A sack of percussion synthesis.200e, Monomachine does some effects, Machinedrum plays hats and the more repetitive drum parts. All 1 take, including most effects, touch of additional reverb in Logic.


Saachel

H O R U S 9 is an electronic music producer and DJ from beyond the Omega Point. I am known for producing music in various sub-genres of electronic dance music, including house, techno, drum & bass and garage. H O R U S 9 has also dappled in vaporwave, ambient, soundscapes, synth wave and other more obscure genres like witch house.

www.speedy9.com

Hi, this is profile for my side project.


BLEACH CULT is the musical nom de plume of Vytis Puronas, singer-songwriter and film sound designer, formerly one half of lo-fi synthpop outfit Soy Farm. His music is very textural and direct, with a genre-bending approach that explores post-punk aesthetics, minimal wave soundscapes and intriguing hooks with a pleasantly retro vibe.

BLEACH CULT is all about raw imperfections and beautiful spontaneity, captured live on analog modular synthesizers, often relying on single takes and instinctive executions of tracks that leave little to no room for extensive tweaking and post-processing. Quite interestingly, Bleach Cult’s music is hard to categorize under the umbrella of a single genre. Instead, Puronas creates a distinct noirish tone, which borrows from influences as diverse as post-punk, minimal wave, techno and even pre-war blues and 60s rockabilly, just to mention a few.

Contact:
the@bleachcult.com

Instagram:
www.instagram.com/bleach_cult/

look inside: 808 LIFE &  BASS RECORDS >>>ETC.<<<<

IF you would like to DOWNLOAD any TRACKS OR PROMOS 
please be sure to Send Me Your Email>>>>

THANXX 4 DA SUPPORT....

Remixes &amp; Original Productions
BOOKING INFO: Randjital@gmail.com   &
maxxwatts909@icloud.com

Electronic Experimental Music and Sound
Modular synthesis and programming by IBDK.

When the veil of perception thins, the unreal seeps in.
Sound becomes fracture. Time loses structure.
There is no intent, only resonance.
No creator, only presence.
No truth, only the dream.

Notzing is an ongoing exploration of altered perception through sound. Dense drones, structural minimalism, and time-stretched loops converge to dissolve linearity and summon trance.

Influenced by oneiricism and surrealism, Notzing navigates the unconscious through sonic language — sculpting frequencies, bending time, displacing space. Modular synthesis, feedback chains, and processed textures act not as instruments but as conduits for dreamlike experience.

It is a ritual practice in cycles: sonic, thematic, subconscious. There is no final form — only recurrences, echoes, and the slow drift toward the unreal.

Saachel

ibdk