As one of the most iconic artists of her generation, Ellen Allien embodies the core ethos of techno: a visionary who looks to the future for inspiration, carving out her own niche and presiding over an empire that has imbued techno, and dance music culture, with her unique DNA.
As well as running two labels (BPitch and UFO Inc.) and performing regularly at prestigious clubs and festivals all over the world she is also an accomplished producer with eight solo albums under her belt and an extensive catalogue of singles, EPs and remixes.

www.klanglos.com
Contact: info@klanglos.com 
Booking: booking@bassgefluester.com

Being one of the most in-demand Techno DJs of our times, Ben Klock needs little introduction. His name has been closely associated with Berlin’s legendary club Berghain since 2005. His monthly residency has formed the backdrop to his international success, providing an invaluable platform for his ability to create a room rather than just play to it.

Much of his early career was marked by marathon sets – a signature that played a considerable role in nurturing his skills and reputation – but even the more compressed sets he shares today evidence an intricate narrative and sense of flow that defines him as a DJ. It was these inherent abilities that led him to compile the fabric 66 compilation in 2012, before winning the BBC Radio 1’s Essential Mix of the Year award in 2015.

His releases on Ostgut Ton have become landmarks in the imprint’s history. 2009’s “Dawning”, the first of his collaborations with Marcel Dettmann kickstarted the label itself and remains a stand-out track in its discography. Another release of particular note is the Before One EP including “Subzero”, which many techno lovers still refer to as their gateway track into the whole genre itself. For many, however, it is his album One (2009) that best captures Klock’s talents as a producer. His skills as a remixer have also seen him rework tracks by a wide variety of artists, including Kerri Chandler, Depeche Mode, Robert Hood and Kenny Larkin.

Additionally, Klock curates with great passion his own label Klockworks, founded in 2006. With releases from DVS1, Stef Mendesidis, The Advent, Sterac, Etapp Kyle, Temudo and many more Klockworks became a synonym for unique, high quality Techno.

In 2017 Ben started his own event series PHOTON which is a unique concept show that blends light, architecture and music. Since then he toured PHOTON at special venues in major cities around the world such as Printworks (London), Gashouder (Amsterdam), Arca (Sao Paolo), to name a few. It quickly became a new standard for audio visual electronic music events. In 2023 the project returns after a pandemic induced break with a brand new visual and artistic concept.

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TIMO MANDL - steht für Techno aus dem Schwabenland! Kurz : "SchwabenTECH!"
Er ist ein Kind der 90´-und das hört man auch! Er skizziert seine Sets mit drückenden Bässen, marschierenden Kicks und einer Geschwindigkeit die kein Tanzbein ruhig stehen lassen! 
Ein wahrer Genius! Mit seiner eigenen unverkennbaren Art des Mixing 
zaubert er Momente, die jedes Set einzigartig machen!
Mit Platz 7. im Ranking 2018 FAZEPoll „Durchstarter des Jahres“ mit FISCHER etc. Ist Er mittlerweile International bekannt und spielte mit diversen Größen der Szene und in/auf den angesagtesten Clubs und Festivals !
Mit viel Liebe zum Detail hat etwas erschaffen was es in dieser Art noch nicht gab - Alles andere ist einfach nicht das Original!

(●̮̮̃●̃)۶٩(•̮̮̃•̃)۶٩(-̮̮̃-̃)۶٩(●̮̮̃•̃)۶٩(͡๏̯͡๏)۶٩(-̮̮̃•̃)

