Great idea the low arpegiator seq, you provided good low bottom to tame the harshness of the ice cube's high end, great track.

fantastic mix between bass and flying objects and cubes

Wow, low pitch, gross thick LFO oscillating bass

New Year's Dissolution

I'm a big fan of the EMS Synthi and was surprised to see the ipad app for the iVCS3. This thing is lovely - Was not expecting how many sounds and how richly "analog" this app sounds and behaves. Recorded over the weekend, adding a moment here and there, until about ten minutes were put together. 

All sounds generated from within the iVCS3, played through a midi controller to a digital 8-track. Processed with Moog mf104 delay near the ending half.

Ten Minutes with the iVCS3

Performed and Written by Roslyn Moore for Borderline Musick

A Venus Suicides Creation 

Lyrics 

I wanna die tonight with Jonathan 
smoke a bowl and sail away
get a bunch of shit food at the gas station
and like young gods sail away

I wanna sing the blues to Jonathan
I don't have shit else to say
pretty little lover make me happy now
and like a hero light the way

even when you're bad, you're good
treat me rough like you know you should
even when you're bad, you're good
treat me mean like you know you could
even when you're bad, you're good
treat me rough like you know you should
even when you're bad, you're good
make me cry like you know you could

then bring me
red, red roses
bring me red, red roses
bring me red, red, red roses
bring me red, red roses

I wanna die tonight with Jonathan
when he leaves for the night
wear his favorite perfume, have a drink or two
waiting 'til the morning light

even when you're bad, you're good
treat me rough like you know you should
even when you're bad, you're good
treat me mean like you know you could
even when you're bad, you're good
treat me rough like you know you should
even when you're bad, you're good
make me cry like you know you could

then bring me
red, red roses
bring me red, red roses
bring me red, red, red roses
bring me red, red roses

no matter what you do
I'll just continue loving you
because whenever I need you
all I have to do is call

even when you're bad, you're good
treat me rough like you know you should
even when you're bad, you're good
treat me mean like you know you could
even when you're bad, you're good
treat me rough like you know you should
even when you're bad, you're good
make me cry like you know you should

then bring me
red, red roses
bring me red, red roses
bring me red, red, red roses
bring me red, red roses

Hazy

Red Roses

Follow Me

2econd Skin - Nebula

I'm really grateful and proud to have made this song with you. thank you so much steph. 
song by steph and marco.
steph: lyrics, vocals, piano, mix, mastering, magic. [@steph-sweet]
marco: guitar, bass, keyboard (mellotron/cello sound) analogue drum machine, mix. [@drunkeninstrument]

White Dwarfs And Red Giants

I can feel your heart beat when you put your hand on mine.
I can feel my hand shake, giddy and frenetic tide.
I have built my fine, strong walls, protecting me and mine.
Cut-throat in the rose-thorns, gold sickles on the vines.

You can feel my heart beat when you press your mouth to mine.
Red giants and white dwarves implode in free-fall time.
I say you can’t come in.
You laugh and smile that smile.
You and your crooked smile that drives all the girls wild.

Stood there like a worldly knight, to say you’ll wait for me.
But I try hard to resist, no more dishonesty,
Easy broken promises and practised casual charm.
But just who am I kidding?
Not you and your crooked smile.

White dwarfs and red giants
White dwarfs and red giants

I can feel your heart beat when you put your hand on mine.
I can feel my heart beat when you press your mouth to mine.
Red giants and white dwarves implode in free-fall time.
I can feel my heart beat when you put your hand on mine.
You can feel my heart beat when you press your mouth to mine.
White dwarves and red giants.
White dwarves and red giants.

White Dwarfs And Red Giants by steph sweet and drunkeninstrumentcorporation

Thirteenth song from the free album "WESEN"
music: Tonchirurgie; voice and lyrics: Prof. Dr. Morpheus
video: https://www.youtube.com/watch?v=9wPAtfh-LLI
forever darkness, forever missing you, for ever lonely winds blowing in my soul ...
Bye 2016!

Many people left this world in 2016.
This sad song is dedicated to all of them!
But we are are also looking forward and wish you a wonderful 2017! <3

Team Tonchirurgie

Abschied!
Von einem Jahr und von Menschen, die diese Welt verlassen haben. Privat und prominent - sehr viele auch aus unserem Umfeld.
Wir haben allen dieses Lied gewidmet.
Wir schauen aber auch nach vorn und wünschen allen Freunden auf diesem Weg ein gesundes, glückliches 2017! <3

Team Tonchirurgie

Wesen

TONCHIRURGIE - YOU

My Music Videos - https://www.youtube.com/channel/UCc_iQ5JFusPt9EIwKIZ5rew
Glatteis Knochen(disquiet0262)
Tired of the cold. Tired of winter. Made some recordings but couldn’t get interested. Tried chopping up the recording, didn’t like that either. Instead left the recording whole with 3 different glasses, cube drops and swirls. Made 8 instances in Cubasis with staggered starts and staggered panning left to right. Then bounced and started playing with speed, then it got darker and I went downhill from there. Lots of bounces and freezing ended up at a barely recognizable cube sound but cold and dark nonetheless. Added an Animoog patch and messed with the low end. Not great but fitting of my inner winter demon.

