Downtempo artist based in Los Angeles

Description of my sound: 

Nostalgic textures with orchestral melodies or organic samples backed by evolving downtempo beats.

One half of Thoma.


Contact: tristandeliege@gmail.com
Instragram: @tristandeliege

Mestre em Composição Musical com Honors pela Boston University e Bacharel pela Universidade de São Paulo,Rafael é compositor contemplado na Bienal da Música Contemporânea Brasileira 2011 com a peça "Impaciencia Televisiva", premiado nos concursos: Projeto Nascente-USP 2009 (Categoria musica erudita e Tutoria) com "Quarteto em Forma de Fauno e Eolo", Concurso "O Pinheirinho é do Povo" da SBME 2012 (Sociedade Brasileira de Musica Eletroacústoca), Concurso de composição orquestral OCAM com a peça "Ensaio sobre a Tristeza", selecionado em diversos festivais internacionais com sua peça "Sozinhos entre o fetiche e a tensão" em trabalho colaborativo que resultou na videodança "Sozinhos entre Fatias", e vencedor do Sound Icon Composition Competition - Boston -  com a peça "Pherrk ic", de acordo com a critica especializada da revista eletronica New Music Box: "Pherrk ic presented a far thicker and more dense stew than Sciarrino’s hide-and-seek. The sound-world was an interesting paradox: loud but overcast.". (www.newmusicbox.org/articles/new-englands-prospect-dont-mention-the-war)

	Foi professor de percepção musical 2010-2012 na Boston University para alunos do primeiro e segundo ano do ensino superior, assistente do Compositor e Regente Theodore Antoniou em 2011-2012 no grupo de musica contemporânea ALEA III onde teve a oportunidade de trabalhar junto com outros grandes nomes como Gunther Schuller. Foi aluno de Joshua Fineberg, Rodolfo Coelho de Souza e Aylton Escobar.  Atualmente é Diretor Musical da companhia "Narradores" de Teatro e trabalha na composição para o espetáculo "A Resistível ascensão de Arturo Ui" de Bertold Brecht. 


Composer of opera, orchestral music, electroacoustic music, and sound installations. 

Contact: bpetuch@gmail.com

Brooks Radtke is a composer and arranger for film, interactive media and the performing arts based in Oregon wine country. He earned a Bachelor of Music from Azusa Pacific University in 2015, having studied piano, composition, arranging and orchestration under Hollywood music veterans, Mark Gasbarro and Mike Watts. Brooks began his early career assisting composer J.A.C. Redford, aided the various talents at Hans Zimmer’s Remote Control Productions, and worked as an Audio Manager for the trailer music production house, Methodic Doubt Music.

As an avid composer, Brooks frequently writes and collaborates with small ensembles across the U.S., in addition to commercial work, having scored over a dozen independent films and video games.

In 2021, Brooks was selected as a Top-10, global finalist for the Oticons Faculty International Film Music Competition, being complimented as being “a very talented and complex composer with a great sense of use of counter lines and contrapuntal movement in music.”

In 2022, Brooks was a selected participant in the exclusive Los Angeles Film Conducting Intensive (LAFCI) under the direction of legendary Hollywood conductors Angel Valez and Conrad Pope, gaining invaluable experience conducting well-known works by John Williams with the National Symphony Orchestra of Costa Rica, and reaching a pinnacle performance of a new, personal composition for a full-house audience at the National Theater. 

When he isn’t writing music, Brooks is managing an indie-game studio, Redremptive Innovations, programming audio in Wwise or FMOD middleware, or cooking with his wife, Aramis.

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