Ilaria <3 this wads a wonderful collaboration, your poem is a journey in a realm of inner landscapes

Wonderful vocal filled by rare and precious moments. Amazing words immersed in magical Sax sound! Lovely prodution!

hearing the whisper on my headphones gives me the chills ! beautiful sound!

LOVE it! Perfect combination of Spoken word and music. Intense and beautiful!

WITH SAX by ERIC 57
Percussion by ERIC 57
BASS by Midnight Pies .  
 .. head fucker !! .. another  remix #2 .. Jan 2023

transcend from the TRASH !!

painting by R.J.Walker 2021

TRANSCEND FROM THE TRASH .. SITAR

WHAT'S THIS TUNE CALLED work in progress

Wrong Spell For Crimson Divinations My Dear Runny Angel Eye

X Switch

To quote Josh
"This is a song that began as a bass line I came up with on my four string fretless over a looper. I shared it with Ken (K2 and the Three [and Four], Stephen (Tex Mex Shaman), and Tez (Llanpsych) through BandLan, which we're all on. Ken came up with some perfect drums, as always, to prop up the whole thing. Tez added some killer guitar solos, which you can hear more towards the end, with the ripping tone. Stephen then came in and added the talk box guitar and wah guitar that you hear playing the hook more towards the beginning. It's my first song ever featuring a talk box, and I'm amazed with the part he came up with. It's a major line against my minor bass line. I love how it sounds! Stephen also was kind enough to mix the beast for us, which turned out to be a herculean task. But he was up to it, and a fine job he did, too. It was an honor and a pleasure to work with these guys. We all hope you enjoy it as much as we did making it"

High Noon - with Entheogenic Psychonaut (Josh Clary), K2 and the Three, and TexMex Shaman

Recording sessions from 28/05/2023 of 19/07/2023.
1 Track VCV_1 (vst VCV),
1 Track VCV_2 (vst VCV),
1 Track MOOG Modular (VST Arturia),
presets, mixing, processing and editing: Pier WILL.
________________________________________________________________________
🛠 - Made with MOOG & Modular / Multi-tracks
🎹 - Composed, arranged, performed, produced by Pier WILL & Studio 4H09
🔲 - Artwork - Pier WILL
🙏 - Acknowledgements - Ableton, Arturia, Audacity, Cantabile, Focusrite, Korg, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
⚙️ - #Ambient #Experimental #Minimal #Space
________________________________________________________________________
 - The Divine Comedy - ❤️🕊️🙏

The Divine Comedy

Sax ensemble, sax solo and mastering, Mario Sboarina https://soundcloud.com/rosmarinobaia 
Sonopoetry (stream of consciousness technique) and mixing, Ilaria Boffa
pic, Euganean Hills, June 2023, IB

Elegy
The river is no longer that river
the landscape not that landscape
you used to skirt and redraw.

I see you crossing soybean fields 
dauntless and determined like an African woman 
balancing a basket on her head.

I wish I could plunge my fingers
into your fur dense and wavier 
and pretend I hadn’t counted your vertebrae. 

Cracks smash the meadow, unsteady 
the narrow access to the bight, boots tag along 
tearing off lianas behind you.

The damp of splashes in the swoosh and chirp
of countless plants and flights
over four thousand four hundred eighty-six days.

Pervasive your gaze on things
the way you located yourself in space
never arbitrary.

Head held down to meet mine
wilderness and wild thistles’ scent
bora.

When dismay floods in, sudden
a pang of loneliness sucks up the void
crushing it in the throat tightened 

as if by rope.
Thus you unveiled surrender and
what has been will not be.

Elegia
Il fiume non è più quel fiume 
il paesaggio non più quel paesaggio
che eri solita costeggiare e ridisegnare. 

Ti vedo attraversare i campi di soia
impavida e determinata come una donna africana
la cesta sul capo.

Vorrei poter affondare le mie dita
nel tuo pelo spesso e ondulato
e fingere di non aver contato le vertebre.

Crepe spaccano il terreno, instabile 
lo stretto accesso all’ansa, gli stivali inseguono 
strappano liane dietro di voi.

Umido di schizzi nel fruscio e cinguettio
di innumerevoli piante e voli
in quattromilaquattrocentoottantasei giorni.

Pervasivo il tuo sguardo sulle cose 
il modo di posizionarti nello spazio
mai casuale.

La testa abbassata a incontrare la mia 
odore di landa e cardi selvatici
bora.

Quando assale improvviso lo sgomento 
una fitta di solitudine risucchia il vuoto
e lo preme nella gola costretta 

come da corda.
Così hai rivelato la resa e
ciò che è stato non sarà.

Elegy/Elegia (Mario Sboarina & Ilaria Boffa)

Piano+chant : en hommage à l'univers incroyablement onirique, poétique du peintre Antoine Watteau ( et au 18ème siècle, siècle des ombres et des Lumières)

Comme Dans Une Toile De Watteau

A kaleidoscopic depiction of my sense of wonder.
Haiku text by fectoper.
Haiku musical theme (initial koto loop) by Eva Grill https://soundcloud.com/eagri1967

Your mind's labyrinths.
Light that shines beyond your eyes.
The Universe blinks.

Haiku recited by an AI voice from https://speechgen.io/. 
No humans were harmed during the process.

My sense of wonder

My Sense Of Wonder

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FRIENDS

Poetry, Field recording and the Human Human

'I use this space to offer an experience of Sonopoetry, the voice of verses combined with field/sound recording and music collaborations.
Writing and composition marked the passage from pre-history to history for human beings. I firmly believe that writing&listening (active care/empathy and full attention to each and every sound from each and every living and non living being) could inform, guide and represent the Posthuman era that I'll call Human Human era -from sapiens sapiens to human human.
The contemporary alliance between the disciplines of Art, Science and Philosophy elicits the conceptualisation of the Posthuman that to me also implies the transition from the Anthropocene to the Age of Art as a driver of thought and vision. I advocate the responsibility to assign a 'more than human' meaning to the Posthuman concept, that's why Human Human, in order to emphasise the human core, the genetic connection to bio and non-bio diversity as per the Biophilia Hypothesis.
Are we listening?'

Born 6 January 1972, Ilaria Boffa is an Italian poet and sound recordist. 
She has published four poetry collections and she is one of the eight authors included in the North East American Association publication ‘Writing in a Different Language’ Vol XL 2018.
Over the last years, she has been experimenting with field recording, blending her spoken word with sound.
Publications:
Beginnings & Other tragedies/Inizi e Altre Tragedie, 2023, book of poems (Eng/Ita)
https://www.valleypressuk.com/shop/p/beginnings-tragedies

About Sounds About Us/Di Suoni e di Noi, 2019, book of poems (Eng/Ita)
http://www.samueleeditore.it/about-sounds-about-us-ilaria-boffa/

Writing in A Different Language, volume XL NeMLA publications (Northeast Modern Language Association), College of New Jersey, 2018
http://www.buffalo.edu/nemla/publications/nis/past/volume-xl.html

The Bliss of Hush and Wires/Periferie, 2016, book of poems (Eng/Ita)
http://www.samueleeditore.it/periferie-the-bliss-of-hush-and-wires-ilaria-boffa-2/

Elegy/Elegia (Mario Sboarina & Ilaria Boffa)

Ilaria Boffa

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