Plays@
Nature One
Hoppelhasen Open Air
Electronic Fortress (HU)
Lake of Love (HU)
Luft&Liebe Festival
SeaYou Festival
Proton Stuttgart
Lehmann Club Stuttgart
S.T.A.R Festival Wernau
Ruhr in Love Oberhausen
Belini Mainz
Hirsch Saarbrücken
Fusion Münster
MBia Berlin
ASeven Berlin
Rosis Berlin
Roof Mainz
E-Küche Köln
Essigfabrik Köln
Bootshaus Köln
Bogen 2 Köln
Labyrinth Würzburg
Badeanstalt - AALEN
Raumklang Open Air Göppingen
Z-Club Stuttgart
Zollamt Stuttgart
London Underground Ludwigshafen
Hype Club Stuttgart
WRZ Open Air
VTS Undertürkheim
Waggons Stuttgart
MS Connexion Mannheim
DOUALA Ravensburg
7-er Club Mannheim
EGOistIN Stuttgart
GoTec Karlsruhe
Jenseits Darmstadt
Nachtwerke Karlsruhe
AVA Club Berlin
Spreehöfe Berlin
OASE Oberbohingen
MUM Rottweil
BUKOWSKI Heilbronn
Pipers Club Kirchheim
Kitu Saarbrücken
GATE Schwenningen
Disco Zwei Mannheim
Schwarzer Adler Tannheim
Trible Club Worms
CLUB 27 Tübingen
E-feld Köln

Played with:
A.Paul AKKI A.PTA Adam Beyer Amelie Lens Angy Core Alle Farben AKA AKA Adana Twins A.N.A.L. Alfred Heinrichs Audiomotor
Alwin IRB
Ben Klock
Boris Brejcha
BrettHit
Ben Dust
Boykott
Björn Torwellen
Chris4Dance
Dubfire
Dirty Doering
DIATEK
DeGuzman
De Hessejung
Deh Noizer
Dandi&Ugo
Daniel Herrmann
Danki
Dani San
Dennis Albrecht
Deep.tut.Gut
E.Punk
Fischer&Kieferle
Felix Kröcher
Fritz Fridulin
Fabian Hug
Hackler&Kuch
Howski
HEFTY
Heartthrop
INGRID
IBEX
Joyhauser
Joana Günther
JIN DU JUN
Jay Vee
Jesco Schuck
Klaudia Gawlas
Klanglos
Kerstin Eden
Kelvin On
Kevin Wesp
Kernrausch
Kai Kanone
Komakasper
Len Faki
Lexy & K-Paul
Lukas Freudenberger
LEE
Muchacho
Mike Väth
Massimo Miliano
Minupren
Mark Dekoda
Mausio
Marusha
Mark Broom
Mars Leder
Markus Berghold
Mattze Zuber
Mel Y.
Moers
MinTroC
Mergen
Namron
Neelix
OCTAVE
Pan-Pot
Pappenheimer
Pfeffy
Pierre Remy
P-Hase & Dreher
Patrick Czaja
Robin Hirte
Sam Paganini
Solomun
Sven Väth
Spartaque
Sabrett
Spiros Kaloumenos
Silvano Scarpetta
Sascha Radojković
Snörres
Silvano Scarpetta
Stephan Funkmann
Tommy Libera
Thomas Schumacher
The Yellow Heads
TomTec.
Unmensch
Victor Ruiz
Xenia UA
ZAHNI
ZEUZ

Techno since 1989, owner of Electric Ballroom. OG.

PAPPENHEIMER:
https://linktr.ee/pappenheimerofficial

FOR BOOKING MAIL TO:
booking@dancefield.com

Now an established force in contemporary Techno, Mike Bierbach, better known under his stage name Rødhåd is someone who has seriously put in the work. Having cut his teeth DJing as a relatively unnoted (but well loved by those in the know) local in Berlin for 10 years, one could argue that by the time success knocked on his door, he was more than ready for playing the international stage. It was during these 10 years of obscurity when he refined his craft to become the singular DJ he is now. 

Launching his party-series-turned-label Dystopian in 2009 was what truly tipped the ball over for Rødhåd. In a time where the Berlin scene was heavily oversaturated by fluffy, miscellaneous dance music, he & his peers set out to form a platform for real techno. The reception to this was raucous. 

Although he has lauded productions and remixes to his name, DJing is his true forte. Before abandoning his day job as a draftsman in construction “The Red” (as some call him due to his gingered, bearded appearance) was known for playing very long sets in Berlin’s most notorious hideaways. 

With an album, several EPs & remixes for a multitude of different artists under his belt, Rødhåd the producer has received equal praise as Rødhåd the DJ. Dystopian has hosted most of his releases, but in 2018 he founded a new label WSNWG that serves as a home for collaborative productions, excavated in sessions at his East-Berlin studio with his peers such as Lucy, Alex.Do, & Antigone.

Mike Birko is following