Disco House

Glamour Hammer is the nom de plum of Swedish-based producer, songwriter and vocalist Adam Jonsson. In the comfort of his home studio, Glamour Hammer swings back and forth between creating dance-oriented disco house and jazz-infused dream pop with a sense of escapism and tongue-in-cheek attitude while always aspiring for a sense of timelessness and analogue feel. Drawing inspiration from a multitude of genres the most influential are 1970s-80s Funk, Disco, boggie, Classic rock, Latin rhythms and Afropop. Recent singles has got support from the likes of Dancing Astronaut, thissongissick.com and many more, and has really started the lounge packed nu-disco world to take notice of his arrival to the party. 

The recording features fellow ICEA-artist Anthony Mills other moniker; his rap alias Toni Sauna. Born and raised in the ”rubber city” Akron Ohio. From here the culture vessels pumped both national and international vibes reputation. This combined with 17 years repping NYC renders Toni’s grit /goon level vibration. The time thru the 90’s forged his ”golden era ” insensitivity. Sauna currently unrests in Stockholm, Sweden as a brand new Swede.  Mr. Sauna earned his signature name from inside public sauna Hermanni in Helsinki, Finland . The combination of street cred, lyricism, and personality is undeniable. Off rip. Likened to an apex predator Toni Sauna bars devour tracks with delicate precision completely harnessing his non-threatening anti- testosterone voice. 

This release comes with two remixes. 

French electronic disco mastermind YUKSEK has created a remix that takes the original in irresistible, bouncy Modern-Disco territory. Earlier this year the original version and the Yuksek remix of 'Is It True' was part of the compilation Too Slow To Disco presents: Modern Daytime Disco released by City Slang (non-exclusive license) alongside ie. Kraak & Smaak, Poolside, Prep, Yuksek, Luxxury.

The latest addition is the brand new remix from MVRE who blurs the line between EDM and pop music, bringing together fresh beats, catchy melodies and crisp, bass heavy production in a tight mix. Since debuting in 2018, the Swedish producer have been releasing music that has consistently landed on international New Music Friday lists, has streams in the millions and counting and have been compared to the likes of Zedd and The Chainsmokers. 

Glamour Hammer - Is It True feat. Toni Sauna is released May 14 via Icons Creating Evil Art

G L A M O U R _ H A M M E R
Facebook: https://www.facebook.com/GlamourHammerOfficial
Instagram: https://www.instagram.com/glamourhammer_official/
Spotify: https://open.spotify.com/artist/7s4dnXFDZnMa8UfOKX5I4S
Soundcloud:  https://soundcloud.com/glamourhammer-music

Glamour Hammer - Is It True EP (feat. Toni Sauna) (incl. remixes from Yuksek and MVRE)

Dance

let's go by DAY

My Shazam Tracks

Hed Kandi: Serve Chilled Summer (2021)

Weeknight

Shake (feat. Alex Greenwald)

Shake (feat. Alex Greenwald) (Breakbot Remix)

I first met @sglewis during a 3 day studio trip to London on December 2017, the nicest dude to hang out and work with. We had a connection from before obviously with the remix I did for him that I’m still super proud of.

We worked on a few beats at his place, mixed genres, and ended up releasing a dreamy funk track called 'Tides' on his 'Dusk' EP in 2018.

When I started working on the Daybreak EP it knew I wanted to make music with someone as nice and talented as him again. We spent an afternoon listening to demos and jamming at his London studio and I came home with a 1 minute bounce and these haunting chords.

After a while, and the magic of @maxrbaby for the bass, 'Crossing Paths' was there. It’s a club track with the organic feel I think we both look for in music. So happy to have this one out with you bro !

Full visualizer by @ffi0oul , always on point, available now on @rochemusique YouTube

Buy / Stream

Kartell - Crossing Paths Feat. SG Lewis

Buy/Stream

Is It True (feat Toni Sauna) (MVRE Remix)

Is It True (Yuksek Remix)

Is It True (feat Toni Sauna)

FACEBOOK : www.facebook.com/claptone.official
TWITTER : twitter.com/Claptone_

We are back in 2013.
Beginning of 2012 a new name appeared on the international dancefloor: CLAPTONE (artist of the year 2012 in German Trendcharts DCC).
The track ‘CREAM’ became the worldwide Top Track (No.2) of Beatport in the category Deep House and was among the Top 10 of the most charted tracks for 2012 on Resident Advisor.
The new year brings 2 more surehots for the clubs: WRONG & NO EYES featuring JAW from dOP.
Early support by Tensnake, Solomun, Noir, Laurent Garnier, DJ T…

