WL//WH - MARCH 2021 // Electronic - Techno - Industrial - EBM - Ambient

awangarda

#12 SEED

AFTER SCHOOL SIRIUS CLUB

radio contre-temps

en même temps

Marylou & Mieko Suzuki. Marylou regularly opens the nets of her vast collection of records and sound crops on Cashmere Radio and Rinse France, weaving her delicate mesh in between traditional music, bass, noise detonations, cloudy waters of psychedelic dubs or sinuous paths of improvised music and electronic avant-garde. They plaid b2b to deliver this very special dance for committed ears! Mieko Suzuki is a sound artist and composer born in Hiroshima and based in Berlin.
She deals with time and space as her primal matter. In highly unconventional sound performances, for which she uses drones and field recordings, the crackling of electrical circuits and fragments of vinyl records, Mieko Suzuki always goes for the unexpected. She couples the raw power of sound with the tenderness of subtle modulations and turns any space into a playground for sonic adventures.

MARYLOU & MIEKO SUZUKI [Morphine Records Day] [25.01.2022]

Marta De Pascalis is an Italian musician and sound-designer based in Berlin. Her solo works employ analog synthesis and a tape-loop system, whereby she creates patterns of repetition that shape a sense of a dense, dynamic and cathartic distance. Her sound touches a wide range of electronic music genres, such as ambient, Berlin school first excursions, psychedelic, and tape music. She has produced three solo albums: the self-released Quitratue (2014), Anzar by the Touch-affiliated The Tapeworm imprint (2016), and Sonus Ruinae, released on September 2020 by experimental Berlin label Morphine Records. She has performed in different festivals and venues, notably Museo Reina Sofia, Biennale di, Venezia, Berghain, Funkhaus, Café Oto, Mutek Festival.

MARTA DE PASCALIS [Morphine Records Day] [25.01.2022]

Ahead of the release of her new album, 'The Long Count', on @modernlove, @yourdebit records a “pre-hispanic to post/transhispanic ambient mix” for the Recognise series

As Debit, the Mexican-American producer, DJ and audio engineer Delia Beatriz has released thunderous, triplet-filled club music, invigorating ambient, and percussive remixes. She also DJs for Azaelia Banks, and on her new album, combines ancient Mayan wind instruments with machine learning. She speaks to Eoin Murray about her desire to contribute to the canon of electronic music, working with new tech, and making ambient music that goes beyond “beautiful”

Interview & tracklist: https://djmag.com/features/recognise-debit

Recognise: Debit

Lisa Lerkenfeldt - The decay of the flower

Krakow 10.22.10

PinkPantheress - Another Life (Himera Remix)

Big Science

Let X=X

A previously unheard early/rough mix of the first track from the Lustmord album Heresy.

Heresy was released 20 years ago this month (September 1990) and recorded in 1989.


Heretic 1 v3

Psychic Tv EDIT

From the forthcoming album "The Word As Power".

Featuring the voice of Soriah.

Grigori (Extract)

Another extract from he forthcoming album The Word As Power.
Andras Sodom features the voice of Jarboe.

Andras Sodom (Extract)

HIMERA - VOICENOTE (FLIP)

Mats Erlandsson – Minnesmärke - LP
Release date - Nov 6th 2020
Catalogue nr. - HG2008
Format - Vinyl / digital

hallowground.bandcamp.com

Tracklist:
1. Vilja 	(19:08)
2. Slakt	(22.03)

Credits:
Hilary Jeffery - Trombone, Tuba
Gaianeh Pilossian - Violin
Yair Elazar Glotman - Double Bass
Mats Erlandsson - Everything Else
Mastering by Andreas Lupo Lubich
Artwork by Marijn Degenaar

