAD ><  NADII=FRIENDZONE

Analogical Force welcomes back @moy for his third outing on the label. ‘Ghostware EP’ delivers four tracks that push his hybrid of braindance, acid and electro into bold new territory.

Side A opens with Kernel Panic, a pacy cut that flips between breakbeats and 4/4 drive, punctuated by TR727 whistles and percussion, before Megazone dives into chopped breaks, thick bass and a conversation between a 303 and FM-modulated 101. Together they form a high-energy pairing that refracts rave DNA into something sharper and more futuristic.

On the flip, the title track Ghostware goes widescreen with heavy bass, intricate breakbeat manipulations, the unmistakable Korg M1 piano and soaring melodic acid, all tied together by wistful pads and sudden reverbs. Voidwave closes the EP on a darker, twisted note, with slithering AFX Station basslines, constantly evolving acid, and breaks chopped into timing flips that constantly disorient the rhythm.

With Ghostware, MOY refines his sound while embracing new techniques and sharper contrasts. It’s his most progressive and fully realised work to date for Analogical Force, reaffirming both artist and label’s place at the forefront of modern braindance.
—
PREORDER 12" BLUE MARBLE VINYL + DIGITAL: https://tinyurl.com/4nmdvru8
—
A1   KERNEL PANIC                              05:13  
A2   MEGAZONE                                  04:18
B1   GHOSTWARE                                 05:26
B2   VOIDWAVE                                  04:35
—
C+P Analogical Force 2025. All rights reserved. 
Written and produced by Jonny Moy in Norwich / UK
Mastering by Carlos Koschitzky at Koschitzky Studio, Gijón
Design by Geometric Love, UK
Distributed by Clone, Rotterdam 
—
www.analogicalforce.com

Preorder Now

[AF064] MOY 'GHOSTWARE EP' [2025]

DE: Fruck – Verwundbarkeit

Von: Fracture + Fuck.

Ich hatte meine beste Freundin in Freiburg besucht, und wir sind wandern gegangen.

Wir kamen auf die Idee ein paar Foley-Sounds aufzunehmen (=Geräusche aus der Umwelt, die man für Tracks oder Sound-Design allgemein nutzen kann). Wir hatten ein kleines Arsenal an lustigen Gegenständen, mit denen wir die Geräusche recorded haben, unter anderem auch ein spezielles Gerät, welches sehr spannende Schwingungen erzeugt, die nicht nur die Ohrmuschel zum beben bringen sondern auch die Seele und den Körper. Die meisten Sounds die ihr hört sind unsere eigenen Aufnahmen, die lediglich mit Effekten bearbeitet wurden. So entstand die erste Version dieses Tracks.

Der Name Fruck ist durch einen Tippfehler entstanden. Sicherlich muss ich euch nicht erklären, wie er eigentlich heißen sollte. Die ersten Versionen waren deutlich mehr „In-Your-Face“, doch dann gefiel mir die erste Sektion nicht mehr so ganz, und ich ließ das Projekt ruhen – bis ich eines Tages die gesamte Struktur des Songs verändert habe. Nicht nur hatte ich ein paar heftige Schicksalsschläge erlitten, sondern war das Jahr 2025 allgemein auch sehr herausfordernd, voller Veränderungen und Umbrüche. Also tat ich das Einzige, was mir half, um mit meinen Emotionen klarzukommen: Ich schrieb Musik und machte aus dem einstigen „In-Your-Face“-Track eine Sound-Design-Story.

Womit ich schon immer zu kämpfen hatte, ist Perfektionismus. Er hindert mich in vielerlei Hinsicht daran, simple Songs zu kreieren geschweige denn diese zu veröffentlichen. Dieser Track ist ein Paradebeispiel dafür: Ein endloses Rennen gegen mich selbst, bei dem ich immer wieder dachte, dass er nicht gut genug sei und ich hier und da noch etwas verändern müsste, anstatt ihn einfach in seiner Vollkommenheit ruhen zu lassen.

Deshalb habe ich mich entschlossen, diesen Track und sein Gegenstück "Don't need a harmony" nächste Woche zu releasen, als Zeichen meines Vertrauens zu mir selbst und meiner musikalischen Vision.

EN: Fruck – Vulnerability

From: Fracture + Fuck.

I visited my best friend in Freiburg, and we went hiking.