In a now long forgotten world, many generations ago, a bird like shape emerged from wooded darkness, floating and fluttering, drifting and dreaming. Backlit by a bright glow of iridescent light, the undecipherable form wore a dazzling golden mask. Its long beak swooped down like an inverted horn and since then, people have referred to the mythical being simply as Claptone.
Years spending wandering medieval landscapes have informed Claptone’s view of the world, experiencing both magical mystery and muted melancholy he enchanted onlookers with occult instruments and beguiling sounds. Forever surrounded by a sense of intrigue, the world soon cottoned on to the elusive yet enchanting musical powers of this otherworldly beast. The results are that today his shamanistic sonic powers take him all around the world.
Whilst Claptone has continued to roam in his own circles, 2012AD proved to be a year dominated by his infectious ‘Cream’ track. It became an immediate hit, topping new world charts at Beatport and RA, whilst the sonic conjuring of the ‘Night On Fire’ EP also lured all those who heard it, with the result another Top 20 hit. But that’s not all, for the creativity flows freely in our hero, and his ‘Another Night’ also proved to be just as successful on the dancefloor. Deep and woozy, the Claptone sound pairs theatre with tragedy, feel good vibes with acute melancholia and imbues each groove with a Rhodes laced funk, an organic string hook and myriad earthy elements.
Up to the present day, Claptone releases have been birthed on Germany’s influential Exploited label, picking up props from the likes of Pete Tong, DJ Sneak, Soul Clap, DJ Hell, Jesse Rose, A-Trak along the way. Who or whatever Claptone is, it is alive, with a life of its own, evolving and revolving in equal measure, exploring new sounds naturally and forever taking inspiration from long gone and occult worlds.
So far, esteemed and influential dancefloors at clubs in Berlin, London, Paris, Melbourne, Shanghai, New York and many others around the world have fallen under the sonic spell of this secretive alchemist. The future is unpredictable for Claptone, but a new release ‘Wrong’ including the track ‘No Eyes’ with the inimitable JAW from French funsters dOP is on the horizon. Beyond that, your guess is as good as ours…

Some early feedbacks:

DJ-Mag: Part transcendental house, part pop. Lush!

Tensnake: Two tracks that will sure fill the dancefloors. Great piano/strings breakdown always work in a club.

Noir: Both tracks are good. Claptone keep the quality high.

Round Table Knights: Bang Bang!!! No Eyes is sooo good! Claptone as always on fire!!!

Ralf Kollmann: Wow! Mutig, aber spielbar und wird funken. Hot! Hot! Hot!

Andre Crom: And another 2 massive bombs. Love it, Will chart and play both tracks.

Laurent Garnier: Wrong is a cool track.

Waifs & Strays: Both tracks are killer...thanks!

Freeform Five: No Eyes is great.

Kasper Bjoerke: Mainfloor Bomb!!!

Munk: Works well for sure.. :) Cool.

Zombie Disco Squad: Claptone always deliver.

Jesse Perez: Wrong sounds dope! Nicely produced.

Jerry Bouthier: Nice melodic vibes. Supporting.

Doctor Dru: No Eyes is mine! Cheers to Claptone. Looking forward to play.

M.in: Great release! No Eyes is pretty cool!

Kiki: Heard both by the man himself on NYE and yeah - they both rocked! Wrong is fun!

Hannah Holland: Wicked release. In love with Jaw's vocal.

Thyladomid: No Eyes!!!:)

Acid Pauli: I have No Eyes, but there's nothing wrong about it...I still can dance.

Wildkats: Badboy!

Sinden: No Eyes is the jam for me here.

Tom Flynn: Thanks, will try out for sure.

Stefano Ritteri: Wong is SO good!! Claptone dont miss ze beats!!

Homework: The whole Chris-Isaak-Wicked-Games vibe on No Eyes is absolutely fantastic.

Fred Everything: Nice EP

The Mekanism: Nice!

Karmon: Great!

La Fleur: Cool release, will try it out this weekend! :) Thank you!

NTFO: Wrong is so good ! Solid pack again from Exploited thank you!

No Eyes ft. Jaw | Exploited

Finally dropping this track after been playing it for quite some time! had some great reactions to this tune over the last few gigs! Let us know what you's think in the comments :) Free download

Free Download

U Sure Do

I did this shizzle quite a while back especially to open a gig at Sensation White....Still love it....