///
Mats Erlandsson makes his debut on the Swiss label Hallow Ground with »Minnesmärke,« at once a nuanced sonic exploration of the industrial and political history of his native Sweden and a deeply personal album. One of the key figures of the Stockholm drone scene, the prolific composer worked with The Kilimanjaro Darkjazz Ensemble’s Hillary Jeffery, violinist and long-time friend Gaianeh Pilossian as well as sound artist and frequent collaborator Yair Elazar Glotman for a two-part composition built around tuned sustained tones performed by electronic and acoustic instruments that were combined with field recordings in order to evoke a psychedelic state of reflection, a dream-like elegy for the acoustic properties of the former iron ore mine Ställbergs Gruva where the music has been conceived and recorded. Following up on releases on labels such as Hallow Ground label mates Kali Malone and Maria W Horn’s XKatedral imprint, »Minnesmärke« is Erlandsson's most accomplished work yet. 
Originally a commissioned work by the Non Existent Center for a month-long artist residency in Ställbergs Gruva last Summer, »Minnesmärke« conceptually picks up on the socio-political and economic history of the Bergslagen region where the mine is situated. After mining operations had been on-going for decades prior, in the Industrial Age iron became one of the country’s largest exports, making the mining industry an integral part of the country’s progression towards a socialdemocratic welfare state in the years after World War II. With the rise of neoliberalism and the simultaneous erosion of the welfare state however, the mines around the region started closing, which resulted in the surrounding community losing its relative prosperity. Erlandsson’s interest in this story though does not exclusively stem from the historical significance of the mine, that has been re-opened in 2012 as a centre for cultural activities and critical thought. In fact, his grandfather was born and raised in the vicinity of it and thus his life - and, by extension, his grandson’s - was inextricably linked to its fate and the ebbs and flows of the industrial development in the area. 
It’s no surprise then that the two parts of »Minnesmärke,« which translates to »memorial« or »monument,« is marked by a sense of dislocation and dissociation. »Working in Ställberg was a somewhat surreal experience from the point of view of a musician some one hundred years later,« says the artist. »Being in that environment makes you view time from the side - since the place remains the same it accentuates the deep chasm that separates my perspective from those of my relatives, while at the same time providing a form of intimacy with them.« This naturally shaped the recording process, which saw Erlandsson create an interaction between the acoustic and the electronic, the human and the machinic as well as the natural environment and the technology that has shaped it as much as it has been shaped by it. A combination of synthetic and recorded sound sources was processed by reamping it in various rooms of the vast mining complex. The resulting hybrid field recordings were transferred to tape and have then been treated extensively. An arrangement for Pilossian’s violin, Jeffery’s tuba and trombone playing as well as Glotman’s parts on double bass were recorded separately and similarly manipulated to create an expanded chamber ensemble with a wider range and an ability to transcend the usual temporal bounds of the instruments.

MATS ERLANDSSON - Vilja (edit)(HG2008)

Rise Black - Come Closer  (Έλα Πιο Κοντά) [Zyrcadian Editions]

Ludviq (@ludviqmsc) - Vicium

Label - @BonkersRecs

Release Date -08/03/21

♫ Info + Buy ♫ - https://www.sinchi-collective.com/ludviq-vicium-bonkers/

♫ Info + Buy ♫

PREMIERE - Ludviq - Vicium (Bonkers Records)

Nuclear Past

Press Color (Deluxe Edition)

Herpes Simplex (feat. Rosa Yemen)

PREMIERE COMME DES LARMES – CDL

PREMIERE CDL \\ LBEEZE - Bad Mouth [Exiled Records] (2021)

Artist » LBEEZE - https://soundcloud.com/lbeeze1
Ep Name »  Dancing in the Dark
Label » Exiled Records - https://soundcloud.com/user-587057596 - Dundee, UK

Format:  Record/Vinyl + Digital Album 

Limited to 300 copies.
Release date:  March 5, 2021 

BUY HERE: https://exiled-records.bandcamp.com/releases

The year is 2021. Music is outlawed and creativity crushed. Amidst the rubble of a Derelict Dundee, the resistance has assembled. Exiled Records is born. An all-out audible assault against the forces that be. A voice for the unheard. For those cast out by society. For those who stand on the other side of normal. A story of anguish, resentment, and undying fight.

The first wave of attack comes from LBEEZE. True to nature, bold and twisted vocals accompany his own brand of psycho electronics. You will listen when he's talking. Kluentah provides the ammunition with an electro-fuelled remix.

Artwork by Gary Lazereyes
TNC Mastering
Curved Pressing

Youtube: https://youtu.be/_7tD866PsLM

SUBSCRIBE on YouTube new channel CDL PREMIERE tracks

»»» www.youtube.com/channel/UCWqxig3tAym4XV_iuaKvvIQ

Follow us:
https://linktr.ee/commedeslarmes

Dancing in the Dark

PREMIERE CDL \\ LBEEZE - Bad Mouth [Exiled Records] (2021)

Youtube

From "SOFT EYES" (iDEAL210) LP

Edition of 300 copies. Distributed by Boomkat.

Vocals: John Duncan
Saxophone: Gabriele Zobele
Percussion: Francesco Cossu, John Duncan
Church organ, Brass, Bass: Ivan Pjevcevic
Backing vocals: Elisa Mazzola, Mattia Bonafè, Yelena De Luca Mitrjushkina, Tullia Benedicta, Ivan Pjevcevic

Recorded and mixed at ShortStraw Studio, Bologna

Mastering by Ivan Pjevcevic at ShortStraw Studio, Bologna

John Duncan - The Rabid Position (iDEAL210)

Electronic Sound Disturbances & Pleasures since 1998.

Contact: labelhead_at_idealrecordings.com

John Duncan - The Rabid Position (iDEAL210)

iDEAL Recordings