We came up with the idea of recording some Foley sounds (noises from the environment that can be used for tracks or sound design in general). We had a small arsenal of funny objects that we used to record these sounds — among them a special device that created fascinating vibrations, not only resonating in your ears but also deep within your body and soul. Most of the sounds you hear are our own recordings, only processed with a few effects. That’s how the first version of this track came to life.

The name Fruck came from a typo. I’m sure I don’t need to explain what it was originally supposed to be called. The first versions were much more “in your face,” but at some point, I didn’t like the first section anymore and decided to let the project rest — until one day I completely restructured the song. Not only had I gone through some tough personal challenges, but the year 2025 itself was also very intense, full of changes and transformation. So I did the only thing I knew to cope with my emotions: I wrote music and turned what was once an “in-your-face” track into a sound design story.

Something I’ve always struggled with is perfectionism. It often stops me from creating simple songs, let alone releasing them. This track is a perfect example of that — an endless race against myself, constantly thinking it wasn’t good enough and that I needed to tweak things here and there, instead of simply letting it rest in its own completeness.

That’s why I decided to release this track and its counterpart Don’t Need a Harmony next week as a symbol of trust in myself and my musical vision.

Free DL

Fruck


M Salaciak’s Unit Cell EP channels the sounds of buzzing electronics into a pulsing framework of techno and warehouse rhythms.

Written & Recorded by Matthew Salaciak
Mixed, Mastered & Additional Production by Francis Latreille
Artwork & Design by Jesse Osborne-Lanthier

Distributed by Rubadub

TMPL010: M salaciak Unit Cell EP

Foreign is the pseudonym used by Miguel Vázquez to play sets of IDM and Braindance sounds, combining the smoothness and efficiency of transparent melodies with abstract landscapes and dense atmospheres loaded with complex polyrhythmic structures.

In mid-2001, Miguel began working at the well-known record shop Recycled Music Center in Madrid, run by DJ Yke. This period lasted several years and provided him with a remarkable learning experience in all styles of electronic music.

Throughout these years Foreign has played in the events of Hard Taste and in clubs like NAO, Dub Club, Specka, Graffiti, Shagü Club and many more. 

He also recorded several podcasts for different record labels like Sin Hilo, Gladio Operations, Zanderhythm, Archaic as well as web platforms like Hyonotic Groove, INDEX and Strange But Dance Music.

In 2022 he created his own label, Mutoscope Records, mostly oriented to IDM and Braindance.

--------------------------------
Socials:

Instagram:
- https://www.instagram.com/mutoscope_records/

Soundcloud:
- https://soundcloud.com/miguel-foreign
- https://soundcloud.com/mutoscope-records

--------------------------------
Further information:

Bandcamp:
- https://mutoscoperecords.bandcamp.com/

--------------------------------

Tracklist: 

01 Squarephuser - 8 Bit Mix #1  [WARP]			
02 Brainwaltzera - Tracing Rays [Reality Glo]  [FILM]
03 Promising/Youngster - Frozen  [ANALOGICAL FORCE]
04 Innershades - Homage  [CLONE JACK FOR DAZE]
05 MOY - Cyg X-1  [ANALOGICAL FORCE]
06 Promising/Youngster - Arbey  [ADEPTA EDITIONS]
07 UHF - The Threat Of Machines  [GLADIO OPERATIONS]
08 RTR - Divag  [WÉMÈ]
09 Autechre - Crystel  [WARP]
10 D-Breeze - Crazy For Love (Autechre Remix)  [SKAM]
11 RTR - Refletch A  [WÉMÈ]
12 Ruby My Dear - Pnt2  [ANALOGICAL FORCE]
13 Envmod - Ghudus End  [MINDCOLORMUSIC]
14 Recue - Ciotach  [ANALOGICAL FORCE]
15 Qeta - Enn  [FURTHUR ELECTRONIX]
16 James Shinra - Miluv  [ANALOGICAL FORCE]		
17 Fasme & Alder - Des Oiseaux Et Des Machines  [ACID AVENGERS]

Addicted-2-Bass / Episode 141 / Foreign / 05.10.2025

BRISTOL,United Kingdom, Monday, August 18th, 2025—A multifaceted artist with a formal and lifelong training in jazz and electronic music, ZOiD (Daniel Jacobson), launches his seventh album Industrial Wind Quartet in collaboration with Cassiopeia Wind Quintet through his label Zoitrax, with twelve tracks available digitally through all streaming platforms including Bandcamp and limited edition vinyl starting on November 7th, 2025.