Mousse T. vs M.A.N.D.Y. _Horny Body Language

Joutro Mundo - On Da Groove - Preview** out on Editorial

A FEW HAVE TOUCHED THIS GEM BY THE WHISPERS BUT MY MELLOW FLAUNT EDWARDS GAVE ME HIS QUICK EDIT AND THEN I DID MY THING WITH IT. CLICK THE BUY LINK AND FOLLOW INSTRUCTIONS FOR A FREE DL ... ENJOY !!!

PLANETS OF LIFE *KON VS FLAUNT EDWARDS* SCORPIOS GROOVE

The German producer and Kompakt boss adds his own spin to Claptone's new single, 'Dear Life'. 

It's out via Different Recordings. 

PREMIERE: Claptone 'Dear Life' (Michael Mayer Remix)

https://www.facebook.com/DJRICCIFERDINAND

Timmy Vegas, Boogie Down Dee Jays - Spanky ( Ricci Ferdinand Classic Re.Work )

Tighten Up

Tighten Up, Pt. 1

Pretenders

The Wait (2006 Remaster)

The Very Best Of

Red Red Wine

I DO NOT OWN ANY COPYRIGHT, all rights belong to their respective owners.

The Fog - Been A Long Time (Original Club Mix) (1993)

Remember Me

Blue Boy - Remember Me (Sure Is Pure Edit)

COEO - Like It Is

David Penn-Yeah Yeah (SC  Edit) - URBANA115

Cabrio Mango COEO

Charles J

Charles J - Charles J

Awesome remix of 2People from man of the moment, Louis La Roche

2 people (Louis La Roche Remix)

Special Edition

Corker

a dubbed version of Harvey's Groovin' you....

Groovin You  - Harvey Mason   Chewy Rub

Blood Remixed

Count To Five (Tensnake Remix)

Brick Lane

Funk Cartel - Brick Lane

Pre-order: https://chezemile-records.com/Folamour-Ordinary-Drugs/release/12950315

Fresh house from France's busiest export who is just about to drop his second album 'Ordinary Drugs'. If you're ever feeling down, Folamour's warping of sugar-coated samples and ear for uplifting melodies are a great remedy. 'These Are Just Places To Me Now' contains all the elements of a guaranteed summer jam with its thumping disco appeal and laidback synths.

Out Feb 15th.
@folamour

More exclusive music

Premiere: Folamour 'These Are Just Places To Me Now'

circle the drain

Our debut album "When It Was Now," is now available on iTunes- smarturl.it/atlas

Subscribe for more new music on YouTube- bit.ly/W8yTQS
iTunes - www.smarturl.it/atlas
Facebook- facebook.com/atlasgenius
Twitter- twitter.com/atlasgenius
Tour Dates- atlasgenius.com/tour

About Atlas Genius-
The members of Adelaide, Australia’s Atlas Genius do things a little differently….They set about building a studio where they could write and record music for their newly formed band 3 years before they even played their first live show as Atlas Genius. For two years, they devoted their days to constructing their dream studio and spent their nights performing songs by The Police, The Beatles and The Rolling Stones at local pubs to pay the bills. “We really got down and dirty with dry walling and literally laying the floorboards, and at the same time we were taking a couple of days a week to focus on writing songs,” recalls Keith Jeffery, Atlas Genius’s vocalist/guitarist. "We had a lot of song ideas and it was important to us to have our own studio where we could experiment and hone in on our sound," adds brother and drummer, Michael Jeffery. The studio was designed and outfitted by the brothers with the help of their father (who comes from a music and engineering background). Once the studio was complete, the first song that Atlas Genius finished was a song called “Trojans,” which they wrote, recorded and produced in collaboration with their friend, keyboardist Darren Sell. After many weeks tweaking the song, Michael insisted that the song was ready to be heard outside of the studio walls. Within an hour, “Trojans” was on the Triple J Unearthed Website, SoundCloud, and for sale via TuneCore on iTunes, Amazon and Spotify worldwide.

“We had begun to think that music was a pipedream and we had all gone back to university to pursue more realistic careers,” says Keith. “We’d had such a long slog of playing late nights and working all day, and it felt like we didn’t really have anything to show for it.” But then, in the midst of cramming for their Fall 2011 semester final exams, Neon Gold discovered “Trojans” on the Triple J Unearthed Website and wrote a post praising “Trojans” as a song sure to “invade your head, all dressed up in a clever disguise of earnest vocals riding a hooky riff.” Checking the band’s email account for the first time in over a month, the band found that dozens of record labels, publishers, lawyers, booking agents and management companies from all over the world had contacted them.

