invisible (x3) wholly
invisible (x3) totally

see myself in the iris of your eyes
I’m lifesize
but all you see is your reflection

poorly painted onto my eyes 
you’re lifesize
but I'm full on my own introspection
 
grew up dreaming of being invisible
and now invisible is often how I feel
work hard to prove I'm not invisible
but not invisible still don’t mean you’re real

when you’re invisible
even a little invisible
then you’re invisible totally

some blame it on the way the mind flies
the mind lies, it sings you’re the most important
it assures you something never dies
but bottom line’s a soul seems discordant

this elevator’s out of order

grew up dreaming of being invisible
and now invisible is often what we are
we hug tight to feel less invisible
but less invisible still leaves a mean scar

invisible (x3) wholly
invisible (x3) totally

don’t worry we all got the same deal
beg borrow or steal
everyone is gonna get it

what matters is finding the shipmates 
that keep you real
keep you on even keel
getting your way is way overrated

the graveyards are full of those who made it

no longer care if I am visible
if I’m invisible to you then that’s fine
all the wealth in the world seems pitiful
if you’ve never been at all selfless and kind

Support Gom

Invisible

One of the tracks I've been working on for my planned album revolving around space. This one in particular has you traveling deep into the cosmic past to discover how galaxies start to form.

Deep Celestia

Went away for a few days and stayed at a house in middle of nowhere, there was nothing around but cows, on the side in the house was a little information sheet about the place, the lyrics are loosely based on that.

LYRICS

John Wild was staring at his pile of stones. He piled them together till he had a home.
In the fields full of gagel, where bog myrtle grows.
He'd raise up a family where no one could know. 

And, the cows do not care how you feel.
The cows stand and stare in the fields.
Oooooooo. 

There are herbs on the hillside and fish in the stream, 
There's game to be poaching to make good the lean. 
All the animals crowd as the north-easter blows.
The short days of winter approach from below. 

And the cows stand and stare through your face. 
The cows that belong to this place.
The cows do not care how you feel.
The cows will not move from these fields.
Ooooooo-ah. 

And the hills do not know,
of the valley(s) below. (x2) 

ahhhhhh (x4) 

The cows do not give much away.
The cows in the wind do not sway.
The cows are not ever forlorn.
The cows stay right where they are born.
Oooooooo. 

Oh, to be free,
in the wild valley.
Now, look at me.
With my land, far from sea. 

Oh, look at me.
No stopping me now.
Oh, look at me.
With my field; full of cows. 

And, the hills do not know,
of the valley below. 

John Wild was staring at his pile of stones. He piled them together till he had a home.
In the fields full of gagel, where bog myrtle grows.
He'd raise up his family where no one could know. 

And the cows do not care how you feel.
The cows stand and stare in the fields.
The cows do not show on their face.
What they think of this place.
Ooooooooo.

Cows (Wild Ones)

Play on Spotify

Forget Your Sorrows

Honey Hole - Combstead / Robert Grigg

"That’s what happened to each of them: they crawled inside the piano, underneath its shell, and roused what they had kept hidden beneath its keys."

https://antonindebemels.bandcamp.com/album/la-douceur

Improvised by Olivier Taskin
Recorded and mixed by Antonin De Bemels
Mastered by Yvan Hanon
Picture by @antonindebemels

LA DOUCEUR

Stase

take that- the flood (piano)

This piece steals its opening phrase and title from the first piece I ever remember trying to compose when I was about 14.  I hope you enjoy and as always, thank you for listening.

It Isn't Easy

Guitar, picking, lyrical, raw, emotional, love, longing, clear, romantic, relaxed, sentimental, sweet, heartfelt, live performance, calm, loving, caring soul, ballad, pleasant. Easy listening, 60’s70’s vibe, good

Darlin Don't Be Long

Traffic Jams by Hope Street. 

Joe Tibbits - Vocals and Guitars
Barry Harman - Bass
Steve Tibbits - String Arrangements

Silence and Chaos

Traffic Jams

These two preludes were written specially for Maryam Ilyasova in 2006 and were performed in the spring of the same year in  the State Conservatory of Uzbekistan at the Composition Union Award by Maryam.

https://soundcloud.com/maryam-ilyasova

Composer: Igor Iofe

Two Preludes For Piano

Igor Iofe is a
composer whose musical
paths lead to diverse stylistic destinations. Currently Igor's focus in music is Armenian traditional duduk repertoire which he performs on trumpet. He brings the beauty and warmth of the duduk into his trumpet playing.

At the Conservatorium van Amsterdam he studied with  Wim Hendrickx,Richard Ayres,  Fabio Nieder,Willem Jeths and Jorrit Tamminga. Igor attended masterclasses with Misato Mochizuki, Dmitry Kourliandski, Tristan Murail andTan Dun. His music was performed at the Composers’ Festival Amsterdam (2012 and 2013), Atlas Academy (2010-12),  Looptail XXX and at such venues as De Link, De Duif, Het Bethaniënklooster, Het Veem, STEIM, Muziekgebouw aan 't Ij and CvA in Amsterdam and other cities of the Netherlands. His piece Y+Ywas performed by the Joint Venture Percussion Duo at several venues in the USA and Europe.

Parallel to his Classical Composition studies Igor studied Composing Music for Film with Jurre Haanstra and graduated as a Master in Composing for FIlm at the CvA. During his studies he wrote music for several movies which were shown at the Beeldbuis Filmfestival, Keep an Eye Film Festival, VERS Awards, Cinekid Filmfestival, M2M Filmfestival and Pleinbioscoop Rotterdam.

Igor is one of the organisers of the Toets des Tijds Concert Series