Industrial Wind Quartet is home to twelve tracks, with nine original pieces composed and arranged by ZOiD in collaboration with Ireland’s finest wind musicians from Cassiopeia Wind Quintet.

Four of the five talented members performed for the album: Deirdre O'Leary on clarinet and bass clarinet, John Hearne on bassoon, Cormac Ó hAodáin on French horn and Catriona Ryan on flute. Future live shows will also feature the Quintet's oboe player, Matthew Manning.

The album is rounded out by three remixes from some of the best techno and IDM producers: μ-Ziq (Mike Paradinas), EOMAC (Ian McDonnell) and Dan Curtin, each adding their own creative spin.
 
 ZOiD
Soundcloud: https://soundcloud.com/z_o_i_d
Instagram: https://www.instagram.com/zoid999/

μ-Ziq
Soundcloud: https://soundcloud.com/mikep
Instagram: https://www.instagram.com/mikeparadinas/

Zoitrax
Soundcloud: https://soundcloud.com/z_o_i_d
Instagram: https://www.instagram.com/zoitrax/

PREMIERE: ZOiD - Day Eight (Mu-Ziq remix) (Zoitrax)

PREMIERE COMME DES LARMES – CDL

PREMIERE CDL || Anna Funk Damage - Trasmissione |Raw Culture| 2025

Artist » Anna Funk Damage - https://soundcloud.com/afunkdamage

Ep Name »  Tarantola - RWCLTR029

Label » Raw Culture - https://soundcloud.com/raw-culture-recordings

Rome, Italy

Format: VINYL ONLY RELEASE 300 COPIES ONLY 

Release date: November 03, 2025

💲BUY HERE 💲 >>>  https://rawculture.bandcamp.com/album/tarantola

Hailing from Raw Culture, Anna Funk Damage returns with his third release on the Roman label, delivering a record as fierce as it is intimate. Tarantola was born out of a winter suspended between contrasting emotions – melancholy, anger, love, confusion – distilled into a sound that transforms personal fragility into collective energy. There’s no pursuit of perfection here, but rather an urgency running through the veins, taking shape across supersonic punk, wave, ambient and industrial.

Each track is an emotional fragment, a bite that leaves its mark: from the electric tension of Vivere Distaccati to the feverish rush of Trasmissione, from the rawness of Decadente to the hypnotic title track Tarantola, which embodies the beating heart of the album. 

Side B unfolds into more nocturnal and intimate landscapes, from Chiang Mai to the disenchanted sincerity of Lavoro Troppo, closing with a party that carries the bittersweet taste of reality.

Tarantola is a journey into the chaos of human emotions, an album that doesn’t just narrate but pulls you deep into its sonic labyrinth, giving noise back its vulnerable yet powerful soul.

All tracks written and produced by Andrea Natale.
Thanks to my boy Giova for believing and trusting my ideas. And also wanna thank those who indirectly influenced me in some way, like Oreste, Fabio Sechzig, Sandra Mason, my incredibile family. Last but not least Ian Curtis, Swans and Dead Kennedys.

Artwork by crshartwrk
Mastered at Sensorium
RWCLTR029. Raw Culture, Rome, 2025. 

Follow us:

• https://linktr.ee/commedeslarmes

Art/Designer CDL by Rennst

• https://soundcloud.com/RENNST
• https://www.instagram.com/_rennst_

#premiere
#cdl
#acid
#house
#coldwave
#world
#leftfield
#techno
#synth
#commedeslarmes
#brokenbeat
#heavyjazz
#krautrock
#annafunkdamage
#ebm
#electronicmusic
#postpunk
#industrial
#experimental
#rawculture
#rome
#italy
#newwave
#vinyl
#80s
#electronicmusic
#idm

Tarantola

PREMIERE CDL || Anna Funk Damage - Trasmissione |Raw Culture| 2025

💲 BUY VINYL 💲

For mix, premiere and booking enquiries, please contact us at hypnoticgrooveuk@gmail.com

Scottish based club night & mix series created by https://soundcloud.com/johnnywilson1980 & https://soundcloud.com/andrea-gilbert-mac , showcasing great DJ's and artists from Scotland and around the world.


If you want to get in touch about anything, please contact us via mail, Thanks.

PREMIERE: ZOiD - Day Eight (Mu-Ziq remix) (Zoitrax)

Hypnotic Groove

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