yehhh

Bookings // Contact :
divisemusic@gmail.com

SABA SALIBA is Sydney's most exciting, flamboyant recording-artist who writes and performs catchy pop rock electronic dance music songs. 

Born in Sydney Australia from Lebanese parents, androgynous and enigmatic, Saba started writing and  singing catchy pop songs since childhood. Saba studied in music business and performance with a flair for fashion and interests in movies, art and photography.

Saba is passionately inspired by the 80's Dance floor fillers, the 12” Vinyl Records of Michael Jackson, Boy George, Madonna and his favourite song writers: Giorgio Moroder, Nile Rodgers and Stock Aitken Waterman.

Saba's first independent album release ''Missing Time'' is an alternative-pop-glam-rock album full of grungy guitars and electro loops, written to songs from and since leaving school. This album was performed live around Sydney as the band “Missing Time”. 

Saba's second independent album release ''Feeling Feminine'' is a flamboyant, camp, quirky, eurocentric Hi-NRG, synth-pop album inspired by classic 80's dance anthems and modern EDM. 

Saba's latest independent release is the hypnotic club-house hit “City Lights”. 

All of Saba's songs are available via all Digital Download Stores! Look out for Saba Saliba shows soon!

https://itunes.apple.com/au/artist/saba-saliba/id1002481922
https://play.google.com/store/search?q=SABA+SALIBA
http://sabasaliba.com
https://www.youtube.com/channel/UCm15lTOiAFc7WksbC_a4hrQ
https://instagram.com/sabasaliba/
https://www.facebook.com/SabaSalibaEntertainment?pnref=lhc
http://www.twitter.com/#!/sabasaliba

SABA SALIBA music is available at all Digital Download Stores! 
© 2015 SABA SALIBA ENTERTAINMENT / PUBLISHING. All RIGHTS RESERVED.


First of all, thank you for visiting this page! As my friend Stas Radzievskiy said (No, I am not sick. I simply do not want to confuse wider audience with these recordings), this profile is his second profile, which was created specifically for "so called less... "commercial" stuff..." or not commercial at all.

Why StanisLove?? Because my name is Stanislav. Stas is just a short version)))

Feel free to download everything, that is available for downloading.

Please also check the main profile of Stas Radzievskiy (saxophone player). 

Enjoy!

Welcome to London Deep House. We will be keeping you updated with all the latest House mixes and tracks from DJ's across the world. If you want us to re-post your mix or track just send us a message with the link.

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

Head of Decision Intelligence, Google. ❤️ Stats, AI, data, puns, art, sci-fi, theatre, travel, decision science.

www.fallenhighwaystudios.com

www.fallenhighwaybeats.com




Igor Ig is following