Discover Weekly Archive_part6

Igneous

Lory

Jade

Nacre

808 WAYS to DIE

HIGHLY (Trance Trap)

City Lights & Heartbreak - RnB Instrumental Beat

The Astrioasia Crown & The Dusty Apsara Breaks is an instrumental album rooted primarily in Cambodian musical heritage, shaped through a modern, global lens.
As a Cambodian artist, this project is a personal fusion of ancestral sound, lived identity, and contemporary production.

Traditional Cambodian melodic sensibilities — echoing instruments such as the khim, roneat-inspired textures, and flute-like motifs — are blended with dusty rhythms, deep bass foundations, and Western-influenced beat culture. The result is a soundscape that feels ceremonial yet street-level, ancient yet current.

The album draws inspiration from Apsara symbolism, royal and spiritual imagery, and the quiet strength of Cambodian culture, while openly embracing influences from other parts of the world. Rather than imitation, this is interpretation — honoring roots while allowing them to evolve.

Production-wise, the focus remains on space, clarity, and mood. Minimal arrangements, steady mid-tempo grooves, and atmospheric reverbs create a hypnotic continuity across the project, making it ideal for immersive listening, visual storytelling, and cinematic contexts.

The Astrioasia Crown & The Dusty Apsara Breaks stands as a cultural bridge — Cambodian at its core, global in its expression.

Sathouka

🚘 RIDE TO HEAVEN ☁️

Ride To Heaven is a journey through midnight streets, lowrider dreams, and clouded memories.
Heavy 808s, distorted cowbells, Memphis-inspired vocals, and haunting melodies collide to create a hypnotic phonk experience. This album blends street energy with a cinematic, almost spiritual mood—where the ride feels endless and the bass hits deeper than thoughts.

Built for night drives, underground scenes, and anyone chasing that raw, nostalgic phonk sound.
Turn it up, roll slow, and let the road take you higher. 🌌

Headphones recommended. Bass guaranteed.

#RideToHeaven #Phonk #PhonkMusic #DriftPhonk #MemphisPhonk #UndergroundPhonk #DarkPhonk #StreetPhonk #CarPhonk #NightDrive #808 #Cowbell #TrapPhonk #PhonkWave #UndergroundMusic #BassMusic #MidnightVibes #LowRider #StreetCulture

HYPNOTIC

From the album "In Emptiness".
Written and produced by Brian Saitzyk and John Kelley.

Rapture At Sea w/ John Kelley

Bask - Remixed

Edamame - Clade (Frameworks Remix)

Follow our playlists on Spotify & Deezer !
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Funkmammoth - Finger Guns

Taken from the album 'Weather', released 12 July 2019 on Mom+Pop / Ninja Tune: https://tycho.lnk.to/weatherSo

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Weather

Into The Woods

On my knees, I know it's past diplomacy
I pull the knife away
I start to tremble (as blood begins to seep)

Hold on for tonight (I can't believe it's real)
Bursts of flashing light (I beg for you to feel)

And when they find you,
they'll cut and rip away
So please don't linger (and don't be lead astray)

Renown the words of your calling
Please shout the names of the fallen
Stand tall, they won't see us coming
Guns out, we'll always be running

Hold on for tonight (I can't believe it's real)
Bursts of flashing light (I beg for you to feel)

Hold on for tonight (I can't believe it's real)
Bursts of flashing light (I beg for you to feel)

The Shepherdess: REBIRTH

DOWNLOAD NOW!

Wolf & Lamb

Ghosts

Murge returns on March 27, 2020 with his new EP 'Here We All Are', releasing on Loci Records.

http://locirecords.com
http://locirecords.com/murge

A sonic alchemist, Murge weaves the eclectic and the electric to create dancefloor-centric beats that fill the space and lift the crowd. Inspired by travels through eastern Spain, Here We All Are is a cohesive collection of downtempo tracks, filled with fresh, earthy bass and neoteric instrumentals. Unorthodox sounds intertwine to create an expansive aural journey; one of connection and elevation. Pulling from across a variety of genres, Murge’s influences are wide ranging and free flowing; from the Cosmic era of disco to psychedelic jazz, from Latin rhythms fused with the elasticity and inclusiveness of world-inspired music to field recordings of ambient samples, captured during his own global travels.

'Here We All Are' was primarily produced at Murge’s studio The Cabin, with additional recording and mixing taking place at Burning Rainbow Studios in Victoria BC and The Warehouse in Vancouver BC, followed by mastering by Grammy nominated Shawn Hatfield at Audible Oddities. Influenced by the live instrumentals of Bonobo and Khruangbin, Murge has collaborated with some of BC’s most talented vocalists and multi-instrumentalists to create a full, world-inspired sound. First track ‘Reach Out’ is an uplifting dance floor groove reminiscent of sundowners at Cafe Del Mar; all languorous laid back beats peppered with inspiriting live flute. Lead single ‘Can’t Hurt Me Now’, featuring vocals by Sierra Lundy, is rich with moody dance floor energy and warm textures.

No stranger to packed dance floors or epic stages, Murge has entranced crowds at some of North America’s most well respected electronic festivals (Shambala, Bass Coast). A world class DJ and skilled producer, he has also shared stages with Bonobo, DJ Shadow, Flying Lotus, Hot Chip, Pete Rock, Kid Koala, De La Soul, Wu Tang Clan and Charles Bradley. With collaboration and creativity in mind, Murge has worked with Talib Kweli and Blackalicious, and has featured on remixes for Tegan & Sara, alongside Four Tet, Toro Y Moi and Holy F**k.

A longtime captain of the dance floor, Murge presents Here We All Are as a fresh offering of inspired global consciousness and transformative connectivity. 2020 is shaping up to be an expansive new chapter in Murge’s story.

Here We All Are

Buy / Stream

Murge - Cant Hurt Me Now (Feat. Sierra Lundy)

Winds Alight is out now through Eyegaze. Two tunes that are a bit different in style from my other releases. I wanted them to be shorter, more concise structures that explored a set of variations from simple ideas.
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For Winds, the piece grew out of a short recording of a friend playing a hang drum in India. 

For Alight, it was a small chord sequence that kicked off the writing process - going through different types of variation.
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Central to writing these tracks was a theme of avoiding thinking about what other people would think about a sound, or what I think other artists would do in certain musical situations. I wanted to get rid of that - to simply have more trust in my own musical instinct. If I like it, I'll use it.

(and i hope you and i like similar things)

Winds Alight

Winds

"Free" channels inspiration from my grandfather who grew up in the Faroe Islands. He told me stories of the amazing land, how they climbed cliffs to get bird eggs, and would go fishing out at sea. "Free" aims to capture this feeling of adventure and openness in a song. The remix by @marley-carroll does an amazing job at capturing the elements of the original but taking it to a new danceable space. The driving beat, syncopated synthesizers, and fresh vocal chops make for an exciting new listen.

From the remixing artist, "For the "Free" remix, I borrowed a technique from house music in which uptempo songs are pitched down by a few semitones and reworked as slow-motion boogie edits. This process created a new stretched-out feel that inspired me to build a hazy, chilled-out instrumental around the original vocal." - Marley Carroll

Vocals: Alaska Reid
Mastering: Shawn Hatfield of Audible Oddities

Free (Marley Carroll Remix)

il;lo remixes 'Imagine Gold' - the title track from Frameworks' latest album, both out now on Loci Records.

Buy / Listen

Frameworks - Imagine Gold {Il:lo Remix}

Listen to our latest EP 'the fair'!

il:lő- difficult to capture or hold permanently, having wings

de Paris et Berlin

Nacre

il:lo

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