More on this 262nd weekly Disquiet Junto project — “Ice Code: Record the sound of ice in a glass and make something of it”:
http://disquiet.com/0262/
More on the Disquiet Junto at:
http://disquiet.com/junto/
Subscribe to project announcements here:
http://tinyletter.com/disquiet-junto/
Project discussion takes place on llllllll.co:
llllllll.co/t/ice-music-years-first-project-disquiet-junto-0262/5990
There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Season of our Disquiet

Glatteis Knochen(disquiet0262)

All source sound in this small (and experimental) piece is from "leftover" eurorack modules - conforming to the few kinds, that this weeks challenge from the Disquiet Junto, #381, allows. 

The sequence/sound has then been imported into ableton and MANGLED like crazy - and a few drums then added...

More on this 381st weekly Disquiet Junto project — Shared System / The Assignment: make music using a free software synth assembled by Scanner — at:

https://disquiet.com/0381/ 

More on the Disquiet Junto at:

https://disquiet.com/junto/

disquiet0381 - short con/fused

Disquiet tempted me, and lured me away from the blessed hilltops of analogue signal flow, down into the unholy valley of virtual modular instrumentation. This exercise in wretched debauchery began with almost an hour of confusion and frustration, untilled I finally discovered how these cursed devices operate.

Joking aside. I do like what some digital modular can do, but good gravy is it unintuitive. I am planning on finding a way to add some virtual tools to my tangible rack someday, but this won't be it. I found the setup strange and restrictive.

Oh well. I can't say I didn't try.

Heathen Offering [disquiet0381]

https://llllllll.co/t/disquiet-junto-project-0383-interstellar-ambience/22125/9?u=eptc

The Orbiting Space Station's Daily Routine (Disquiet0383)

I figure it might be kind of noisy in a typical spacecraft apartment--noise abatement = weight and cost. The apartment depicted here is in the cheap part of the spacecraft--buried deep in a warren of vents, pipes and driveshafts. But it's cozy and the price is right!

The ambience here comes from:

--5 separate noise generators, each run through a low-pass filter featuring a different cutoff frequency and modulated at a different rate by a LFO. The high-frequency filters used fast modulation (up to 10 hz) while the lower ones were low (down to 0.001 hz!). 
-a 'struck bar' generator (randomly chosen preset)
-a 'shaker' generator (randomly chosen preset)
-background sounds; I ran the microphone through a 10-second delay and reverb

except for the background sound (which is always on), everything is triggered at random for random lengths, with a bit of randomness in stereo panning, reverb and volume. The background sound is pretty random too; I stuck the laptop in the basement and went about doing housework and so on. My only interventions: at one point I played a Nixon speech on my phone, and then played "Also Sprach Zarathustra" by the Portsmouth Sinfonia (a wink to "2001" ). 

I ran the main bit for 30 minutes but in principle it could run any arbitrary length (in the main loop in the code change "30::minute" to "1::week" or "1000::weeks" as you wish).

It gets quite loud at points and very soft at others. I didn't do any post-processing; I don't know how Ableton would deal with a file this length.

If I had world and time I'd probably think of some correlation structure for the noises (human behavior tends to be positively autocorrelated at short horizons, I suppose) and add some 60 cycle hum.  

here's the code:

https://github.com/charliekramer/ChucK/blob/master/disquiet0383.ck

More on this 383rd weekly Disquiet Junto project — Interstellar Ambience / The Assignment: Record the sound of an apartment in a large interstellar ship — at:

https://disquiet.com/0383/ 2

More on the Disquiet Junto at:

https://disquiet.com/junto/ 3

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0383-interstellar-ambience/ 1

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet 1 for Slack inclusion.

Disquiet0383 Interstellar Ambience

sorry ive been gone so long, new ep coming very soon.

forgetting you

DREAMWORLD EP. Samples from final fantasy, Super Mario Bros. 3, and Demon Blue

dream

gold

victory!

Dark, Electronic, Ambient, Experimental, Retro, Post and Drone.
HypoidSound@YouTube

Glatteis Knochen(disquiet0262)

Hypoid

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