https://questionmarqdj.bandcamp.com/album/floorfiller-exclamat-onmark
linktr.ee/questionmarq
image by openart.ai

Buy on Bandcamp

Floorfiller

Producer / Composer - Praktikal (Mateja Malinovic) & SZCH (Filip Scekic) for the remix
Master - Varboska (Kristian Bagaric)

Stuff

Stuff (SZCH Remix)

Stuff (SZCH REMIX)

Amand - Nikscall

YOZY - monsters

Todo Se Puede

2025-11-03 (2)

https://soundcloud.com/hellolemo
https://soundcloud.com/krizzli

As we enter into the 2018th Sequence of the modern earth time, so too does the Nostro Hood System advance forward, the system itself generating a gravitational pull marginally similar to that of the solar system nestled against it. Within the vast confines of the Nostro Hood, a vessel floats proudly – a beacon for the myriad of living spheres that surround it from every angle. The Waystation; a point of congregation for unimaginable beings who seek refuge, resources or even knowledge regarding the various species that occupy nearby worlds. 

At this time, at the beginning of a new year, the vessel lends its halls to the beings of the Nostro Hood. A celebration to the glowing star that lights the terrain for so many beings as it ages yet another lifetime. Providing the aural selections for this momentous occasion are ten artists, each hailing from their own homeworld, each offering a piece of auditory culture to represent the people of their planet. This multicultural experience truly defines the nature of the Nostro Hood – a celebration of difference both sonically and culturally.

Mastered by Cyrcular Mastering
Artwork by Azul De Monte

Waystation Compilation: Sequence I

Lemonick & Krizzli - Nammi

thank you @factmag | Best tracks of 2019 & best house & techno of 2019 :) 
https://www.factmag.com/2019/12/10/the-best-tracks-of-2019/
https://www.factmag.com/2019/12/16/best-house-techno-2019/

'(...)Suddenly, the ground opens up and you plunge into a gigantic underground cavern, finding yourself in the midst of the gnarliest rave you’ve ever had the sordid pleasure of attending. That is ‘MONOLITH’: a Carrollian bellyflop into the inky black k-hole of Quest?onmarc’s take-no-prisoners approach to fucking up the club.' HBJ

out to Unter fam & Kip Davis for the inspiration! \m/ x

questionmarcdj@gmail.com
upcoming dates: www.residentadvisor.net/dj/questonmarc/dates

https://linktr.ee/questionmarcdj
follow me on bandcamp, instagram and soundcloud
for new music, news and tracklists x

Download

MONOLITH - quest?onmarq

Artist: Xiao Quan
Title: Connection
Mix & Master: Xiao Quan
Artwork: Gabriel Massan
Label: FunctionLab & Indieworks

The name Xiao Quan sparks a question mark and confuses tons of listeners. His nationality, cultural background and behaviour are topics that everyone who knows him for the first time want to talk about. Those are also the themes he is more than happy to play with in his music. In fact, he has lived in Shenzhen, China for two years, when Oil Club wasn‘t even open.

Cultural symbols from Asia and Africa have appeared more and more frequently in world’s art scenes in recent years, although the status of self-consumption in content and consumption by the Western world is still unchangeable in a short time. As a producer from São Paulo, Xiao Quan’s "Connection" EP uses a generalized and concrete way to create cultural symbols as he operates them and make them sound normal and casual, which is impossible for many original creators of culture, especially in mainland China, which is almost derailed from its tradition now. Xiao Quan is just like us (Chinese people and producers), absorbing and using a large amount of information from around the world.

"Connection" EP is undoubtedly based on the Xiao Quan-style black humor, and the connection with the Asian and African culture he deeply loves. Unlike in the past, he really participated as a member of Asian culture through FunctionLab this time. From the first sound of "Rolling Barrel”, like the sound of a dragon coming out of the fog, drums from Asia and Africa came through and wore it to the end, warm and obscure. Does the rough Chinese vocal sample appearing in the track puzzle you? This is the voice that Xiao Quan doesn't understand very much but crazy in love with. The fun is self-evident. As for elaborate arrangements and superb production techniques, these have never been the case for Xiao Quan.

Welcome to the wild and lovely dancing world of Xiao Quan.

5 Xiao Quan - Comora In Check

Haunter Records is proud to present Left My Brain @ Can Paixano (La Xampanyeria) OST. A project five years in the making, dotted by contributions from dear friends Asaël Robitaille, v1984 and Marie Davidson; it is Osborne-Lanthier’s most ambitious work to date and, in many ways, an elegiac record. Largely composed and produced in the shadow of his mother’s passing, it also contains an another sort of elegy: to a infamous Barcelona restaurant that functioned as a daily stop for Osborne-Lanthier during a stay in Catalunya. It was in the midst of  that trip that he started adding sardonic, deranged experiments to his then-overtly serious, academic work. After his mother’s passing in 2016, nostalgia drove him to revisit a body of old recordings where he discovered something new: the sarcasm, self-effacing humour and proficient technicality he’d found so funny originally was now just a mask for insecurity and sadness. He set out to rework those recordings, reprocessing them over and over until their structures completely changed, until they’d gained such texture and depth they were no longer recognizable.
 
The music’s journey construes a multi-layered story, one only he can tell. The record smacks with a wet nostalgia that soaks into the concrete dryness of Osborne-Lanthier’s sound design, maintains a taste for intensity as a tool for immersive engagement. There’s a widescreen romanticism to these compositions, reminiscent of a vivid dream: the tracks are tactile and elastic, morphing rapidly from uncanny-valley EDM tropes to vast, sweeping expanses of sincere choral synths. Osborne-Lanthier sees the album as something of a concept cemetery; an overgrown plot that slowly filled to the brim with dead ideas; a mycelial network of thoughts and plans that never came true. The fruiting body of a fungus born from the nutrients of dead plants: an opus born from trash. 
 
For all of its absurd alien beauty, this is as much a record about being a musician as it is a record about making fun of music: as much an expert-level exploration of technical chops as it is an assault on the stupidity of technicality. Beautiful film-like ambient passages flow directly into weapons-grade riffs, fluid whirlpools drain into chattering synths and shrieking frequency envelopes. Ugliness and immaturity are not only preserved but elevated. The result is Osborne-Lanthier’s most finely-honed record to date — a reflection of what it is to be human: divinely uncategorizable.

Composed between 2015 and 2020 in Montreal, New York, Paris, Berlin, Barcelona, Milan, Tokyo, Stockholm, Osaka and Shanghai by Jesse Osborne-Lanthier.
Produced in Montreal by Jesse Osborne-Lanthier.
Additional production and arrangement assistance by Asaël Robitaille.
Mastered by Heba Kadry.
Design, layout and additional art by Jesse Osborne-Lanthier.
Art installation and photographs by Adrian Altman, courtesy of the artist.

Cat. No. SPCTR015/PTTDIABL001 – All rights reserved.
℗ & © Haunter Records 2020

Left My Brain @ Can Paixano (La Xampanyeria) OST

Catchment Areas (Spiritual Pollution)

Jesse Osborne-Lanthier - Catchment Areas (Spiritual Pollution)

Free DL

DUCKY - Work (Casual Look Remix)

all of one, one of all 
🌀 ?'s: questionmarqdj@gmail.com