“We were trying to focus on school, but it was just impossible,” recalls Keith. “So we said, ‘There’s something going on here. Let’s get back to the music.’” The band added manager, Jonny Kaps from +1, to their extended family to navigate all of the interest as the band focused on writing and recording more songs.

Quickly named an iTunes Single of the Week in Australia and New Zealand, “Trojans” reached #4 on Hype Machine by the end of May. In August, SiriusXM Satellite Radio’s Alt-Nation discovered the song on a blog and decided to give it some spins. There was an immediate reaction from listeners, and in September, “Trojans” was placed into heavy rotation, where it maintained a top-five position on the listener-generated Alt-18 countdown and peaked at number one for 4 consecutive weeks in January 2012. “Trojans” began selling over a thousand tracks per week on U.S. iTunes and soon climbed to 45,000 sales - all with zero promotional efforts from the still-unsigned Atlas Genius.

“Knowing we had this audience that was waiting on new songs, we had a much greater sense of purpose than we had before,” says Keith. “It was really exciting to know that there were people who wanted to hear more of our music.” Although labels were clamoring for the band to come to the U.S. and play a series of showcase gigs, Atlas Genius turned down those offers in favor of staying in Adelaide to keep writing and recording new songs. In February 2012, after months of communicating with numerous labels via Skype, the band chose to travel to the US in order to make their label decision.

“We’d never been to America before,” says Keith. “We flew in at night and saw this sea of lights, and it really became apparent to us how massive the U.S. is. It was pretty intimidating - like ‘How do we fit into all this?’” In April 2012, the band returned to the states having made their decision to sign with Warner Bros. Records. “We felt a connection with them,” notes Keith. “Everyone there feels very creative and dedicated to the music.”

The band’s first release from their new label home, the EP Through The Glass (produced, engineered and mixed by the band), came out in June of 2012. With Through The Glass completed, Atlas Genius then holed up in its studio and worked on writing and recording its first full-length album, while at the same time rehearsing for their first ever tour. The tour started in August 2012 and led to three more tours back to back taking them thru to the end of the year. Thus, their full-length debut was finished up between tour dates and got completed just before Christmas 2012. When It Was Now is set for a US release on February 19th, 2013, with an international release to follow soon after.

The debut captures Atlas Genius’s singular combination of sophisticated musicality and warm, wistful spirit. Infused with a classic sensibility, each of the songs would fit seamlessly if somehow slipped into a long-treasured mixtape. On the shimmering “Symptoms,” for instance, taut keyboard riffs mesh with urgent acoustic strumming before the band bursts into a gently frenetic, guitar-drenched chorus. Meanwhile, “Back Seat” blends its pulsing bass throb with a sweetly infectious beat and tender vocals that alternately soar and sigh. And on “Trojans,” Atlas Genius begins with a restrained guitar melody and vocal (“Take it off, take it in/Take off all the thoughts of what we’ve been”) before giving way to the handclap-accented, harmony-soaked refrain and lush yet kinetic bridge.

“It’s still surreal,” says Keith of all that’s happened over the past 18 months. “I think when we were very young, we had hopes that something like this might happen one day,” he continues. (Thanks largely to encouragement from their Beatles fanatic parents, who encouraged the brothers to begin playing music by age 14.) “But then you grow up a bit and it seems less and less likely. So when we put ‘Trojans’ out, we figured it would be a success if maybe a hundred people heard it. We don’t want to force our music onto anyone. Our goal is to write songs that we love and we hope they connect with other people too.”

When It Was Now

If So

Buy on iTunes

Stream / download https://smarturl.it/the_ride

'The Ride' LP [12" vinyl Japan Bonus Edition]
→ https://shop.buyee.jp/manhattan_records/item/4560230529383

'The Ride' CD [Japan Bonus Edition]
→ https://shop.buyee.jp/manhattan_records/item/4560230529352

Produced by Midas Hutch
Written by @reva-devito
Guitar and bass by @robinyerah

Artwork by Bomblanc
www.instagram.com/bomblanc.kr

Follow @midashutch
● www.instagram.com/midas_hutch
● www.facebook.com/midashutch
● www.midashutch.com

The Ride

The Wheel

Download

The Wheel Ft. Reva DeVito

Sommeron

Sommeron (Satin Jackets Remix)

4MYPPL#1

Ya Just Need 2 Believe in Yaself

Sunbeam

Sunbeam (Harvey Sutherland Remix)

ICEA is a boutique music label and publisher with the intention of evoking feelings and reactions, we want to provoke, inspire, create, destroy, and disrupt old structures while having fun doing so. We sign and develop new talent from the ever evolving field of pop music. Fighting conservatism since 2015