Hardware Demos

from the Important Records release, Forse 1. Available on limited edition vinyl at www.importantrecords.com

Sera

no gates from any sequencers.  Just a clock that's multiplied with a Model 28, divided and rotated by the 4ms Clock Divider, some gate logic, and two more ASys dividers, and a bunch of envelopes modulating and oscillators and LPGs.



4ms Rotating Clock Divider Test

For Wetterberg. All trigger sequencing done by the 4ms Rotating Clock Divider.



About a quater of the way through I change the autorepeats a few times (courtesy of my homegrown expander). When it gets a little weirder (about 2/3 in) that's when I'm sending CVs to rotate the clock.



9 envelopes, 4 oscillators (6 if you count the HD twice), 5 LPGs. and an effects send. All timed from the 4ms module.



4ms Rotating Clock Divider Only Sequence

Had an insightful Skype tutorial session on the 256e with Leo Espejo! Afterwards I tweaked the fun patch that we had discovered into this little beat exploration.  Pulses and CVs coming from 281e and Mod Osc processed through two channels of the 256e then feed into the 261e and 292e.

256e Beat Play



Made this the same hour I plugged it in.

XY Out and ZOut are always panning in opposite directions. Quadrature LFO modulates Morph X, Y, Z and panning.&nbsp; E350 recorded straight in, unfiltered. no VCAs.


1st run test patch to see what it sounds like.



Synthesis Technologies E350 1st Patch

E350 and Model15/Miniwave through LPGs doing the percussion thing. Slight reverb added in Live.



E350 vs miniwave

The first few seconds of audio to emerge from Brian Kehew's 1979 Crumar GDS after awakening for the first time during restoration of this extremely rare groundbreaking early digital synthesizer.    The GDS was extensively used by Wendy Carlos in the production of the soundtrack for the film Tron.

Composition & Recording Copyright D.A.Wilson, Hideaway Studio.

1979 General Development System: Brian's GDS Awakens

Buchla Market

Prototype osc unfiltered sine/saw, unfiltered sine/squ bass kick (250e pulse to osc input), and 266e+291e noise (snare).

Heavy Bass Beat

259e and 292e

12 minutes of cool Buchla rhythmic stuff.  Recorded live--just tweaking as it goes, one pass.

Cool Rhythm Thing

Noise, maths, woggle, and a cyclotron used to make the audio.  Noisering, Woggle, Heisenberg and 149 used to sequence. Model 10 in LFO mode cycles just over 3 times making the different parts.

Alternative Oscillator Noodle

Electronic Experimental Music and Sound
Modular synthesis and programming by IBDK.

4ms Rotating Clock Divider Test

ibdk

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